Haruki Murakami - Kafka on the Shore

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Amazon.com
The opening pages of a Haruki Murakami novel can be like the view out an airplane window onto tarmac. But at some point between page three and fifteen-it's page thirteen in Kafka On The Shore-the deceptively placid narrative lifts off, and you find yourself breaking through clouds at a tilt, no longer certain where the plane is headed or if the laws of flight even apply.
Joining the rich literature of runaways, Kafka On The Shore follows the solitary, self-disciplined schoolboy Kafka Tamura as he hops a bus from Tokyo to the randomly chosen town of Takamatsu, reminding himself at each step that he has to be "the world¹s toughest fifteen-year-old." He finds a secluded private library in which to spend his days-continuing his impressive self-education-and is befriended by a clerk and the mysteriously remote head librarian, Miss Saeki, whom he fantasizes may be his long-lost mother. Meanwhile, in a second, wilder narrative spiral, an elderly Tokyo man named Nakata veers from his calm routine by murdering a stranger. An unforgettable character, beautifully delineated by Murakami, Nakata can speak with cats but cannot read or write, nor explain the forces drawing him toward Takamatsu and the other characters.
To say that the fantastic elements of Kafka On The Shore are complicated and never fully resolved is not to suggest that the novel fails. Although it may not live up to Murakami's masterful The Wind-Up Bird Chronicle, Nakata and Kafka's fates keep the reader enthralled to the final pages, and few will complain about the loose threads at the end.
From Publishers Weekly
Starred Review. Previous books such as The Wind-Up Bird Chronicle and Norwegian Wood have established Murakami as a true original, a fearless writer possessed of a wildly uninhibited imagination and a legion of fiercely devoted fans. In this latest addition to the author's incomparable oeuvre, 15-year-old Kafka Tamura runs away from home, both to escape his father's oedipal prophecy and to find his long-lost mother and sister. As Kafka flees, so too does Nakata, an elderly simpleton whose quiet life has been upset by a gruesome murder. (A wonderfully endearing character, Nakata has never recovered from the effects of a mysterious World War II incident that left him unable to read or comprehend much, but did give him the power to speak with cats.) What follows is a kind of double odyssey, as Kafka and Nakata are drawn inexorably along their separate but somehow linked paths, groping to understand the roles fate has in store for them. Murakami likes to blur the boundary between the real and the surreal-we are treated to such oddities as fish raining from the sky; a forest-dwelling pair of Imperial Army soldiers who haven't aged since WWII; and a hilarious cameo by fried chicken king Colonel Sanders-but he also writes touchingly about love, loneliness and friendship. Occasionally, the writing drifts too far into metaphysical musings-mind-bending talk of parallel worlds, events occurring outside of time-and things swirl a bit at the end as the author tries, perhaps too hard, to make sense of things. But by this point, his readers, like his characters, will go just about anywhere Murakami wants them to, whether they "get" it or not.

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He sat down formally beside his bed, legs tucked neatly under him, and spent some quality time with the stone, gazing intently at it. Finally he reached out and, like he was stroking a large, sleeping cat, touched it. At first gingerly, with only his fingertips, and when that seemed safe he ran his entire hand carefully over the whole surface. All the while he rubbed it, he was thinking-or at least had the pensive look of someone thinking. As if reading a map, he ran his hand over every part of the stone, memorizing every bump and cranny, getting a solid sense of it. Then he suddenly reached up and rubbed his short hair, searching, perhaps, for the correlation between the stone and his own head.

Finally he gave what might have been a sigh, stood up, opened the window, and stuck his face out. All that was visible was the rear of the building next door. A shabby, miserable sort of building. The kind where shabby people spend one shabby day after another doing their shabby work. The kind of fallen-from-grace sort of building you find in any city, the kind Charles Dickens could spend ten pages describing. The clouds floating above the building were like hard clumps of dirt from a vacuum cleaner no one ever cleaned. Or maybe more like all the contradictions of the Third Industrial Revolution condensed and set afloat in the sky. Regardless, it was going to rain soon. Nakata looked down and spied a skinny black cat, tail alert, patrolling the top of a narrow wall between the two buildings. "There's going to be lightning today," he called out. But the cat didn't appear to hear him, didn't even turn around, just continued its languid walk and disappeared in the shadows of the building.

Nakata set off down the hall, plastic bag with toilet kit inside in hand, to the communal sinks. He washed his face, brushed his teeth, and shaved with a safety razor. Each operation took time. He carefully washed his face, taking his time, carefully brushed his teeth, taking his time, carefully shaved, taking his time. He trimmed his nose hairs with a pair of scissors, straightened up his eyebrows, cleaned out his ears. He was the type who took his time no matter what he did, but this morning he took everything at an even slower pace than usual. No one else was up washing his face at this early hour, and it was still a while before breakfast was ready. Hoshino didn't look like he'd be getting up anytime soon. With the whole place to himself, Nakata looked in the mirror, leisurely preparing for the day, and pictured the faces of all the cats he'd seen in the book in the library two days before. Unable to read, he didn't know the names of the cats, but a clear picture of each and every cat's face was etched in his memory.

