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Cormac McCarthy: All The Pretty Horses

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Cormac McCarthy All The Pretty Horses

All The Pretty Horses: краткое содержание, описание и аннотация

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In All the Pretty Horses, Cormac McCarthy begins his Border Trilogy with a coming of age tale that is a departure from the bizarre richness and mysterious violence of his early novels, yet in many ways preserves the mystery and the richness in a more understated form. Like Blood Meridian, this novel follows a young man's journey to the regions of the unknown. John Grady Cole, more heroic than the protagonists of McCarthy's earlier novels, confronts the evil that is an inescapable part of the universe as well as the evil that grows out of his own ignorance and pride. His story is told in a style often restrained and simple, embedded with lyrical passages that echo his dreams and memory. In the spring of 1948 on a small Texas ranch, sixteen year old John Grady Cole attends the funeral of his grandfather, with whom he has lived since his parents' separation. The grandfather's ranch has been left to John Grady's mother, a small-time actress who has no interest in it and will sell it. John Grady's father, psychologically damaged by World War II and now physically ill as well, tells his son goodbye. With no apparent future in Texas, and sensing the threat of the new era to the traditional life he values, John Grady urges his old friend Rawlins to accompany him to Mexico. There, John Grady will find that his innocence, or ignorance, will ultimately lead him close to destruction. Before reaching the border they meet Jimmy Blevins, a dangerous young boy on a magnificent horse. Even though Cole and Rawlins do not trust Blevins and are sure his horse is stolen, they allow him to join them despite their doubts. As they ride into Mexico, they realize that they are no longer in a world that they can understand. When Blevins' clothes and horse disappear during a thunderstorm, they search a nearby Mexican town, where they find the clothes and finally the horse. In spite of Rawlins' voiced forebodings, Blevins steals the horse back, and as John Grady and Rawlins flee the town Blevins gallops past them, pursued by armed men. John Grady and Rawlins ride south, coming at last to a ranch, the Hacienda de Nuestra Senora de la Purisima Conception. As they talk with the vaqueros about the possibility of employment, John Grady sees a beautiful girl on a black horse, Alejandra, the daughter of hacendado Don Hector Rocha y Villareal. The heir of an aristocratic family, Don Hector is avidly interested in breeding wild mountain horses with his own stock, so John Grady and Rawlins join the vaqueros; John Grady amazes everyone with his ability to break the wild horses quickly and gently. When Don Hector questions Cole about his past, he omits the episode with Blevins and the fact that he and Rawlins may now be wanted as accomplices in Blevins's horse theft. Concerned about his blossoming relationship with Alejandra, Duena Alfonsa, Don Hector's aunt and Alejandra's godmother, warns John Grady away from the rebellious girl, and informs him that Don Hector will never allow her to marry an American, especially a poor one. But Alejandra comes to him one night and they become lovers. A few days later John Grady and Rawlins are arrested and taken to a jail in Encantada, where Blevins is already imprisoned for the murder of three men. While the three Americans are transported to the state prison at Saltillo, Blevins is taken from the group and shot. At the prison, they are questioned and beaten, and Rawlins is injured seriously. John Grady, attacked by another prisoner, whom he must kill, learns that evil exists not only in the world but in himself. When he and Rawlins are suddenly released as mysteriously as they were arrested, Rawlins returns to Texas. But John Grady goes back to La Purisima to search for Alejandra, who is not there. Once again Duena Alfonsa makes clear to him the impossibility of the match. She tells her own story of the power of ignorance and evil (her love for a man who was killed by a mob after helping depose the dictator Diaz) and of her determination to protect Alejandra. Although John Grady does meet Alejandra one last time at a hotel in Zacatecas, it is only as a farewell: she chooses her family's approval (and perhaps their money). In pain, Cole returns to Encantada where he finds Blevins's horse, innocent like all animals and yet the cause of much death and loss. John Grady captures both the horse and the brutal police captain who shot Blevins, and heads homeward. En route, the captain is seized by brigands with a score to settle with him, and John Grady finally returns to Texas. He finds even less there than before: his father and his childhood nurse are both dead. He rides on with the stolen horse, seeking to restore it to its rightful owner. John Grady has learned, but not yet enough; he has left home and returned a changed man, but there is no home to receive him. All the Pretty Horses is a hero's quest without a neat resolution, a book in which the strange light of mythic struggles shines through the quick-paced adventure. The Border Trilogy continues with Volume Two, The Crossing, and concludes with the third volume, Cities of the Plain.

Cormac McCarthy: другие книги автора


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I dont have any sayso.

You're a minor.

What about my father.

Franklin leaned back again. That's a sticky issue, he said.

They aint divorced.

Yes they are.

The boy looked up.

It's a matter of public record so I dont guess it's out of confidence. It was in the paper.

When?

It was made final three weeks ago.

He looked down. Franklin watched him.

It was final before the old man died.

The boy nodded. I see what you're sayin, he said.

It's a sorry piece of business, son. But I think the way it is is the way it's goin to be.

Couldnt you talk to her?

I did talk to her.

What did she say?

It dont matter what she said. She aint goin to change her mind.

He nodded. He sat looking down into his hat.

Son, not everbody thinks that life on a cattle ranch in west Texas is the second best thing to dyin and goin to heaven. She dont want to live out there, that's all. If it was a payin proposition that'd be one thing. But it aint.

It could be.

Well, I dont aim to get in a discussion about that. Anyway, she's a young woman and my guess is she'd like to have a little more social life than what she's had to get used to.

She's thirty-six years old.

