Cormac McCarthy - All The Pretty Horses

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In All the Pretty Horses, Cormac McCarthy begins his Border Trilogy with a coming of age tale that is a departure from the bizarre richness and mysterious violence of his early novels, yet in many ways preserves the mystery and the richness in a more understated form. Like Blood Meridian, this novel follows a young man's journey to the regions of the unknown. John Grady Cole, more heroic than the protagonists of McCarthy's earlier novels, confronts the evil that is an inescapable part of the universe as well as the evil that grows out of his own ignorance and pride. His story is told in a style often restrained and simple, embedded with lyrical passages that echo his dreams and memory.
In the spring of 1948 on a small Texas ranch, sixteen year old John Grady Cole attends the funeral of his grandfather, with whom he has lived since his parents' separation. The grandfather's ranch has been left to John Grady's mother, a small-time actress who has no interest in it and will sell it. John Grady's father, psychologically damaged by World War II and now physically ill as well, tells his son goodbye. With no apparent future in Texas, and sensing the threat of the new era to the traditional life he values, John Grady urges his old friend Rawlins to accompany him to Mexico. There, John Grady will find that his innocence, or ignorance, will ultimately lead him close to destruction.
Before reaching the border they meet Jimmy Blevins, a dangerous young boy on a magnificent horse. Even though Cole and Rawlins do not trust Blevins and are sure his horse is stolen, they allow him to join them despite their doubts. As they ride into Mexico, they realize that they are no longer in a world that they can understand. When Blevins' clothes and horse disappear during a thunderstorm, they search a nearby Mexican town, where they find the clothes and finally the horse. In spite of Rawlins' voiced forebodings, Blevins steals the horse back, and as John Grady and Rawlins flee the town Blevins gallops past them, pursued by armed men.
John Grady and Rawlins ride south, coming at last to a ranch, the Hacienda de Nuestra Senora de la Purisima Conception. As they talk with the vaqueros about the possibility of employment, John Grady sees a beautiful girl on a black horse, Alejandra, the daughter of hacendado Don Hector Rocha y Villareal. The heir of an aristocratic family, Don Hector is avidly interested in breeding wild mountain horses with his own stock, so John Grady and Rawlins join the vaqueros; John Grady amazes everyone with his ability to break the wild horses quickly and gently.
When Don Hector questions Cole about his past, he omits the episode with Blevins and the fact that he and Rawlins may now be wanted as accomplices in Blevins's horse theft. Concerned about his blossoming relationship with Alejandra, Duena Alfonsa, Don Hector's aunt and Alejandra's godmother, warns John Grady away from the rebellious girl, and informs him that Don Hector will never allow her to marry an American, especially a poor one. But Alejandra comes to him one night and they become lovers.
A few days later John Grady and Rawlins are arrested and taken to a jail in Encantada, where Blevins is already imprisoned for the murder of three men. While the three Americans are transported to the state prison at Saltillo, Blevins is taken from the group and shot. At the prison, they are questioned and beaten, and Rawlins is injured seriously. John Grady, attacked by another prisoner, whom he must kill, learns that evil exists not only in the world but in himself. When he and Rawlins are suddenly released as mysteriously as they were arrested, Rawlins returns to Texas.
But John Grady goes back to La Purisima to search for Alejandra, who is not there. Once again Duena Alfonsa makes clear to him the impossibility of the match. She tells her own story of the power of ignorance and evil (her love for a man who was killed by a mob after helping depose the dictator Diaz) and of her determination to protect Alejandra. Although John Grady does meet Alejandra one last time at a hotel in Zacatecas, it is only as a farewell: she chooses her family's approval (and perhaps their money). In pain, Cole returns to Encantada where he finds Blevins's horse, innocent like all animals and yet the cause of much death and loss. John Grady captures both the horse and the brutal police captain who shot Blevins, and heads homeward. En route, the captain is seized by brigands with a score to settle with him, and John Grady finally returns to Texas.
He finds even less there than before: his father and his childhood nurse are both dead. He rides on with the stolen horse, seeking to restore it to its rightful owner. John Grady has learned, but not yet enough; he has left home and returned a changed man, but there is no home to receive him. All the Pretty Horses is a hero's quest without a neat resolution, a book in which the strange light of mythic struggles shines through the quick-paced adventure.
The Border Trilogy continues with Volume Two, The Crossing, and concludes with the third volume, Cities of the Plain.

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Nine buildings including a store and filling station. They tied their horses in front of the store and went in. They were dusty, and Rawlins was unshaven and they smelled of horses and sweat and woodsmoke. Some men sitting in chairs at the back of the store looked up when they entered and then went on talking.

They, stood at the meatcase. The woman came from the counter and walked behind the case and took down an apron and pulled a chain that turned on the overhead lightbulb.

You do look like some kind of desperado, John Grady said.

You dont look like no choir director, said Rawlins.

The woman tied the apron behind her and turned to regard them above the white enameled top of the meatcase. What'll you boys have? she said.

They bought baloney and cheese and a loaf of bread and a jar of mayonnaise. They bought a box of crackers and a dozen tins of vienna sausage. They bought a dozen packets of koolaid and a slab end of bacon and some tins of beans and they bought a five pound bag of cornmeal and a bottle of hotsauce. The woman wrapped the meat and cheese separate and she wet a pencil with her tongue and totted up the purchases and then put everything together in a number four grocery bag.

Where you boys from? she said.

From up around San Angelo.

You all ride them horses down here?

Yes mam.

