Cormac McCarthy - All The Pretty Horses

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In All the Pretty Horses, Cormac McCarthy begins his Border Trilogy with a coming of age tale that is a departure from the bizarre richness and mysterious violence of his early novels, yet in many ways preserves the mystery and the richness in a more understated form. Like Blood Meridian, this novel follows a young man's journey to the regions of the unknown. John Grady Cole, more heroic than the protagonists of McCarthy's earlier novels, confronts the evil that is an inescapable part of the universe as well as the evil that grows out of his own ignorance and pride. His story is told in a style often restrained and simple, embedded with lyrical passages that echo his dreams and memory.
In the spring of 1948 on a small Texas ranch, sixteen year old John Grady Cole attends the funeral of his grandfather, with whom he has lived since his parents' separation. The grandfather's ranch has been left to John Grady's mother, a small-time actress who has no interest in it and will sell it. John Grady's father, psychologically damaged by World War II and now physically ill as well, tells his son goodbye. With no apparent future in Texas, and sensing the threat of the new era to the traditional life he values, John Grady urges his old friend Rawlins to accompany him to Mexico. There, John Grady will find that his innocence, or ignorance, will ultimately lead him close to destruction.
Before reaching the border they meet Jimmy Blevins, a dangerous young boy on a magnificent horse. Even though Cole and Rawlins do not trust Blevins and are sure his horse is stolen, they allow him to join them despite their doubts. As they ride into Mexico, they realize that they are no longer in a world that they can understand. When Blevins' clothes and horse disappear during a thunderstorm, they search a nearby Mexican town, where they find the clothes and finally the horse. In spite of Rawlins' voiced forebodings, Blevins steals the horse back, and as John Grady and Rawlins flee the town Blevins gallops past them, pursued by armed men.
John Grady and Rawlins ride south, coming at last to a ranch, the Hacienda de Nuestra Senora de la Purisima Conception. As they talk with the vaqueros about the possibility of employment, John Grady sees a beautiful girl on a black horse, Alejandra, the daughter of hacendado Don Hector Rocha y Villareal. The heir of an aristocratic family, Don Hector is avidly interested in breeding wild mountain horses with his own stock, so John Grady and Rawlins join the vaqueros; John Grady amazes everyone with his ability to break the wild horses quickly and gently.
When Don Hector questions Cole about his past, he omits the episode with Blevins and the fact that he and Rawlins may now be wanted as accomplices in Blevins's horse theft. Concerned about his blossoming relationship with Alejandra, Duena Alfonsa, Don Hector's aunt and Alejandra's godmother, warns John Grady away from the rebellious girl, and informs him that Don Hector will never allow her to marry an American, especially a poor one. But Alejandra comes to him one night and they become lovers.
A few days later John Grady and Rawlins are arrested and taken to a jail in Encantada, where Blevins is already imprisoned for the murder of three men. While the three Americans are transported to the state prison at Saltillo, Blevins is taken from the group and shot. At the prison, they are questioned and beaten, and Rawlins is injured seriously. John Grady, attacked by another prisoner, whom he must kill, learns that evil exists not only in the world but in himself. When he and Rawlins are suddenly released as mysteriously as they were arrested, Rawlins returns to Texas.
But John Grady goes back to La Purisima to search for Alejandra, who is not there. Once again Duena Alfonsa makes clear to him the impossibility of the match. She tells her own story of the power of ignorance and evil (her love for a man who was killed by a mob after helping depose the dictator Diaz) and of her determination to protect Alejandra. Although John Grady does meet Alejandra one last time at a hotel in Zacatecas, it is only as a farewell: she chooses her family's approval (and perhaps their money). In pain, Cole returns to Encantada where he finds Blevins's horse, innocent like all animals and yet the cause of much death and loss. John Grady captures both the horse and the brutal police captain who shot Blevins, and heads homeward. En route, the captain is seized by brigands with a score to settle with him, and John Grady finally returns to Texas.
He finds even less there than before: his father and his childhood nurse are both dead. He rides on with the stolen horse, seeking to restore it to its rightful owner. John Grady has learned, but not yet enough; he has left home and returned a changed man, but there is no home to receive him. All the Pretty Horses is a hero's quest without a neat resolution, a book in which the strange light of mythic struggles shines through the quick-paced adventure.
The Border Trilogy continues with Volume Two, The Crossing, and concludes with the third volume, Cities of the Plain.

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He mused on the question. They waited. I once lived at a great hacienda, he told them, but now I have no place to live.

The children's faces studied him with great concern. Puede vivir con nosotros, they said, and he thanked them and he told them that he had a novia who was in another town and that he was riding to her to ask her to be his wife.

Es bonita, su novia? they asked, and he told them that she was very beautiful and that she had blue eyes which they could scarcely believe but he told them also that her father was a rich hacendado while he himself was very poor and they heard this in silence and were greatly cast down at his prospects. The older of the girls said that if his novia truly loved him she would marry him no matter what but the boy was not so encouraging and he said that even in families of the rich a girl could not go against the wishes of her father. The girl said that the grandmother must be consulted because she was very important in these matters and that he must take her presents and try to win her to his side for without her help little could be expected. She said that all the world knew this to be true.

John Grady nodded at the wisdom of this but he said that he had already given offense where the grandmother was concerned and could not depend upon her assistance and at this several of the children ceased to eat and stared at the earth before them.

Es un problema, said the boy.

De acuerdo.

One of the younger girls leaned forward. Qué ofensa le dio a la abuelita? she said.

Es una historia larga, he said.

Hay tiempo, they said.