The lawyer leaned back. He swiveled slightly in the chair, he tapped his lower lip with his forefinger. It's his own damned fault. He signed ever paper they put in front of him. Never lifted a hand to save himself. Hell, I couldnt tell him. I told him to get a lawyer. Told? I begged him.

Yeah, I know.

Wayne tells me he's quit goin to the doctor.

He nodded. Yeah. Well, I thank you for your time.

I'm sorry not to have better news for you. You damn sure welcome to talk to somebody else.

That's all right.

What are you doin out of school today?

I laid out.

The lawyer nodded. Well, he said. That would explain it. The boy rose and put on his hat. Thanks, he said.

The lawyer stood.

Some things in this world cant be helped, he said. And I believe this is probably one of em.

Yeah, the boy said.

AFTER CHRISTMAS She was gone all the time. He and Luisa and Arturo sat in the kitchen. Luisa couldnt talk about it without crying so they didnt talk about it. No one had even told her mother, who'd been on the ranch since before the turn of the century. Finally Arturo had to tell her. She listened and nodded and turned away and that was all.

In the morning he was standing by the side of the road at daybreak with a clean shirt and a pair of socks in a leather satchel together with his toothbrush and razor and shavingbrush. The satchel had belonged to his grandfather and the blanketlined duckingcoat he wore had been his father's. The first car that passed stopped for him. He got in and set the satchel on the floor and rubbed his hands together between his knees. The driver leaned across him and tried the door and then pulled the tall gearlever down into first and they set out.

That door dont shut good. Where are you goin?

San Antonio.

Well I'm goin as far as Brady Texas.

I appreciate it.

You a cattlebuyer?

Sir?

The man nodded at the satchel with its straps and brass catches. I said are you a cattlebuyer.

No sir. That's just my suitcase.

I allowed maybe you was a cattlebuyer. How long you been standin out there?

Just a few minutes.

The man pointed to a plastic knob on the dash that glowed a dull orange color. This thing's got a heater in it but it dont put out much. Can you feel it?

Yessir. Feels pretty good to me.

The man nodded at the gray and malignant dawn. He moved his leveled hand slowly before him. You see that? he said.

Yessir.

He shook his head. I despise the wintertime. I never did see what was the use in there even bein one.

He looked at John Grady.

You dont talk much, do you? he said.

Not a whole lot.

That's a good trait to have.

It was about a two hour drive to Brady.

They drove through the town and the man let him out on the other side.

You stay on Eighty-seven when you get to Fredericksburg. Dont get off on Two-ninety you'll wind up in Austin. You hear?

Yessir. I appreciate it.

He shut the door and the man nodded and lifted one hand and the car turned around in the road and went back. The next car by stopped and he climbed in.

How far you goin? the man said.

Snow was falling in the San Saba when they crossed it and snow was falling on the Edwards Plateau and in the Balcones the limestone was white with snow and he sat watching out while the gray flakes flared over the windshield glass in the sweep of the wipers. A translucent slush had begun to form along the edge of the blacktop and there was ice on the bridge over the Pedernales. The green water sliding slowly away past the dark bankside trees. The mesquites by the road so thick with mistletoe they looked like liveoaks. The driver sat hunched up over the wheel whistling silently to himself. They got into San Antonio at three oclock in the afternoon in a driving snowstorm and he climbed out and thanked the man and walked up the street and into the first cafe he came to and sat at the counter and put the satchel on the stool beside him. He took the little paper menu out of the holder and opened it and looked at it and looked at the clock on the back wall. The waitress set a glass of water in front of him.

Is it the same time here as it is in San Angelo? he said.

I knew you was goin to ask me somethin like that, she said. You had that look.

Do you not know?

I never been in San Angelo Texas in my life.

I'd like a cheeseburger and a chocolate milk.

Are you here for the rodeo?

No.

It's the same time, said a man down the counter.

He thanked him.

Same time, the man said. Same time.

She finished writing on her pad and looked up. I wouldnt go by nothin he said.

He walked around town in the snow. It grew dark early. He stood on the Commerce Street bridge and watched the snow vanish in the river. There was snow on the parked cars and the traffic in the street by dark had slowed to nothing, a few cabs or trucks, headlights making slowly through the falling snow and passing in a soft rumble of tires. He checked into the YMCA on Martin Street and paid two dollars for his room and went upstairs. He took off his boots and stood them on the radiator and took off his socks and draped them over the radiator beside the boots and hung up his coat and stretched out on the bed with his hat over his eyes.

At ten till eight he was standing in front of the boxoffice in his clean shirt with his money in his hand. He bought a seat in the balcony third row and paid a dollar twenty-five for it.

I never been here before, he said.

It's a good seat, the girl said.

He thanked her and went in and tendered his ticket to an usher who led him over to the red carpeted stairs and handed him the ticket back. He went up and found his seat and sat waiting with his hat in his lap. The theatre was half empty. When the lights dimmed some of the people in the balcony about him got up and moved forward to seats in front. Then the curtain rose and his mother came through a door onstage and began talking to a woman in a chair.

At the intermission he rose and put on his hat and went down to the lobby and stood in a gilded alcove and rolled a cigarette and stood smoking it with one boot jacked back against the wall behind him. He was not unaware of the glances that drifted his way from the theatregoers. He'd turned up one leg of his jeans into a small cuff and from time to time he leaned and tipped into this receptacle the soft white ash of his cigarette. He saw a few men in boots and hats and he nodded gravely to them, they to him. After a while the lights in the lobby dimmed again.

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