Well I'll declare, she said.

When they woke in the morning they were in plain view of a small adobe house. A woman had come out of the house and slung a pan of dishwater into the yard. She looked at them and went back in again. They'd hung their saddles over a fence to dry and while they were getting them a man came out and stood watching them. They saddled the horses and led them out to the road and mounted up and turned south.

`Fonder what all they're doin back home? Rawlins said.

John Grady leaned and spat. Well, he said, probably they're havin the biggest time in the world. Probably struck oil. I'd say they're in town about now pickin out their new cars and all.

Shit, said Rawlins.

Thev rode.

You, ever get ill at ease? said Rawlins.

About what?

I dont know. About anything. Just ill at ease.

Sometimes. If you're someplace you aint supposed to be I guess you'd be ill at ease. Should be anyways.

`Fell suppose you were ill at ease and didnt know why. Would that mean that you might be someplace you wasnt supposed to be and didnt know it?

"'hat the hell's wrong with you?

I dont know. Nothin. I believe I'll sing.

He did. He sang: Will you miss me, will you miss me. Will you miss me when I'm gone.

You know that Del Rio radio station? he said.

Yeah, I know it.

I've heard it told that at night you can take a fencewire in your teeth and pick it up. Dont even need a radio.

You believe that?

I dont know.

You ever tried it?

Yeah. One time.

They rode on. Rawlins sang. What the hell is a flowery boundary, tree? he said.

You got me, cousin.

They passed under a high limestone bluff where a creek ran down and they crossed a broad gravel wash. Upstream were potholes from the recent rains where a pair of herons stood footed to their long shadows. One rose and flew, one stood. An hour later they crossed the Pecos River, putting the horses into the ford, the water swift and clear and partly salt running over the limestone bedrock and the horses studying the water before them and placing their feet with great care on the broad traprock plates and eyeing the shapes of trailing moss in the rips below the ford where they flared and twisted electric green in the morning light. Rawlins leaned from the saddle and wet his hand in the river and tasted it. It's gypwater, he said.

They dismounted among the willows on the far side and made sandwiches with the lunchmeat and cheese and ate and sat smoking and watching the river pass. There's been somebody followin us, John Grady said.

Did you see em?

Not of yet.

Somebody horseback?

Yeah.

Rawlins studied the road across the river. Why aint it just somebody ridin?

Cause they'd of showed up at the river by now.

Maybe they turned off.

Where to?

Rawlins smoked. What do you reckon they want?

I dont know.

What do you want to do?

Let's just ride. They'll either show or they wont.

They came up out of the river breaks riding slowly side by side along the dusty road and onto a high plateau where they could see out over the country to the south, rolling country covered with grass and wild daisies. To the west a mile away ran a wire fence strung from pole to pole like a bad suture across the gray grasslands and beyond that a small band of antelope all of whom were watching them. John Grady turned his horse sideways and sat looking back down the road. Rawlins waited.

Is he back there? he said.

Yeah. Somewheres.

They rode till they came to a broad swale or bajada in the plateau. A little off to the right was a stand of closegrown cedar and Rawlins nodded at the cedars and slowed his horse.

Why dont we lay up yonder and wait on him?

John Grady looked back down the road. All right, he said. Let's ride on a ways and then double back. He sees our tracks quit the road here he'll know where we're at.

All right.

They rode on another half mile and then left the road and cut back toward the cedars and dismounted and tied their horses and sat on the ground.

You reckon we got time for a smoke? said Rawlins.

Smoke em if you got em, said John Grady.

They sat smoking and watching the backroad. They waited a long time but nobody came. Rawlins lay back and put his hat over his eyes. I aint sleepin, he said. I'm just restin.

He hadnt been asleep long before John Grady kicked his boot. He sat up and put on his hat and looked. A rider was coming along the road. Even at that distance they both remarked on the horse.

He came along till he was not more than a hundred yards down the road. He had on a broadbrim hat and bib overalls. He slowed the horse and looked down the bajada directly at them. Then he came on again.

It's some kid, Rawlins said.

That's a hell of a horse, said John Grady.

Aint it though.

You think he saw us?

No.

What do you want to do?

Give him a minute and then we'll just ride into the road behind him.

They waited till he was all but out of sight and then they untied the horses and mounted and rode up out of the trees and into the road.

When he heard them he stopped and looked back. He pushed his hat back on his head and sat the horse in the road and watched them. They rode up one at either side.

You huntin us? said Rawlins.

He was a kid about thirteen vears old.

No, he said. I aint huntin you.

How come you followin us?

I aint followin you.

Rawlins looked at John Grady. John Grady was watching the kid. He looked off toward the distant mountains and then back at the kid and finally at Rawlins. Rawlins sat with his hands composed upon the pommel of his saddle. You aint been followin us? he said.

I'm goin to Langtry, the kid said. I dont know who you all are.

Rawlins looked at John Grady. John Grady was rolling a smoke and studying the kid and his outfit and his horse.

Where'd you get the horse? he said.

It's my horse.

He put the cigarette in his mouth and took a wooden match from his shirtpocket and popped it with his thumbnail and lit the cigarette. Is that your hat? he said.

The boy looked up at the hatbrim over his eyes. He looked at Rawlins.

How old are you? said John Grady.

Sixteen.

Rawlins spat. You're a lyin sack of green shit.

You dont know everthing.

I know you aint no goddamn sixteen. Where are you comin from?

Pandale.

You seen us in Pandale last night, didnt you?

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