Cormac McCarthy - All The Pretty Horses

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In All the Pretty Horses, Cormac McCarthy begins his Border Trilogy with a coming of age tale that is a departure from the bizarre richness and mysterious violence of his early novels, yet in many ways preserves the mystery and the richness in a more understated form. Like Blood Meridian, this novel follows a young man's journey to the regions of the unknown. John Grady Cole, more heroic than the protagonists of McCarthy's earlier novels, confronts the evil that is an inescapable part of the universe as well as the evil that grows out of his own ignorance and pride. His story is told in a style often restrained and simple, embedded with lyrical passages that echo his dreams and memory.
In the spring of 1948 on a small Texas ranch, sixteen year old John Grady Cole attends the funeral of his grandfather, with whom he has lived since his parents' separation. The grandfather's ranch has been left to John Grady's mother, a small-time actress who has no interest in it and will sell it. John Grady's father, psychologically damaged by World War II and now physically ill as well, tells his son goodbye. With no apparent future in Texas, and sensing the threat of the new era to the traditional life he values, John Grady urges his old friend Rawlins to accompany him to Mexico. There, John Grady will find that his innocence, or ignorance, will ultimately lead him close to destruction.
Before reaching the border they meet Jimmy Blevins, a dangerous young boy on a magnificent horse. Even though Cole and Rawlins do not trust Blevins and are sure his horse is stolen, they allow him to join them despite their doubts. As they ride into Mexico, they realize that they are no longer in a world that they can understand. When Blevins' clothes and horse disappear during a thunderstorm, they search a nearby Mexican town, where they find the clothes and finally the horse. In spite of Rawlins' voiced forebodings, Blevins steals the horse back, and as John Grady and Rawlins flee the town Blevins gallops past them, pursued by armed men.
John Grady and Rawlins ride south, coming at last to a ranch, the Hacienda de Nuestra Senora de la Purisima Conception. As they talk with the vaqueros about the possibility of employment, John Grady sees a beautiful girl on a black horse, Alejandra, the daughter of hacendado Don Hector Rocha y Villareal. The heir of an aristocratic family, Don Hector is avidly interested in breeding wild mountain horses with his own stock, so John Grady and Rawlins join the vaqueros; John Grady amazes everyone with his ability to break the wild horses quickly and gently.
When Don Hector questions Cole about his past, he omits the episode with Blevins and the fact that he and Rawlins may now be wanted as accomplices in Blevins's horse theft. Concerned about his blossoming relationship with Alejandra, Duena Alfonsa, Don Hector's aunt and Alejandra's godmother, warns John Grady away from the rebellious girl, and informs him that Don Hector will never allow her to marry an American, especially a poor one. But Alejandra comes to him one night and they become lovers.
A few days later John Grady and Rawlins are arrested and taken to a jail in Encantada, where Blevins is already imprisoned for the murder of three men. While the three Americans are transported to the state prison at Saltillo, Blevins is taken from the group and shot. At the prison, they are questioned and beaten, and Rawlins is injured seriously. John Grady, attacked by another prisoner, whom he must kill, learns that evil exists not only in the world but in himself. When he and Rawlins are suddenly released as mysteriously as they were arrested, Rawlins returns to Texas.
But John Grady goes back to La Purisima to search for Alejandra, who is not there. Once again Duena Alfonsa makes clear to him the impossibility of the match. She tells her own story of the power of ignorance and evil (her love for a man who was killed by a mob after helping depose the dictator Diaz) and of her determination to protect Alejandra. Although John Grady does meet Alejandra one last time at a hotel in Zacatecas, it is only as a farewell: she chooses her family's approval (and perhaps their money). In pain, Cole returns to Encantada where he finds Blevins's horse, innocent like all animals and yet the cause of much death and loss. John Grady captures both the horse and the brutal police captain who shot Blevins, and heads homeward. En route, the captain is seized by brigands with a score to settle with him, and John Grady finally returns to Texas.
He finds even less there than before: his father and his childhood nurse are both dead. He rides on with the stolen horse, seeking to restore it to its rightful owner. John Grady has learned, but not yet enough; he has left home and returned a changed man, but there is no home to receive him. All the Pretty Horses is a hero's quest without a neat resolution, a book in which the strange light of mythic struggles shines through the quick-paced adventure.
The Border Trilogy continues with Volume Two, The Crossing, and concludes with the third volume, Cities of the Plain.

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His grandfather was the oldest of eight boys and the only one to live past the age of twenty-five. They were drowned, shot, kicked by horses. They perished in fires. They seemed to fear only dying in bed. The last two were killed in Puerto Rico in eighteen ninety-eight and in that year he married and brought his bride home to the ranch and he must have walked out and stood looking at his holdings and reflected long upon the ways of God and the laws of primogeniture. Twelve years later when his wife was carried off in the influenza epidemic they still had no children. A year later he married his dead wife's older sister and a year after this the boy's mother was born and that was all the borning that there was. The Grade name was buried with that old man the day the norther blew the lawnchairs over the dead cemetery grass. The boy's name was Cole. John Grade Cole.

HE MET his father in the lobby of the St Angelus and they walked up Chadbourne Street to the Eagle Cafe and sat in a booth at the back. Some at the tables stopped talking when they came in. A few men nodded to his father and one said his name.

