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Cormac McCarthy: All The Pretty Horses

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Cormac McCarthy All The Pretty Horses

All The Pretty Horses: краткое содержание, описание и аннотация

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In All the Pretty Horses, Cormac McCarthy begins his Border Trilogy with a coming of age tale that is a departure from the bizarre richness and mysterious violence of his early novels, yet in many ways preserves the mystery and the richness in a more understated form. Like Blood Meridian, this novel follows a young man's journey to the regions of the unknown. John Grady Cole, more heroic than the protagonists of McCarthy's earlier novels, confronts the evil that is an inescapable part of the universe as well as the evil that grows out of his own ignorance and pride. His story is told in a style often restrained and simple, embedded with lyrical passages that echo his dreams and memory. In the spring of 1948 on a small Texas ranch, sixteen year old John Grady Cole attends the funeral of his grandfather, with whom he has lived since his parents' separation. The grandfather's ranch has been left to John Grady's mother, a small-time actress who has no interest in it and will sell it. John Grady's father, psychologically damaged by World War II and now physically ill as well, tells his son goodbye. With no apparent future in Texas, and sensing the threat of the new era to the traditional life he values, John Grady urges his old friend Rawlins to accompany him to Mexico. There, John Grady will find that his innocence, or ignorance, will ultimately lead him close to destruction. Before reaching the border they meet Jimmy Blevins, a dangerous young boy on a magnificent horse. Even though Cole and Rawlins do not trust Blevins and are sure his horse is stolen, they allow him to join them despite their doubts. As they ride into Mexico, they realize that they are no longer in a world that they can understand. When Blevins' clothes and horse disappear during a thunderstorm, they search a nearby Mexican town, where they find the clothes and finally the horse. In spite of Rawlins' voiced forebodings, Blevins steals the horse back, and as John Grady and Rawlins flee the town Blevins gallops past them, pursued by armed men. John Grady and Rawlins ride south, coming at last to a ranch, the Hacienda de Nuestra Senora de la Purisima Conception. As they talk with the vaqueros about the possibility of employment, John Grady sees a beautiful girl on a black horse, Alejandra, the daughter of hacendado Don Hector Rocha y Villareal. The heir of an aristocratic family, Don Hector is avidly interested in breeding wild mountain horses with his own stock, so John Grady and Rawlins join the vaqueros; John Grady amazes everyone with his ability to break the wild horses quickly and gently. When Don Hector questions Cole about his past, he omits the episode with Blevins and the fact that he and Rawlins may now be wanted as accomplices in Blevins's horse theft. Concerned about his blossoming relationship with Alejandra, Duena Alfonsa, Don Hector's aunt and Alejandra's godmother, warns John Grady away from the rebellious girl, and informs him that Don Hector will never allow her to marry an American, especially a poor one. But Alejandra comes to him one night and they become lovers. A few days later John Grady and Rawlins are arrested and taken to a jail in Encantada, where Blevins is already imprisoned for the murder of three men. While the three Americans are transported to the state prison at Saltillo, Blevins is taken from the group and shot. At the prison, they are questioned and beaten, and Rawlins is injured seriously. John Grady, attacked by another prisoner, whom he must kill, learns that evil exists not only in the world but in himself. When he and Rawlins are suddenly released as mysteriously as they were arrested, Rawlins returns to Texas. But John Grady goes back to La Purisima to search for Alejandra, who is not there. Once again Duena Alfonsa makes clear to him the impossibility of the match. She tells her own story of the power of ignorance and evil (her love for a man who was killed by a mob after helping depose the dictator Diaz) and of her determination to protect Alejandra. Although John Grady does meet Alejandra one last time at a hotel in Zacatecas, it is only as a farewell: she chooses her family's approval (and perhaps their money). In pain, Cole returns to Encantada where he finds Blevins's horse, innocent like all animals and yet the cause of much death and loss. John Grady captures both the horse and the brutal police captain who shot Blevins, and heads homeward. En route, the captain is seized by brigands with a score to settle with him, and John Grady finally returns to Texas. He finds even less there than before: his father and his childhood nurse are both dead. He rides on with the stolen horse, seeking to restore it to its rightful owner. John Grady has learned, but not yet enough; he has left home and returned a changed man, but there is no home to receive him. All the Pretty Horses is a hero's quest without a neat resolution, a book in which the strange light of mythic struggles shines through the quick-paced adventure. The Border Trilogy continues with Volume Two, The Crossing, and concludes with the third volume, Cities of the Plain.

Cormac McCarthy: другие книги автора


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He sat leaning forward in the seat with his elbows on the empty seatback in front of him and his chin on his forearms and he watched the play with great intensity. He'd the notion that there would be something in the story itself to tell him about the way the world was or was becoming but there was not. There was nothing in it at all. When the lights came up there was applause and his mother came forward several times and all the cast assembled across the stage and held hands and bowed and then the curtain closed for good and the audience rose and made their way up the aisles. He sat for a long time in the empty theatre and then he stood and put on his hat and went out into the cold.

When he set out in the morning to get his breakfast it was still dark and the temperature stood at zero. There was half afoot of snow on the ground in Travis Park. The only cafe open was a Mexican one and he ordered huevos rancheros and coffee and sat looking through the paper. He thought there'd be something in the paper about his mother but there wasnt. He was the only customer in the cafe. The waitress was a young girl and she watched him. When she set the platter down he put the paper aside and pushed his cup forward.

