Arundhati Roy - The God of Small Things

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This highly stylized novel tells the story of one very fractured family from the southernmost tip of India. Here is an unhappy family unhappy in its own way, and through flashbacks and flashforwards The God of Small Things unfolds the secrets of these characters' unhappiness. First-time novelist Arundhati Roy twists and reshapes language to create an arresting, startling sort of precision. The average reader of mainstream fiction may have a tough time working through Roy's prose, but those with a more literary bent to their usual fiction inclinations should find the initial struggle through the dense prose a worthy price for this lushly tragic tale.
Rahel and Estha are fraternal twins whose emotional connection to one another is stronger than that of most siblings:
Esthappen and Rahel thought of themselves together as Me, and separately, individually as We or Us. As though they were a rare breed of Siamese twins, physically separate, but with joint identities.
Now, these years later, Rahel has a memory of waking up one night giggling at Estha's funny dream.
She has other memories too that she has no right to have.
Their childhood household hums with hidden antagonisms and pains that only family members can give one another.
Blind Mammachi, the twins' grandmother and founder of Paradise Pickles & Preserves, is a violin-playing widow who suffered years of abuse at the hands of her highly respected husband, and who has a fierce one-sided Oedipal connection with her son, Chacko. Baby Kochamma, Rahel and Estha's grandaunt, nurses deep-seated bitterness for a lifetime of unrequited love, a bitterness that plays out slyly against everyone in the family; in her youth she fell in love with an Irish Roman-Catholic priest and converted to his faith to win him, while he eventually converted to Hinduism. Chacko, divorced from his English wife and separated from his daughter since her infancy, runs the pickle factory with a capitalist's hand, self-deluding himself all the while that he is a Communist at heart even as he flirts with and beds his female employees. Ammu, the twins' mother, is a divorcee who fled her husband's alcoholism and impossible demands, a woman with a streak of wildness that the children sense and dread and that will be her and her family's undoing.
The family's tragedy revolves around the visit of Chacko's ex-wife, widowed by her second husband, and his daughter, Sophie Mol. It is within the context of their visit that Estha will experience the one horrible thing that should never happen to a child, during their visit that Ammu will come to love by night the man the children love by day, and during their visit that Sophie Mol will die. Her death, and the fate of the twins' beloved Untouchable Velutha, will forever alter the course of the lives of all the members of the family, sending them each off on spinning trajectories of regret and pain. The story reveals itself not in traditional narrative order, but in jumps through time, wending its way through Rahel's memories and attempts at understanding the hand fate dealt her family.
The God of Small Things has been favorable reviewed all over the place, generating a lot of excitement in the current literary establishment. What you think of it will depend heavily on your opinion of Roy's prose style – is it ostentatious, or is it brilliant? Whether or not you fall in love with her style, the truth of the heartbreaking story she tells and the lovable/hate-able characters who people it make this novel an experience not to be missed.

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The twins squatted on their haunches, like professional adult gossips in the Ayemenem market.

They sat in silence for a while. Kuttappen mortified, the twins preoccupied with boat thoughts.

“Has Chacko Saar’s Mol come?” Kuttappen asked.

“Must have,” Rahel said laconically.

“Where’s she?”

“Who knows? Must be around somewhere. We don’t know.”

“Will you bring her here for me to see?”

“Can’t,” Rahel said.

“Why not?”

`She has to stay indoors. She’s very delicate. If she gets dirty she’ll die.”

“I see.”

“We’re not allowed to bring her here… and anyway, there’s nothing to see,’ Rahel assured Kuttappen. “She has hair, legs, teeth-you know-the usual, only she’s a little tall.” And that was the only concession she would make.

“Is that all?” Kuttappen said, getting the point very quickly. “Then where’s the point in seeing her?”

“No point,” Rahel said.

“Kuttappa, if a vallom leaks, is it very hard to mend?” Estha asked.

“Shouldn’t be,” Kuttappen said. “Depends. Why, whose vallom is leaking?”

“Ours-that we found. D’you want to see it?”

They went out and returned with the grizzled boat for the paralyzed man to examine. They held it over him like a roof. Water dripped on him.

“First we’ll have to find the leaks,” Kuttappen said. “Then we’ll have to plug them.”

“Then sandpaper,” Estha said. “Then polish.”

“Then oars,” Rahel said.

‘Then oars,” Estha agreed.

“Then offity off,” Rahel said.

“Where to?” Kuttappen asked.

“Just here and there, ‘ Estha said airily.

‘You must be careful,” Kuttappen said. “This river of ours-she isn’t always what she pretends to be.”

“What does she pretend to be?” Rahel asked.

“Oh… a little old churchgoing ammooma , quiet and clean… idi appams for breakfast, kanji and meen for lunch. Minding her own business. Not looking right or left.”

“And she’s really a…?”

“Really a wild thing… I can hear her at night-rushing past in the moonlight, always in a hurry. You must be careful of her.”

“And what does she really eat?”

“Really eat? Oh… Stoo… and… “ He cast about for something English for the evil river to eat.

