Haruki Murakami - Kafka on the Shore

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Amazon.com
The opening pages of a Haruki Murakami novel can be like the view out an airplane window onto tarmac. But at some point between page three and fifteen-it's page thirteen in Kafka On The Shore-the deceptively placid narrative lifts off, and you find yourself breaking through clouds at a tilt, no longer certain where the plane is headed or if the laws of flight even apply.
Joining the rich literature of runaways, Kafka On The Shore follows the solitary, self-disciplined schoolboy Kafka Tamura as he hops a bus from Tokyo to the randomly chosen town of Takamatsu, reminding himself at each step that he has to be "the world¹s toughest fifteen-year-old." He finds a secluded private library in which to spend his days-continuing his impressive self-education-and is befriended by a clerk and the mysteriously remote head librarian, Miss Saeki, whom he fantasizes may be his long-lost mother. Meanwhile, in a second, wilder narrative spiral, an elderly Tokyo man named Nakata veers from his calm routine by murdering a stranger. An unforgettable character, beautifully delineated by Murakami, Nakata can speak with cats but cannot read or write, nor explain the forces drawing him toward Takamatsu and the other characters.
To say that the fantastic elements of Kafka On The Shore are complicated and never fully resolved is not to suggest that the novel fails. Although it may not live up to Murakami's masterful The Wind-Up Bird Chronicle, Nakata and Kafka's fates keep the reader enthralled to the final pages, and few will complain about the loose threads at the end.
From Publishers Weekly
Starred Review. Previous books such as The Wind-Up Bird Chronicle and Norwegian Wood have established Murakami as a true original, a fearless writer possessed of a wildly uninhibited imagination and a legion of fiercely devoted fans. In this latest addition to the author's incomparable oeuvre, 15-year-old Kafka Tamura runs away from home, both to escape his father's oedipal prophecy and to find his long-lost mother and sister. As Kafka flees, so too does Nakata, an elderly simpleton whose quiet life has been upset by a gruesome murder. (A wonderfully endearing character, Nakata has never recovered from the effects of a mysterious World War II incident that left him unable to read or comprehend much, but did give him the power to speak with cats.) What follows is a kind of double odyssey, as Kafka and Nakata are drawn inexorably along their separate but somehow linked paths, groping to understand the roles fate has in store for them. Murakami likes to blur the boundary between the real and the surreal-we are treated to such oddities as fish raining from the sky; a forest-dwelling pair of Imperial Army soldiers who haven't aged since WWII; and a hilarious cameo by fried chicken king Colonel Sanders-but he also writes touchingly about love, loneliness and friendship. Occasionally, the writing drifts too far into metaphysical musings-mind-bending talk of parallel worlds, events occurring outside of time-and things swirl a bit at the end as the author tries, perhaps too hard, to make sense of things. But by this point, his readers, like his characters, will go just about anywhere Murakami wants them to, whether they "get" it or not.

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"Nakata's much obliged to you," he said. "Thank you so very much for the ride."

"I enjoyed it. Thanks to you, Mr. Nakata, I feel completely relaxed now. I've never talked to anyone like this before, and I'm happy I could tell you everything. I hope I haven't bored you with all my problems."

"No, not at all. Nakata's very happy, too, to be able to talk with you. I'm sure good things are going to happen to you, Mr. Togeguchi."

The young man took a telephone card from his wallet and handed it to Nakata. "Please take this card. My company makes them. Consider it a going-away present. I wish I could give you something better."

"Thank you very much," Nakata said, and carefully tucked it into his wallet. He had no one to phone, and didn't know how to use the card anyway, but he thought it was more polite to accept it. By now it was three p. m.

It took another hour to find someone willing to take him as far as Fujigawa. The trucker was a beefy man in his mid-forties, with arms like logs and a jutting belly, who was hauling fresh fish in a refrigerated truck.

"I hope you don't mind the fish smell," the driver said.

"Fish are one of Nakata's favorites," Nakata replied.

The driver laughed. "You're a strange one, aren't you."

"People tell me that sometimes."

"I happen to like the strange ones," the driver said. "People who look normal and live a normal life-they're the ones you have to watch out for."

"Is that so?"

"Believe me, that's how it goes. In my opinion, anyway."

"Nakata doesn't have many opinions. Though I do like eel."

"Well, that's an opinion. That you like eel."

"Eel is an opinion?"

"Sure, saying you like eel's an opinion."

Thus the two of them drove to Fujigawa. The driver said his name was Hagita.

"So, Mr. Nakata, what do you think about the way the world's going?" he asked.

"I'm very sorry, I'm not bright, so I have no idea at all about that," Nakata said.

"Having your own opinion and not being very bright are two different things."

"But Mr. Hagita, not being very bright means you can't think about things."

"But you did say you like eel."

"Yes, eel is one of Nakata's favorites."

"That's a connection, see?"

