Cormac McCarthy - All The Pretty Horses

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In All the Pretty Horses, Cormac McCarthy begins his Border Trilogy with a coming of age tale that is a departure from the bizarre richness and mysterious violence of his early novels, yet in many ways preserves the mystery and the richness in a more understated form. Like Blood Meridian, this novel follows a young man's journey to the regions of the unknown. John Grady Cole, more heroic than the protagonists of McCarthy's earlier novels, confronts the evil that is an inescapable part of the universe as well as the evil that grows out of his own ignorance and pride. His story is told in a style often restrained and simple, embedded with lyrical passages that echo his dreams and memory.
In the spring of 1948 on a small Texas ranch, sixteen year old John Grady Cole attends the funeral of his grandfather, with whom he has lived since his parents' separation. The grandfather's ranch has been left to John Grady's mother, a small-time actress who has no interest in it and will sell it. John Grady's father, psychologically damaged by World War II and now physically ill as well, tells his son goodbye. With no apparent future in Texas, and sensing the threat of the new era to the traditional life he values, John Grady urges his old friend Rawlins to accompany him to Mexico. There, John Grady will find that his innocence, or ignorance, will ultimately lead him close to destruction.
Before reaching the border they meet Jimmy Blevins, a dangerous young boy on a magnificent horse. Even though Cole and Rawlins do not trust Blevins and are sure his horse is stolen, they allow him to join them despite their doubts. As they ride into Mexico, they realize that they are no longer in a world that they can understand. When Blevins' clothes and horse disappear during a thunderstorm, they search a nearby Mexican town, where they find the clothes and finally the horse. In spite of Rawlins' voiced forebodings, Blevins steals the horse back, and as John Grady and Rawlins flee the town Blevins gallops past them, pursued by armed men.
John Grady and Rawlins ride south, coming at last to a ranch, the Hacienda de Nuestra Senora de la Purisima Conception. As they talk with the vaqueros about the possibility of employment, John Grady sees a beautiful girl on a black horse, Alejandra, the daughter of hacendado Don Hector Rocha y Villareal. The heir of an aristocratic family, Don Hector is avidly interested in breeding wild mountain horses with his own stock, so John Grady and Rawlins join the vaqueros; John Grady amazes everyone with his ability to break the wild horses quickly and gently.
When Don Hector questions Cole about his past, he omits the episode with Blevins and the fact that he and Rawlins may now be wanted as accomplices in Blevins's horse theft. Concerned about his blossoming relationship with Alejandra, Duena Alfonsa, Don Hector's aunt and Alejandra's godmother, warns John Grady away from the rebellious girl, and informs him that Don Hector will never allow her to marry an American, especially a poor one. But Alejandra comes to him one night and they become lovers.
A few days later John Grady and Rawlins are arrested and taken to a jail in Encantada, where Blevins is already imprisoned for the murder of three men. While the three Americans are transported to the state prison at Saltillo, Blevins is taken from the group and shot. At the prison, they are questioned and beaten, and Rawlins is injured seriously. John Grady, attacked by another prisoner, whom he must kill, learns that evil exists not only in the world but in himself. When he and Rawlins are suddenly released as mysteriously as they were arrested, Rawlins returns to Texas.
But John Grady goes back to La Purisima to search for Alejandra, who is not there. Once again Duena Alfonsa makes clear to him the impossibility of the match. She tells her own story of the power of ignorance and evil (her love for a man who was killed by a mob after helping depose the dictator Diaz) and of her determination to protect Alejandra. Although John Grady does meet Alejandra one last time at a hotel in Zacatecas, it is only as a farewell: she chooses her family's approval (and perhaps their money). In pain, Cole returns to Encantada where he finds Blevins's horse, innocent like all animals and yet the cause of much death and loss. John Grady captures both the horse and the brutal police captain who shot Blevins, and heads homeward. En route, the captain is seized by brigands with a score to settle with him, and John Grady finally returns to Texas.
He finds even less there than before: his father and his childhood nurse are both dead. He rides on with the stolen horse, seeking to restore it to its rightful owner. John Grady has learned, but not yet enough; he has left home and returned a changed man, but there is no home to receive him. All the Pretty Horses is a hero's quest without a neat resolution, a book in which the strange light of mythic struggles shines through the quick-paced adventure.
The Border Trilogy continues with Volume Two, The Crossing, and concludes with the third volume, Cities of the Plain.

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The train pulled into Zacatecas in the late afternoon. He walked out of the station and up the street through the high portales of the old stone aqueduct and down into the town. The rain had followed them down from the north and the narrow stone streets were wet and the shops were closed. He walked up Hidalgo past the cathedral to the Plaza de Armas and checked into the Reina Cristina Hotel. It was an old colonial hotel and it was quiet and cool and the stones of the lobby floor were dark and polished and there was a macaw in a cage watching the people go in and out. In the diningroom adjoining the lobby there were people still at lunch. He got his key and went up, a porter carrying his small bag. The room was large and high ceilinged and there was a chenille cover on the bed and a cutglass decanter of water on the table. The porter swept open the window drapes and went into the bathroom to see that all was in order. John Grady leaned on the window balustrade. In the courtyard below an old man knelt among pots of red and white geraniums, singing softly a single verse from an old corrido as he tended the flowers.

He tipped the porter and put his hat on the bureau and shut the door. He stretched out on the bed and looked up at the carved vigas of the ceiling. Then he got up and got his hat and went down to the diningroom to get a sandwich.

