Arundhati Roy - The God of Small Things

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This highly stylized novel tells the story of one very fractured family from the southernmost tip of India. Here is an unhappy family unhappy in its own way, and through flashbacks and flashforwards The God of Small Things unfolds the secrets of these characters' unhappiness. First-time novelist Arundhati Roy twists and reshapes language to create an arresting, startling sort of precision. The average reader of mainstream fiction may have a tough time working through Roy's prose, but those with a more literary bent to their usual fiction inclinations should find the initial struggle through the dense prose a worthy price for this lushly tragic tale.
Rahel and Estha are fraternal twins whose emotional connection to one another is stronger than that of most siblings:
Esthappen and Rahel thought of themselves together as Me, and separately, individually as We or Us. As though they were a rare breed of Siamese twins, physically separate, but with joint identities.
Now, these years later, Rahel has a memory of waking up one night giggling at Estha's funny dream.
She has other memories too that she has no right to have.
Their childhood household hums with hidden antagonisms and pains that only family members can give one another.
Blind Mammachi, the twins' grandmother and founder of Paradise Pickles & Preserves, is a violin-playing widow who suffered years of abuse at the hands of her highly respected husband, and who has a fierce one-sided Oedipal connection with her son, Chacko. Baby Kochamma, Rahel and Estha's grandaunt, nurses deep-seated bitterness for a lifetime of unrequited love, a bitterness that plays out slyly against everyone in the family; in her youth she fell in love with an Irish Roman-Catholic priest and converted to his faith to win him, while he eventually converted to Hinduism. Chacko, divorced from his English wife and separated from his daughter since her infancy, runs the pickle factory with a capitalist's hand, self-deluding himself all the while that he is a Communist at heart even as he flirts with and beds his female employees. Ammu, the twins' mother, is a divorcee who fled her husband's alcoholism and impossible demands, a woman with a streak of wildness that the children sense and dread and that will be her and her family's undoing.
The family's tragedy revolves around the visit of Chacko's ex-wife, widowed by her second husband, and his daughter, Sophie Mol. It is within the context of their visit that Estha will experience the one horrible thing that should never happen to a child, during their visit that Ammu will come to love by night the man the children love by day, and during their visit that Sophie Mol will die. Her death, and the fate of the twins' beloved Untouchable Velutha, will forever alter the course of the lives of all the members of the family, sending them each off on spinning trajectories of regret and pain. The story reveals itself not in traditional narrative order, but in jumps through time, wending its way through Rahel's memories and attempts at understanding the hand fate dealt her family.
The God of Small Things has been favorable reviewed all over the place, generating a lot of excitement in the current literary establishment. What you think of it will depend heavily on your opinion of Roy's prose style – is it ostentatious, or is it brilliant? Whether or not you fall in love with her style, the truth of the heartbreaking story she tells and the lovable/hate-able characters who people it make this novel an experience not to be missed.

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Pariah kites dropped into nearby trees, to supervise the supervision of the last rites of the dead elephant. They hoped, not without reason, for pickings of giant innards. An enormous gallbladder, perhaps. Or a charred, gigantic spleen.

They weren’t disappointed. Nor wholly satisfied.

Ammu noticed that both her children were covered in a fine dust. Like two pieces of lightly sugar-dusted, unidentical cake. Rahel had a blond curl lodged among her black ones. A curl from Velutha’s backyard. Ammu picked it out.

“I’ve told you before,” she said. “I don’t want you going to his house. It will only cause trouble.”

What trouble, she didn’t say. She didn’t know.

Somehow, by not mentioning his name, she knew that she had drawn him into the tousled intimacy of that blue cross-stitch afternoon and the song from the tangerine transistor. By not mentioning his name, she sensed that a pact had been forged between her Dream and the World. And that the midwives of that pact were, or would be, her sawdust-coated two-egg twins.

She knew who he was-the God of Loss, the God of Small Things. Of coarse she did.

She switched off the tangerine radio. In the afternoon silence (laced with edges of light), her children curled into the warmth of her. The smell of her. They covered their heads with her hair. They sensed somehow that in her sleep she had traveled away from them. They summoned her back now with the palms of their small hands laid flat against the bare skin of her midriff. Between her petticoat and her blouse. They loved the fact that the brown of the backs of their hands was the exact brown of their mother’s stomach skin.

“Estha, look,” Rahel said, plucking at the line of soft down that led southwards from Ammu’s belly button.

“Here’s where we kicked you.” Estha traced a wandering silver stretchmark with his finger

“Was it in the bus, Ammu?”

“On the winding estate road?”

“When Baba had to hold your tummy?”

“Did you have to buy tickets?”

“Did we hurt you?”

And then, keeping her voice casual, Rahel’s question: “D’you think he may have lost our address?”

Just the hint of a pause in the rhythm of Ammu’s breathing made Estha touch Rahel’s middle finger with his. And middle finger to middle finger, on their beautiful mother’s midriff, they abandoned that line of questioning.