"Um."

"Do you like chicken and egg over rice?"

"Yes, that's one of Nakata's favorites too."

"Well, there's a connection there, too," Hagita said. "You build up relationships like that one after another and before you know it you have meaning. The more connections, the deeper the meaning. Doesn't matter if it's eel, or rice bowls, or grilled fish, whatever. Get it?"

"No, I still don't understand. Does food make connections between things?"

"Not just food. Streetcars, the emperor, whatever."

"But I don't ride streetcars."

"That's fine. Look-what I'm getting at is no matter who or what you're dealing with, people build up meaning between themselves and the things around them. The important thing is whether this comes about naturally or not. Being bright has nothing to do with it. What matters is that you see things with your own eyes."

"You're very bright, Mr. Hagita."

Hagita let out a loud laugh. "It isn't a question of intelligence. I'm not all that bright, I just have my own way of thinking. That's why people get disgusted with me. They accuse me of always bringing up things that are better left alone. If you try to use your head to think about things, people don't want to have anything to do with you."

"Nakata still doesn't understand, but are you saying that there's a link between liking eel and liking chicken and egg over rice?"

"You could put it that way, I suppose. There's always going to be a connection between you, Mr. Nakata, and the things you deal with. Just like there's a connection between eel and rice bowls. And as the web of these connections spreads out, a relationship between you, Mr. Nakata, and capitalists and the proletariat naturally develops."

"Pro-le-what?"

"The proletariat," Mr. Hagita said, taking his hands off the steering wheel and making a wide gesture. To Nakata they looked as massive as baseball gloves. "The people who work hard, who earn their bread through the sweat of their brow, those are the proletariat. On the other hand you've got your guys who sit on their duffs, not lifting a finger, giving orders to other people and getting a hundred times my salary. Those are your capitalists."

"I don't know about people who are capitalists. I'm poor, and I don't know anybody great like that. The greatest person I know is the Governor of Tokyo. Is the Governor a capitalist?"

"Yeah, I suppose. Governors are more likely to be capitalists' lapdogs, though."

"The Governor is a dog?" Nakata remembered the huge black dog who took him to Johnnie Walker's house, and that ominous figure and the Governor overlapped in his mind.

"The world's swarming with those kind of dogs. Pawns of the capitalists."

"Pawns?"

"Like paws, with an 'n'."

"Are there any capitalist cats?" Nakata asked.

Hagita burst out laughing. "Boy, you are different, Mr. Nakata! But I like your style. Capitalist cats! That's a good one. A very unique opinion you have there."

"Mr. Hagita?"

"Yeah?"

"I'm poor and received a sub city every month from the Governor. Was this the wrong thing to do?"

"How much do you get every month?"

Nakata told him the amount.

Hagita shook his head disgustedly. "Pretty damn hard to get by on so little."

"That's not true, because Nakata doesn't use much money. Besides the sub city, I get money by helping people find their lost cats."

"No kidding? A professional cat-finder?" Hagita said, impressed. "You're an amazing guy, I have to say."

"Actually, I'm able to talk with cats," Nakata said. "I can understand what they say. That helps me locate the missing ones."

Hagita nodded. "I wouldn't put it past you."

"But not long ago I found out I couldn't talk with cats anymore. I wonder why."

"Things change every day, Mr. Nakata. With each new dawn it's not the same world as the day before. And you're not the same person you were, either. You get what I'm saying?"

"Yes."

"Connections change too. Who's the capitalist, who's the proletarian. Who's on the right, who's on the left. The information revolution, stock options, floating assets, occupational restructuring, multinational corporations-what's good, what's bad. Boundaries between things are disappearing all the time. Maybe that's why you can't speak to cats anymore."

"The difference between right and left Nakata understands. This is right, and this is left. Correct?"

"You got it," Hagita agreed. "That's all you need to know."

The last thing they did together was have a meal in a rest area restaurant. Hagita ordered two orders of eel, and when Nakata insisted on paying, to thank him for the ride, the driver shook his head emphatically.

"No way," he said. "I'd never let you use the pittance they give you for a subsidy to feed me."

"Much obliged, then. Thank you for such a treat," Nakata said, happy to accept his kindness.

Nakata spent an hour at the Fujigawa rest area asking drivers for a ride, but couldn't find anyone willing to take him. He didn't start to panic, though, or get depressed. In his mind, time passed very slowly. Or barely at all.

He went outside for some air and wandered around. The sky was cloudless, the surface of the moon clearly visible. Nakata strolled around the parking lot, which was filled with countless huge trucks, like giant beasts lined up shoulder to shoulder, resting. Some of the trucks had at least twenty giant tires, each one as tall as a man. So many trucks, all racing down the highway so late at night-what could they possibly be carrying inside? Nakata couldn't imagine. If he could read the writing on the sides of the trucks, he wondered, would he be able to figure it out?

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