He walked through the narrow twisting streets of the town with its ancient buildings and small sequestered plazas. The people seemed dressed with a certain elegance. It had stopped raining and the air was fresh. Shops had begun to open. He sat on a bench in the plaza and had his boots shined and he looked in the shopwindows trying to find something for her. He finally bought a very plain silver necklace and paid the woman what she asked and the woman tied it in a paper with a ribbon and he put it in the pocket of his shirt and went back to the hotel.

The train from San Luis Potosí and Mexico was due in at eight oclock. He was at the station at seven-thirty. It was almost nine when it arrived. He waited on the platform among others and watched the passengers step down. When she appeared on the steps he almost didnt recognize her. She was wearing a blue dress with a skirt almost to her ankles and a blue hat with a wide brim and she did not look like a schoolgirl either to him or to the other men on the platform. She carried a small leather suitcase and the porter took it from her as she stepped down and then handed it back to her and touched his cap. When she turned and looked at him where he was standing he realized she had seen him from the window of the coach. As she walked toward him her beauty seemed to him a thing altogether improbable. A presence unaccountable in this place or in any place at all. She came toward him and she smiled at him sadly and she touched her fingers to the scar on his cheek and leaned and kissed it and he kissed her and took the suitcase from her.

You are so thin, she said. He looked into those blue eves like a man seeking some vision of the increate future of the universe. He'd hardly breath to speak at all and he told her that she was very beautiful and she smiled and in her eves was the sadness he'd first seen the night she came to his.room and he knew that while he was contained in that sadness he was not the whole of it.

Are you all right? she said.

Yes. I'm all right.

And Lacey?

He's all right. He's gone home.

They walked out through the small terminal and she took his arm.

I'll get a cab, he said.

Let's walk.

All right.

The streets were filled with people and in the Plaza de Armas there were carpenters nailing up the scaffolding for a crepecovered podium before the Governor's Palace where in two days' time orators would speak on the occasion of Independence Day. He took her hand and they crossed the street to the hotel. He tried to read her heart in her handclasp but he knew nothing.

They ate dinner in the hotel diningroom. He'd never been in a public place with her and he was not prepared for the open glances from older men at nearby tables nor for the grace with which she accepted them. He'd bought a pack of american cigarettes at the desk and when the waiter brought the coffee he lit one and placed it in the ashtray and said that he had to tell her what had happened.

He told her about Blevins and about the prisión Castelar and he told her about what happened to Rawlins and finally he told her about the cuchillero who had fallen dead in his arms with his knife broken off in his heart. He told her everything. Then they sat in silence. When she looked up she was crying.

Tell me, he said.

I cant.

Tell me.

How do I know who you are? Do I know what sort of man you are? What sort my father is? Do you drink whiskey? Do you go with whores? Does he? What are men?

I told you things I've never told anybody. I told you all there was to tell.

What good is it? What good?

I dont know. I guess I just believe in it.

They sat for a long time. Finally she looked up at him. I told him that we were lovers, she said.

The chill that went through him was so cold. The room so quiet. She'd hardly more than whispered yet he felt the silence all around him and he could scarcely look. When he spoke his voice was lost.

Why?

Because she threatened to tell him. My aunt. She told me I must stop seeing you or she would tell him.

She wouldnt have.

No. I dont know. I couldnt stand for her to have that power. I told him myself.

Why?

I dont know. I dont know.

Is it true? You told him?

Yes. It's true.

He leaned back. He put both hands to his face. He looked at her again.

How did she find out?

I dont know. Different things. Estéban perhaps. She heard me leave the house. Heard me return.

You didnt deny it.

No.

What did your father say?

Nothing. He said nothing.

Why didnt you tell me?

You were on the mesa. I would have. But when you returned you were arrested.

He had me arrested.

Yes.

How could you tell him?

I dont know. I was so foolish. It was her arrogance. I told her I would not be blackmailed. She made me crazy.

Do you hate her?

No. I dont hate her. But she tells me I must be my own person and with every breath she tries to make me her person. I dont hate her. She cant help it. But I broke my father's heart. I broke his heart.

He said nothing at all?

No.

What did he do?

He got up from the table. He went to his room.

You told him at the table?

Yes.

In front of her?

Yes. He went to his room and the next morning he left before daylight. He saddled a horse and left. He took the dogs. He went up into the mountains alone. I think he was going to kill you.

She was crying. People were looking toward their table. She lowered her eyes and sat sobbing silently, just her shoulders moving and the tears running down her face.

Dont cry. Alejandra. Dont cry.

She shook her head. I destroyed everything. I only wanted to die.

Dont cry. I'll make it right.

You cant, she said. She raised her eyes and looked at him. He'd never seen despair before. He thought he had, but he had not.

He came to the mesa. Why didnt he kill me?

I dont know. I think he was afraid that I would take my life. Would you?

I dont know.

I will make it right. You have to let me.

She shook her head. You dont understand.

What dont I understand?

I didnt know that he would stop loving me. I didnt know he could. Now I know.

She took a handkerchief from her purse. I'm sorry, she said. People are looking at us.

IT RAINED in the night and the curtains kept lifting into the room and he could hear the splash of the rain in the courtyard and he held her pale and naked against him and she cried and she told him that she loved him and he asked her to marry him. He told her that he could make a living and that they could go to live in his country and make their life there and no harm would come to them. She did not sleep and when he woke in the dawn she was standing at the window wearing his shirt.

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