“That’s Estha’s kick, and that’s mine,” Rahel said. “…And that’s Estha’s and that’s mine.”

Between them they apportioned their mother’s seven silver stretch marks. Then Rahel put her mouth on Ammu’s stomach and sucked at it, pulling the soft flesh into her mouth and drawing her head back to admire the shining oval of spit and the faint red imprint of her teeth on her mother’s skin.

Ammu wondered at the transparency of that kiss. It was a clear-as-glass kiss. Unclouded by passion or desire-that pair of dogs that sleep so soundly inside children, waiting for them to grow up. It was a kiss that demanded no kiss-back.

Not a cloudy kiss full of questions that wanted answers. Like the kisses of cheerful one-armed men in dreams.

Ammu grew tired of their proprietary handling of her. She wanted her body back. It was hers. She shrugged her children off the way a bitch shrugs off her pups when she’s had enough of them. She sat up and twisted her hair into a knot at the nape of her neck. Then she swung her legs off the bed, walked to the window and drew back the curtains.

Slanting afternoon light flooded the room and brightened two children on the bed.

The twins heard the lock turning in Ammu’s bathroom door.

Click.

Ammu looked at herself in the long mirror on the bathroom door and the specter of her future appeared in it to mock her. Pickled. Gray. Rheumy-eyed. Cross-stitch roses on a slack, sunken cheek.

Withered breasts that hung like weighted socks. Dry as a bone between her legs, the hair feather-white. Spare. As brittle as a pressed fern.

Skin that flaked and shed like snow.

Ammu shivered.

With that cold feeling on a hot afternoon that Life had been Lived. That her cup was full of dust. That the air, the sky, the trees, the sun, the rain, the light and darkness were all slowly turning to sand. That sand would fill her nostrils, her lungs, her mouth. Would pull her down, leaving on the surface a spinning swirl like crabs leave when they burrow downwards on a beach.

Ammu undressed and put a red toothbrush under a breast to see if it would stay. It didn’t Where she touched herself her flesh was taut and smooth. Under her hands her nipples wrinkled and hardened like dark nuts, pulling at the soft skin on her breasts. The thin line of down from her belly button led over the gentle curve of the base of her belly, to her dark triangle. Like an arrow directing a lost traveler. An inexperienced lover

She undid her hair and turned around to see how long it had grown. It fell, in waves and curls and disobedient frizzy wisps-soft on the inside, coarser on the outside-to just below where her small, strong waist began its curve out towards her hips. The bathroom was hot. Small beads of sweat studded her skin like diamonds. Then they broke and trickled down. Sweat ran down the recessed line of her spine. She looked a little critically at her round, heavy behind. Not big in itself. Not big per se (as Chacko-of-Oxford would no doubt have put it). Big only because the rest of her was so slender. It belonged on another, more voluptuous body.

She had to admit that they would happily support a toothbrush apiece. Perhaps two. She laughed out loud at the idea of walking naked down Ayemenem with an array of colored toothbrushes sticking out from either cheek of her bottom. She silenced herself quickly. She saw a wisp of madness escape from its bottle and caper triumphantly around the bathroom.

Ammu worried about madness.

Mammachi said it ran in their family. That it came on people suddenly and caught them unawares. There was Pathil Ammai, who at the age of sixty-five began to take her clothes off and run naked along the river, singing to the fish. There was Thampi Chachen, who searched his shit every morning with a knitting-needle for a gold tooth he had swallowed years ago. And Dr. Muthachen, who had to be removed from his own wedding in a sack. Would future generations say, “There was Ammu-Ammu Ipe. Married a Bengali. Went quite mad. Died young. In a cheap lodge somewhere.”

Chacko said that the high incidence of insanity among Syrian Christians was the price they paid for Inbreeding. Mammachi said it wasn’t.

Ammu gathered up her heavy hair, wrapped it around her face, and peered down the road to Age and Death through its parted strands. Like a medieval executioner peering through the tilted eye-slits of his peaked black hood at the executionee. A slender, naked executioner with dark nipples and deep dimples when she smiled. With seven silver stretchmarks from her two-egg twins, born to her by candlelight amid news of a lost war.

It wasn’t what lay at the end of her road that frightened Ammu as much as the nature of the road itself. No milestones marked its progress. No trees grew along it. No dappled shadows shaded it. No mists rolled over it. No birds circled it. No twists, no turns or hairpin bends obscured even momentarily her clear view of the end. This filled Ammu with an awful dread, because she was not the kind of woman who wanted her future told. She dreaded it too much. So if she were granted one small wish, perhaps it would only have been Not to Know. Not to know what each day held in store for her. Not to know where she might be, next month, next year. Ten years on. Not to know which way her road might turn and what lay beyond the bend. And Ammu knew. Or thought she knew, which was really just as bad (because if in a dream you’ve eaten fish, it means you’ve eaten fish). And what Ammu knew (or thought she knew) smelled of the vapid, vinegary fumes that rose from the cement vats-of Paradise Pickles. Fumes that wrinkled youth and pickled futures.

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