“Pineapple slices…” Rahel suggested.

“That’s right! Pineapple slices and Stoo. And she drinks. Whiskey.”

“And brandy.”

“And brandy. True.”

“And looks right and left?

“True.”

“And minds other people’s business…”

Esthappen steadied the little boat on the uneven earth floor with a few blocks of wood that he found in Velutha’s workstation in the backyard. He gave Rahel a cooking ladle made of a wooden handle stuck through the polished half of a coconut shell.

The twins climbed into the vallom and rowed across vast, choppy waters. With a Thaiy thaij thaka thaiy thai thome. And a jeweled Jesus watching.

He walked on water. Perhaps. But could He have swum on land? In matching knickers and dark glasses? With His Fountain in a Love-in-Tokyo? In pointy shoes and a puff? Would He have had the imagination?

Velutha returned to see if Kuttappen needed anything. From a distance he heard the raucous singing. Young voices, underlining with delight the scatology

Hey Mr Monkey Man

Why’s your BUM so RED?

I went for a SHIT to Madras

And scraped it till it BLED!

Temporarily, for a few happy moments, the Orangedrink Lemondrink Man shut his yellow smile and went away. Fear sank and settled at the bottom of the deep water. Sleeping a dog’s sleep. Ready to rise and murk things at a moment’s notice.

Velutha smiled when he saw the Marxist flag blooming like a tree outside his doorway. He had to bend low in order to enter his home. A tropical Eskimo. When he saw the children, something clenched inside him. And he couldn’t understand it. He saw them every day. He loved them without knowing it. But it was different suddenly. Now. After History had slipped up so badly. No fist had clenched inside him before.

Her children, an insane whisper whispered to him.

Her eyes, her mouth. Her teeth.

Her soft, lambent skin.

He drove the thought away angrily. It returned and sat outside his skull. Like a dog.

“Ha!” he said to his young guests, “and who may I ask are these Fisher People?”

“Esthapappychachen Kuttappen Peter Mon. Mr. and Mrs. Pleasetomeetyou.” Rahel held out her ladle to be shaken in greeting.

It was shaken in greeting. Hers, then Estha’s.

“And where, may I ask, are they off to by boat?”

“Off to Africa!” Rahel shouted.

“Stop shouting,” Estha said.

Velutha walked around the boat. They told him where they had found it.

“So it doesn’t belong to anybody,” Rahel said a little doubtfully, because it suddenly occurred to her that it might. “Ought we to report it to the police?”

“Don’t be stupid,” Estha said.

Velutha knocked on the wood and then scraped a little patch clean with his nail.

“Good wood,” he said.

“It sinks,” Estha said. “It leaks.”

“Can you mend it for us, Veluthapappychachen Peter Mon?” Rahel asked.

“We’ll see about that,” Velutha said. “I don’t want you playing any silly games on this river.”

“We won’t. We promise. We’ll use it only when you’re with us.”

“First we’ll have to find the leaks,” Velutha said.

“Then we’ll have to plug them!” the twins shouted, as though it was the second line of a well-known poem.

“How long will it take?” Estha asked.

“A day,” Velutha said.

“A day! I thought you’d say a month!”

Estha, delirious with joy, jumped on Velutha, wrapped his legs around his waist and kissed him.

The sandpaper was divided into exactly equal halves, and the twins fell to work with an eerie concentration that excluded everything else.

Boat-dust flew around the room and settled on hair and eyebrows. On Kuttappen like a cloud, on Jesus like an offering. Velutha had to prise the sandpaper out of their fingers.

“Not here,” he said firmly. “Outside.”

He picked the boat up and carried it out. The twins followed, eyes fixed on their boat with unwavering concentration, starving puppies expecting to be fed.

Velutha set the boat up for them. The boat that Estha sat on, and Rahel found. He showed them how to follow the grain of the wood. He started them off on the sandpapering. When he returned indoors, the black hen followed him, determined to be wherever the boat wasn’t

Velutha dipped a thin cotton towel in an earthen pot of water. He squeezed the water out of it (savagely, as though it was an unwanted thought) and handed it to Kuttappen to wipe the grit off his face and neck.

“Did they say anything?” Kuttappen asked. “About seeing you in the March?”

“No,” Velutha said. “Not yet. They will though. They know.”

“For sure?”

Velutha shrugged and took the towel away to wash. And rinse. And beat. And wring. As though it was his ridiculous, disobedient brain.

He tried to hate her.

She’s one of them, he told himself. Just another one of them.

He couldn’t.

She had deep dimples when she smiled. Her eyes were always somewhere else.

Madness slunk in through a chink in History. It only took a moment.

An hour into the sandpapering Rahel remembered her Afternoon Gnap. And she was up and running. Tumbling through the green afternoon heat. Followed by her brother and a yellow wasp.

Hoping, praying that Ammu hadn’t woken up and found her gone.

Chapter 11.

The God of Small Things

That afternoon, Ammu traveled upwards through a dream in which a cheerful man with one arm held her close by the light of an oil lamp. He had no other arm with which to fight the shadows that flickered around him on the floor.

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