He smiled and looked at them and as there was indeed time he told them all that had happened. He told them how they had come from another country, two young horsemen riding their horses, and that they had met with a third who had no money nor food to eat nor scarcely clothes to cover himself and that he had come to ride with them and share with them in all they had. This horseman was very young and he rode a wonderful horse but among his fears was the fear that God would kill him with lightning and because of this fear he lost his horse in the desert. He then told them what had happened concerning the horse and how they had taken the horse from the village of Encantada and he told how the boy had gone back to the village of Encantada and there had killed a man and that the police had come to the hacienda and arrested him and his friend and that the grandmother had paid their fine and then forbidden the novia to see him anymore.

When he was done they sat in silence and finally the girl said that what he must do is bring the boy to the grandmother so that he would tell her that he was the one at fault and John Grady said that this was not possible because the boy was dead. When the children heard this they blessed themselves and kissed their fingers. The older boy said that the situation was a difficult one but that he must find an intercessor to speak on his behalf because if the grandmother could be made to see that he was not to blame then she would change her mind. The older girl said that he was forgetting about the problem that the family was rich and he was poor. The boy said that as he had a horse he could not be so very poor and they looked at John Grady for a decision on this question and he told them that in spite of appearances he was indeed very poor and that the horse had been given to him by the grandmother herself. At this some of them drew in their breath and shook their heads. The girl said that he needed to find some wise man with whom he could discuss his difficulties or perhaps a curandera and the younger girl said that he should pray to God.

It was late night and dark when he rode into Torreón. He haltered the horse and tied it in front of a hotel and went in and asked about a livery stable but the clerk knew nothing of such things. He looked out the front window at the horse and he looked at John Grady.

Puede dejarlo atrás, he said.

Atrás?

Sí. Afuera. He gestured toward the rear.

John Grady looked toward the rear of the building.

Por dónde? he said.

The clerk shrugged. He passed the flat of his hand past the desk toward the hallway. Por aqui.

There was an old man sitting in a sofa in the lobby who'd been watching out the window and he turned to John Grady and told him that it was all right and that far worse things than horses had passed through that hotel lobby and John Grady looked at the clerk and then went out and untied the horse and led it in. The clerk had preceded him down the hallway and he opened the rear doors and stood while John Grady led the horse out into the yard. He'd bought a small sack of grain in Tlahualilo and he watered the horse in a washtrough and broke open the grainsack and poured the grain out into the upturned lid of a trashcan and he unsaddled the horse and wet the empty sack and rubbed the horse down with it and then carried the saddle in and got his key and went up to bed.

When he woke it was noon. He'd slept almost twelve hours. He rose and went to the window and looked out. The window gave onto the little yard behind the hotel and the horse was patiently walking the enclosure with three children astride it and another leading it and vet another hanging on to its tail.

He stood in line most of the morning at the telephone exchange waiting for his turn at one of the four cabinets and when he finally got his call through she could not be reached. He signed up again at the counter and the girl behind the glass read his face and told him that he would have better luck in the afternoon and he did. A woman answered the phone and sent someone to get her. He waited. When she came to the phone she said that she knew it would be him.

I have to see you, he said.

I cant.

You have to. I'm coming down there.

No. You cant.

I'm leaving in the morning. I'm in Torreón.

Did you talk to my aunt?

Yes.

She was quiet. Then she said: I cant see you.

Yes you can.

I wont be here. I go to La Purísima in two days.

I'll meet you at the train.

You cant. Antonio is coming to meet me.

He closed his eyes and held the phone very tightly and he told her that he loved her and that she'd had no right to make the promise that she'd made even if they killed him and that he would not leave without seeing her even if it was the last time he would see her ever and she was quiet for a long time and then she said that she would leave a day early. That she would say her aunt was ill and she would leave tomorrow morning and meet him in Zacatecas. Then she hung up.

He boarded the horse at a stable out bevond the barrios south of the railtracks and told the patrón to be wary of the horse as he was at best half broke and the man nodded and called to the boy but John Grady could tell he had his own ideas about horses and would come to his own conclusions. He lugged the saddle into the saddleroom and hung it up and the boy locked the door behind him and he walked back out to the office.

He offered to pay in advance but the proprietor dismissed him with a small wave of the hand. He walked out into the sun and down the street where he caught the bus back to town.

He bought a small awol bag in a store and he bought two new shirts and a new pair of boots and he walked down to the train station and bought his ticket and went to a cafe and ate. He walked around to break in the boots and then went back to the hotel. He rolled the pistol and knife and his old clothes up in the bedroll and had the clerk put the bedroll in the storage room and he told the clerk to wake him at six in the morning and then went up to bed. It was hardly even dark.

It was cool and gray when he left the hotel in the morning and by the time he got settled into the coach there were spits of rain breaking on the glass. A young boy and his sister sat in the seat opposite and after the train pulled out the boy asked him where he was from and where he was going. They didnt seem surprised to hear he was from Texas. When the porter came through calling breakfast he invited them to eat with him but the boy looked embarrassed and would not. He was embarrassed himself. He sat in the diner and ate a big plate of huevos rancheros and drank coffee and watched the gray fields pass beyond the wet glass and in his new boots and shirt he began to feel better than he'd felt in a long time and the weight on his heart had begun to lift and he repeated what his father had once told him, that scared money cant win and a worried man cant love. The train passed through a dreadful plain grown solely with cholla and entered a vast forest of china palm. He opened the pack of cigarettes he'd bought at the station kiosk and lit one and laid the pack on the tablecloth and blew smoke at the glass and at the country passing in the rain.

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