"There really are a lot of cats in the world, that's for sure," he said as he cleaned out his ears with a Q-tip. His first-ever visit to a library had made him painfully aware of how little he knew. The amount of things he didn't know about the world was infinite. The infinite, by definition, has no limits, and thinking about it gave him a mild migraine. He gave up and turned his thoughts back to Cats of the World. How nice it would be, he thought, to be able to talk with each and every cat in there. There must be all kinds of cats in the world, all with different ways of thinking and talking. Would foreign cats speak in foreign languages? he wondered. But this was another difficult subject, and again his head began to throb.

After washing up, he went to the toilet and took care of business as usual. This didn't take as long as his other ablutions. Finished, he took his plastic bag with the toilet kit inside back to the room. Hoshino was sound asleep, exactly as he'd left him. Nakata picked up the discarded aloha shirt and jeans, folding them up neatly. He set them down on top of each other next to Hoshino's futon, adding the Chunichi Dragons baseball cap on top like a summary title given to a motley collection of ideas. He took off his yukata robe and put on his usual trousers and shirt, then rubbed his hands together and took a deep breath.

He sat down again in front of the stone, gazing at it for a while before hesitantly reaching out to touch it. "There's going to be thunder today," he pronounced to no one in particular. He may have been addressing the stone. He punctuated this with a couple of nods.

Nakata was over next to the window, running through an exercise routine, when Hoshino finally woke up. Humming the radio exercise music quietly to himself, Nakata moved in time to the tune.

Hoshino squinted at his watch. It was just after eight. He craned his neck to make sure the stone was where he'd put it. In the light the stone looked much bigger and rougher than he'd remembered. "So I wasn't dreaming after all," he said.

"I'm sorry-what did you say?" Nakata asked.

"The stone," Hoshino said. "The stone's right there. It wasn't a dream."

"We have the stone," Nakata said simply, still in the midst of his exercises, making it sound like some central proposition of nineteenth-century German philosophy.

"It's a long story, though, Gramps, about how the stone got to be there."

"Yes, Nakata thought that might be the case."

"Anyway," Hoshino said, sitting up in bed and sighing deeply. "It doesn't matter. The important thing is it's here. To make a long story short."

"We have the stone," Nakata repeated. "That's what matters."

Hoshino was about to respond but suddenly noticed how famished he was. "Hey, what d'ya say we grab some breakfast?"

"Nakata's quite hungry."

After breakfast, as he was drinking tea, Hoshino said, "So what are you going to do with the stone?"

"What should Nakata do with it?"

"Gimme a break," Hoshino said, shaking his head. "You said you had to find that stone, so that's why I managed to come up with it last night. Don't hit me now with this Gee whiz, what should I do with it stuff. Okay?"

"Yes, you are right. But to tell the truth, I don't know yet what I'm supposed to do with it."

"That's a problem."

"A problem indeed," Nakata replied, though you'd never know it from his expression.

"So if you spend some time thinking about it, you'll figure out what to do?"

"I think so. It takes Nakata much longer to do things than other people."

"Okay, but listen here, Mr. Nakata."

"Yes, Mr. Hoshino?"

"I don't know who gave it that name, but since it's called the entrance stone I'm guessing it's gotta be the entrance to something a long time ago, don't you think? There must be some legend or explanation about it."

"Yes, that must be the case."

"But you have no idea what kind of entrance we're talking about here?"

"No, not yet. I used to talk with cats all the time, but I've never spoken to a stone."

"Doesn't sound like it'd be too easy."

"It's very different from talking with a cat."

"But still, ripping that stone off from a shrine-you sure we won't be cursed or something? That's really bothering me. Taking it's one thing, but dealing with it now that we have it could be a total pain in the butt. Colonel Sanders told me there wouldn't be any curse, but I can't totally trust the guy, you know what I mean?"

"Colonel Sanders?"

"There's an old guy by that name. The guy on the Kentucky Fried Chicken ads. With the white suit, beard, stupid glasses. You don't know who I mean?"

"I'm very sorry, but I don't believe I know that person."

"You don't know Kentucky Fried Chicken? That's kind of unusual. Well, whatever. The old guy's an abstract concept anyway. He's not human, not a god or a Buddha. He doesn't have any shape, but has to take on some sort of appearance, so he just happened to choose the Colonel."

Nakata looked perplexed and rubbed his salt-and-pepper hair. "I don't understand."

"Well, to tell you the truth, I don't get it either, though I'm the one spouting off," Hoshino said. "Anyhow, this weird old guy suddenly pops up out of nowhere and rattles off all those things to me. Long story short, the old guy helped me out so I could locate the stone, and I lugged it back here. I'm not trying to win your sympathy or anything, but it was a long, hard night, I can tell you. What I'd really like to do right now is hand the whole thing to you and let you take over."

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