Más cafe? she said.

Sí por favor.

She brought the coffee. Hace mucho frío, she said.

Bastante.

He walked up Broadway with his hands in his coatpockets and his collar turned up against the wind. He walked into the lobby of the Menger Hotel and sat in one of the lounge chairs and crossed one boot over the other and opened the paper.

She came through the lobby about nine oclock. She was on the arm of a man in a suit and a topcoat and they went out the door and got into a cab.

He sat there for a long time. After a while he got up and folded the paper and went to the desk. The clerk looked up at him.

Have you got a Mrs Cole registered? he said.

Cole?

Yes.

Just a minute.

The clerk turned away and checked the registrations. He shook his head. No, he said. No Cole.

Thanks, he said.

THEY RODE TOGETHER a last time on a day in early March when the weather had already warmed and yellow mexicanhat bloomed by the roadside. They unloaded the horses at McCullough's and rode up through the middle pasture along Grape Creek and into the low hills. The creek was clear and green with trailing moss braided over the gravel bars. They rode slowly up through the open country among scrub mesquite and nopal. They crossed from Tom Green County into Coke County. They crossed the old Schoonover road and they rode up through broken hills dotted with cedar where the ground was cobbled with traprock and they could see snow on the thin blue ranges a hundred miles to the north. They scarcely spoke all day. His father rode sitting forward slightly in the saddle, holding the reins in one hand about two inches above the saddlehorn. So thin and frail, lost in his clothes. Looking over the country with those sunken eyes as if the world out there had been altered or made suspect by what he'd seen of it elsewhere. As if he might never see it right again. Or worse did see it right at last. See it as it had always been, would forever be. The boy who rode on slightly before him sat a horse not only as if he'd been born to it which he was but as if were he begot by malice or mischance into some queer land where horses never were he would have found them anyway. Would have known that there was something missing for the world to be right or he right in it and would have set forth to wander wherever it was needed for as long as it took until he came upon one and he would have known that that was what he sought and it would have been.

In the afternoon they passed through the ruins of an old ranch on that stony mesa where there were crippled fenceposts propped among the rocks that carried remnants of a wire not seen in that country for years. An ancient pickethouse. The wreckage of an old wooden windmill fallen among the rocks. They rode on. They walked ducks up out of potholes and in the evening they descended through low rolling hills and across the red clay floodplain into the town of Robert Lee.

They waited until the road was clear before they walked the horses. over the board bridge. The river was red with mud. They rode up Commerce Street and turned up Seventh and rode up Austin Street past the bank and dismounted and tied their horses in front of the cafe and went in.

The proprietor came over to take their order. He called them by name. His father looked up from the menu.

Go ahead and order, he said. He wont be here for a hour. What are you havin?

I think I'll just have some pie and coffee.

What kind of pie you got? the boy said.

The proprietor looked toward the counter.

Go on and get somethin to eat, his father said. I know you're hungry.

They ordered and the proprietor brought their coffee and went back to the counter. His father took a cigarette out of his shirtpocket.

You thought any more about boardin your horse?

Yeah, the boy said. Thought about it…

Wallace might let you feed and swamp out stalls and such as that. Trade it out thataway.

He aint goin to like it.

Who, Wallace?

No. Redbo.

His father smoked. He watched him.

You still seein that Barnett girl?

He shook his head.

She quit you or did you quit her?

I dont know.

That means she quit you.

Yeah.

His father nodded. He smoked. Two horsemen passed outside in the road and they studied them and the animals they rode. His father stirred his coffee a long time. There was nothing to stir because he drank it black. He took the spoon and laid it smoking on the paper napkin and raised the cup and looked at it and drank. He was still looking out the window although there was nothing there to see.

Your mother and me never agreed on a whole lot. She liked horses. I thought that was enough. That's how dumb I was. She was young and I thought she'd outgrow some of the notions she had but she didnt. Maybe they were just notions to me. It wasnt just the war. We were married ten years before the war come along. She left out of here. She was gone from the time you were six months old till you were about three. I know you know somethin about that and it was a mistake not to of told you. We separated. She was in California. Luisa looked after you. Her and Abuela.

He looked at the boy and he looked out the window again.

She wanted me to go out there, he said.

Why didnt you?

I did. I didnt last long at it.

The boy nodded.

She come back because of you, not me. I guess that's what I wanted to say.

Yessir.

The proprietor brought the boy's dinner and the pie. The boy reached for the salt and pepper. He didnt look up. The proprietor brought the coffeepot and filled their cups and went away. His father stubbed out his cigarette and picked up his fork and stabbed at the pie with it.

She's goin to be around a long longern me. I'd like to see you all make up your differences.

The boy didnt answer.

I wouldnt be here if it wasnt for her. When I was in Goshee I'd talk to her by the hour. I made her out to be like somebody who could do anything. I'd tell her about some of the other old boys that I didnt think was goin to make it and I'd ask her to look after them and to pray for them. Some of them did make it too. I guess I was a little crazy. Part of the time anyway. But if it hadnt of been for her I wouldnt of made it. No way in this world. I never told that to nobody. She dont even know it.

The boy ate. Outside it was growing dark. His father drank coffee. They waited for Arturo to come with the truck. The last thing his father said was that the country would never be the same.

People dont feel safe no more, he said. We're like the Comanches was two hundred years ago. We dont know what's goin to show up here come daylight. We dont even know what color they'll be.

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