The waitress called evervbodv doll. She took their order and flirted with him. His father took out his cigarettes and lit one and put the pack on the table and put his Third Infantry Zippo lighter on top of it and leaned back and smoked and looked at him. He told him his uncle Ed Alison had gone up to the preacher after the funeral was said and shook his hand, the two of them standing there holding onto their hats and leaning thirty degrees into the wind like vaudeville comics while the canvas flapped and raged about them and the funeral attendants raced over the grounds after the lawnchairs, and he'd leaned into the preacher's face and screamed at him that it was a good thing they'd held the burial that morning because the way it was making up this thing could turn off into a real blow before the day was out.

His father laughed silently. Then he fell to coughing. He took a drink of water and sat smoking and shaking his head.

Buddy when he come back from up in the panhandle told me one time it quit blowin up there and all the chickens fell over.

The waitress brought their coffee. Here you go, doll, she said. I'll have your all's orders up in just a minute.

She's gone to San Antonio, the boy said.

Dont call her she.

Mama.

I know it.

They drank their coffee.

What do you aim to do?

About what?

About anything.

She can go where she wants to.

The boy watched him. You aint got no business smokin them things, he said.

His father pursed his lips and drummed his fingers on the table and looked up. When I come around askin you what I'm supposed to do you'll know you're big enough to tell me, he said.

Yessir.

You need any money?

No.

He watched the boy. You'll be all right, he said.

The waitress brought their dinner, thick china lunchplates with steak and gravy and potatoes and beans.

I'll get your all's bread.

His father tucked his napkin into his shirt.

It aint me I was worried about, the boy said. Can I say that?

His father took up his knife and cut into the steak. Yeah, he said. You can say that.

The waitress brought the basket of rolls and set it on the table and went away. They ate. His father didn't eat much. After a while he pushed the plate back with his thumb and reached and got another cigarette and tapped it against the lighter and put it in his mouth and lit it.

You can say whatever's on your mind. Hell. You can bitch at me about smokin if you want.

The boy didnt answer.

You know it aint what I wanted dont you? Yeah. I know that.

You lookin after Rosco good? He aint been rode.

Why dont we go Saturday. All right.

You dont have to if you got somethin else to do. I aint got nothin else to do.

His father smoked, he watched him.

You dont have to if you dont want to, he said. I want to.

Can you and Arturo load and pick me up in town? Yeah.

What time?

What time'll you be up? I'll get up.

We'll be there at eight. I'll be up.

The boy nodded. He ate. His father looked around. I wonder who you need to see in this place to get some coffee, he said.

HE AND RAWLINS had unsaddled the horses and turned them out in the dark and they were lying on the saddleblankets and using the saddles for pillows. The night was cold and clear and the sparks rising from the fire raced hot and red among the stars. They could hear the trucks out on the highway and they could see the lights of the town reflected off the desert fifteen miles to the north.

What do you aim to do? Rawlins said.

I dont know. Nothin.

I dont know what you expect. Him two years oldern you. Got his own car and everthing.

There aint nothin to him. Never was.

What did she say?

She didnt say nothin. What would she say? There aint nothin to say.

Well I dont know what you expect.

I dont expect nothin.

Are you goin on Saturday?

No.

Rawlins took a cigarette out of his shirtpocket and sat up and took a coal from the fire and lit the cigarette. He sat smoking. I wouldnt let her get the best of me, he said.

He tipped the ash from the end of the cigarette against the heel of his boot.

She aint worth it. None of em are.

He didnt answer for a while. Then he said: Yes they are.

When he got back he rubbed down the horse and put him up and walked up to the house to the kitchen. Luisa had gone to bed and the house was quiet. He put his hand on the coffeepot to test it and he took down a cup and poured it and walked out and up the hallway.

He entered his grandfather's office and went to the desk and turned on the lamp and sat down in the old oak swivelchair. On the desk was a small brass calendar mounted on swivels that changed dates when you tipped it over in its stand. It still said September 13th. An ashtray. A glass paperweight. A blotter that said Palmer Feed and Supply. His mother's highschool graduation picture in a small silver frame.

The room smelled of old cigarsmoke. He leaned and turned off the little brass lamp and sat in the dark. Through the front window he could see the starlit prairie falling away to the north. The black crosses of the old telegraph poles yoked across the constellations passing east to west. His grandfather said the Comanche would cut the wires and splice them back with horsehair. He leaned back and crossed his boots on the desktop. Dry lightning to the north, forty miles distant. The clock struck eleven in the front room across the hall.

She came down the stairs and stood in the office doorway and turned on the wall switch light. She was in her robe and she stood with her arms cradled against her, her elbows in her palms. He looked at her and looked out the window again.

What are you doing? she said.

Settin.

She stood there in her robe for a long time. Then she turned and went back down the hall and up the stairs again. When he heard her door close he got up and turned off the light.

There were a few last warm days yet and in the afternoon sometimes he and his father would sit in the hotel room in the white wicker furniture with the window open and the thin crocheted curtains blowing into the room and they'd drink coffee and his father would pour a little whiskey in his own cup and sit sipping it and smoking and looking down at the street. There were oilfield scouts' cars parked along the street that looked like they'd been in a warzone.

If you had the money would you buy it? the boy said.

I had the money and I didnt.

You mean your backpay from the army?

No. Since then.

What's the most you ever won?

You dont need to know. Learn bad habits.

Why dont I bring the chessboard up some afternoon?

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