Cormac McCarthy - All The Pretty Horses

Viene la madrugada, she said.

Yes.

She came to the bed and sat. I saw you in a dream. I saw you dead in a dream.

Last night?

No. Long ago. Before any of this. Hice una manda.

A promise.

Yes.

For my life.

Yes. They carried you through the streets of a city I'd never seen. It was dawn. The children were praying. Lloraba to madre. Con más razón tu puta.

He put his hand to her mouth. Dont say that. You cant say that.

She took his hand and held it in hers and touched the veins.

They went out in the dawn in the city and walked in the streets. They spoke to the streetsweepers and to women opening the small shops, washing the steps. They ate in a cafe and walked in the little paseos and callejones where old vendresses of sweets, melcochas and charamuscas, were setting out their wares on the cobbles and he bought strawberries for her from a boy who weighed them in a small brass balance and twisted up a paper alcatraz to pour them into. They walked in the old Jardín Independencia where high above them stood a white stone angel with one broken wing. From her stone wrists dangled the broken chains of the manacles she wore. He counted in his heart the hours until the train would come again from the south which when it pulled out for Torreón would either take her or would not take her and he told her that if she would trust her life into his care he would never fail her or abandon her and that he would love her until he died and she said that she believed him.

In the forenoon as they were returning to the hotel she took his hand and led him across the street.

Come, she said. I will show you something.

She led him down past the cathedral wall and through the vaulted arcade into the street beyond.

What is it? he said.

A place.

They walked up the narrow twisting street. Past a tannery. A tinsmith shop. They entered a small plaza and here she turned.

My grandfather died here, she said. My mother's father.

Where?

Here. In this place. Plazuela de Guadalajarita.

In the revolution.

Yes. In nineteen-fourteen. The twenty-third of June. He was with the Zaragoza Brigade under Raúl Madero. He was twentyfour vears old. Thev came down from north of the city. Cerro de Loreto. Tierra Negra. Beyond here at that time' all was campo. He died in this strange place. Esquina de la Calle del Deseo y el Callejón del Pensador Mexicano. There was no mother to cry. As in the corridos. Nor little bird that flew. Just the blood on the stones. I wanted to show you. We can go.

Quién fue el Pensador Mexicano?

Un poeta. Joaquín Fernández de Lizardi. He had a life of great difficulty and died young. As for the Street of Desire it is like the Calle de Noche Triste. They are but names for Mexico. We can go now.

When they got to the room the maid was cleaning and she left and they closed the curtains and made love and slept in each other's arms. When they woke it was evening. She came from the shower wrapped in a towel and she sat on the bed and took his hand and looked down at him. I cannot do what you ask, she said. I love you. But I cannot.

He saw very clearly how all his life led only to this moment and all after led nowhere at all. He felt something cold and soulless enter him like another being and he imagined that it smiled malignly and he had no reason to believe that it would ever leave. When she came out of the bathroom again she was dressed and he made her sit on the bed and he held her hands both of them and talked to her but she only shook her head and she turned away her tearstained face and told him that it was time to go and that she could not miss the train.

They walked through the streets and she held his hand and he carried her bag. They walked through the alameda above the old stone bullring and came down the steps past the carved stone bandstand. A dry wind had come up from the south and in the eucalyptus trees the grackles teetered and screamed. The sun was down and a blue twilight filled the park and the yellow gaslamps came on along the aqueduct walls and down the walkways among the trees.

They stood on the platform and she put her face against his shoulder and he spoke to her but she did not answer. The train came huffing in from the south and stood steaming and shuddering with the coach windows curving away down the track like great dominoes smoldering in the dark and he could not but compare this arrival to that one twenty-four hours ago and she touched the silver chain at her throat and turned away and bent to pick up the suitcase and then leaned and kissed him one last time her face all wet and then she was gone. He watched her go as if he himself were in some dream. All along the platform families and lovers were greeting one another. He saw a man with a little girl in his arms and he whirled her around and she was laughing and when she saw his face she stopped laughing. He did not see how he could stand there until the train pulled out but stand he did and when it was gone he turned and walked back out into the street.

He paid the bill at the hotel and got his things and left. He went to a bar in a sidestreet where the raucous hybrid beerhall music of the north was blaring from an open door and he got very drunk and got in a fight and woke in the gray dawn on an iron bed in a green room with paper curtains at a window beyond which he could hear roosters calling.

He studied his face in a clouded glass. His jaw was bruised and swollen. If he moved his head in the mirror to a certain place he could restore some symmetry to the two sides of his face and the pain was tolerable if he kept his mouth shut. His shirt was torn and bloody and his bag was gone. He remembered things from the night of whose reality he was uncertain. He remembered a man in silhouette at the end of a street who stood much as Rawlins had stood when last he saw him, half turned in farewell, a coat slung loosely over one shoulder. Who'd come to ruin no man's house. No man's daughter. He saw a light over a doorway in the corrugated iron wall of a warehouse where no one came and no one went. He saw a vacant field in a city in the rain and in the field a wooden crate and he saw a dog emerge from the crate into the slack and sallow lamplight like a carnival dog forlorn and pick its way brokenly across the rubble of the lot to vanish without fanfare among the darkened buildings.

When he walked out the door he did not know where he was. A fine rain was falling. He tried to take his bearings from La Bufa standing above the city to the west but he was easily lost in the winding streets and he asked a woman for the way to the centro and she pointed out the street and then watched him as he went. When he reached Hidalgo a pack of dogs was coming up the street at a high trot and as they crossed in front of him one of their number slipped and scrabbled on the wet stones and went down. The others turned in a snarling mass of teeth and fur but the fallen dog struggled up before he could be set upon and all went on as before. He walked out to the edge of the town along the highway north and put out his thumb. He had almost no money and he'd a long way to go.

He rode all day in an old LaSalle phaeton with the top down driven by a man in a white suit. He said that his was the only car of its type in all of Mexico. He said that he had traveled all over the world when he was young and that he had studied opera in Milan and in Buenos Aires and as they rolled through the countryside he sang arias and gestured with great vigor.

By this and other conveyance he reached Torreón around noon of the following day and went to the hotel and got his bedroll. Then he went to fetch his horse. He'd not shaved nor bathed and he had no other clothes to wear and the hostler when he saw him nodded his head in sympathy and seemed unsurprised at his condition. He rode the horse out into the noon traffic and the horse was fractious and scared and it skittered about in the street and kicked a great dish into the side of a bus to the delight of the passengers who leaned out and called challenges from the safety of the windows.