Ira Levin - The Stepford Wives

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The Stepford Wives: краткое содержание, описание и аннотация

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The wives in Stepford are not exactly what you might call feisty, but they do keep nice homes. They wax and vacuum, and clean and dust all day long and late into the evenings, but they never complain. They are rather pleasing to look at too these Stepford ladies. They are round and shapely in all of the right places and in many ways they are model wives.
When the Eberharts move to Stepford Joanna finds it hard to settle in the town. She finds the town's women weird. Not one of them ever seems to have time to pop over for a cup of coffee. They are much too busy keeping house. They do find time to go out every once in a while though, to do the shopping, and even that is done neatly; every item is perfectly stacked in their trolleys.
Fortunately Joanna does manage to find a couple of friends who are normal. In fact one of them, Bobbie, is refreshingly slob-like. The other one, Charmaine, exudes elegance and is obsessed with tennis. She even has her own court in the garden, and so things are not, perhaps, so bad in Stepford after all. Or so it seems. But when Charmaine suddenly sacks her maid, and dons the pinny herself, Joanna is shocked. And when she discovers that her tennis buddy is ripping up her tennis court so that her husband can have his own putting green, Joanna realizes – for a fact – that something very strange indeed is going on in Stepford
The Stepford Wives is a much shorter read than I had anticipated. My copy is only 116 pages long, but it achieves a lot in those few pages and bulking out of the story would only have spoiled it. I would describe this as being a quietly scary story. The real nasty stuff always happens just out of sight, never right there in your face. If you have ever watched any really old films, you might remember how scenes sometimes ended with the loving couple closing the bedroom door. What happened next was left to the viewer's imagination. In a similar way the nasty stuff in The Stepford Wives is left to the reader's imagination. In the final pages, there is a scene where the Stepford men-folk usher Joanna into Bobbie's kitchen and Bobbie, who really doesn't seem like Bobbie anymore and is holding a knife, calls her over to the sink so that she can prove to her that she isn't a robot. What happens next in that kitchen is left to the reader's imagination. The horror is not depicted in glorious Technicolor and if the claret flows it flows unseen, but it is still a very scary scene indeed and possibly one of the best ones in the book.

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Ira Levin The Stepford Wives Today the combat takes a different shape - фото 1

Ira Levin

The Stepford Wives

"Today the combat takes a different shape; instead of wishing to put man in a prison, woman endeavors to escape from one; she no longer seeks to drag him into the realms of immanence but to emerge, herself, into the light of transcendence. Now the attitude of the males creates a new conflict: it is with a bad grace that the an lets her go."

Simone de Beauvoir

The Second Sex

THE WELCOME WAGON LADY, sixty if she was a day but working at youth and vivacity (ginger hair, red lips, a sunshine-yellow dress), twinkled her eyes and teeth at Joanna and said, "You're really going to like it here! It's a nice town with nice people! You couldn't have made a better choice!" Her brown leather shoulderbag was enormous, old and scuffed; from it she dealt Joanna packets of powdered breakfast drink and soup mix, a toy-size box of non-polluting detergent, a booklet of discount slips good at twenty-two local shops, two cakes of soap, a folder of deodorant pads- "Enough, enough," Joanna said, standing in the doorway with both hands full. "Hold. Halt. Thank you."

The Welcome Wagon lady put a vial of cologne on top of the other things, and then searched in her bag-"No, really," Joanna said-and brought out pink-framed eyeglasses and a small embroidered notebook. "I do the 'Notes on Newcomers,"' she said, smiling and putting on the glasses. "For the Chronicle." She dug at the bag's bottom and came up with a pen, clicking its top with a red-nailed thumb.

Joanna told her where she and Walter had moved from; what Walter did and with which firm; Pete's and Kim's names and ages; what she had done before they were born; and which colleges she and Walter had gone to. She shifted impatiently as she spoke, standing there at the front door with both hands full and Pete and Kim out of earshot.

"Do you have any hobbies or special interests?"

She was about to say a time-saving no, but hesitated: a full answer, printed in the local paper, might serve as a signpost to women like herself, potential friends. The women she had met in the past few days, the ones in the nearby houses, were pleasant and helpful enough, but they seemed completely absorbed in their household duties. Maybe when she got to know them better she would find they had farther-reaching thoughts and concerns, yet it might be wise to put up that signpost. So, "Yes, several," she said. "I play tennis whenever I get the chance, and I'm a semi-professional photographer-"

"Oh?" the Welcome Wagon lady said, writing.

Joanna smiled. "That means an agency handles three of my pictures," she said. "And I'm interested in politics and in the Women's Liberation movement. Very much so in that. And so is my husband."

"He is?" The Welcome Wagon lady looked at her.

"Yes," Joanna said. "Lots of men are." She didn't go into the benefits-for-both-sexes explanation; instead she leaned her head back into the entrance hall and listened: a TV audience laughed in the family room, and Pete and Kim argued but below intervention level. She smiled at the Welcome Wagon lady. "He's interested in boating and football too," she said, "and he collects Early American legal documents." Walter's half of the signpost.

The Welcome Wagon lady wrote, and closed her notebook, clicked her pen.

"That's just fine, Mrs. Eberhart," she said, smiling and taking her glasses off. "I know you're going to love it here," she said, "and I want to wish you a sincere and hearty 'Welcome to Stepford.' If there's any information I can give you about local shops and services, please feel free to call me; the number's right there on the front of the discount book."

"Thank you, I will," Joanna said. "And thanks for all this."

"Try them, they're good products!" the Welcome Wagon lady said. She turned away. "Good-by now!"

Joanna said good-by to her and watched her go down the curving walk toward her battered red Volkswagen. Dogs suddenly filled its windows, a black and brown excitement of spaniels, jumping and barking, paws pressing glass.

Moving whiteness beyond the Volkswagen caught Joanna's eye: across the sapling-lined street, in one of the Claybrooks' upstairs windows, whiteness moved again, leaving one pane and filling the next; the window was being washed. Joanna smiled, in case Donna Claybrook was looking at her.

The whiteness moved to a lower pane, and then to the pane beside it.

With a surprising roar the Volkswagen lunged from the curb, and Joanna backed into the entrance hall and hipped the door closed.

PETE AND KIM WERE arguing louder. "B.M.! Diarrhea!"

"Ow! Stop it!"

"Cut it out!" Joanna called, dumping the double handful of samples onto the kitchen table.

"She's kicking me!" Pete shouted, and Kim shouted, "I'm not! You diarrhea!"

"Now stop it," Joanna said, going to the port and looking through. Pete lay on the floor too close to the TV set, and Kim stood beside him, red-faced, keeping from kicking him. Both were still in their pajamas.

"She kicked me twice," Pete said, and Kim shouted, "You changed the channel! He changed the channel!"

"I did not!" 'I was watching Felix the Cat!"

"Quiet!" Joanna commanded. "Absolute silence! Utter-complete-total-silence."

They looked at her, Kim with Walter's wide blue eyes,

Pete with her own grave dark ones. "Race 'em to a flying finish!" the TV set cried. "No electricity!"

"A, you're too close to the set," Joanna said. "13, turn it off; and C, get dressed, both of you. That green stuff outside is grass, and the yellow stuff coming down on it is sunshine." Pete scrambled to his feet and powed the TV's control panel, blanking its screen to a dying dot of light. Kim began crying.

Joanna groaned and went around into the family room.

Crouching, she hugged Kim to her shoulder and rubbed her pajamaed back, kissed her silk-soft ringlets. "Ali, come on now," she said. "Don't you want to play with that nice Allison again? Maybe you'll see another chipmunk."

Pete came over and lifted a strand of her hair. She looked up at him and said, "Don't change channels on her."

"Oh, all right," he said, winding a finger in the dark strand.

"And don't kick," she told Kim. She rubbed her back and tried to get kisses in at her squirming-away cheek.

IT WAS WALTER'S TURN TO DO the dishes, and Pete and Kim were playing quietly in Pete's room, so she took a quick cool shower and put on shorts and a shirt and her sneakers and brushed her hair. She peeked in on Pete and Kim as she tied her hair: they were sitting on the floor playing with Pete's space station.

She moved quietly away and went down the newcarpeted stairs. It was a good evening. The unpacking was done with, finally, and she was cool and clean, with a few free minutes-ten or fifteen if she was lucky-to maybe sit outside with Walter and look at their trees and their two-point-two acres.

She went around and down the hallway. The kitchen was spick-and-span, the washer pounding. Walter was at the sink, leaning to the window and looking out toward the Van Sant house. A Rorschach-blot of sweat stained his shirt: a rabbit with its ears bent outward. He turned around, and started and smiled. "How long have you been here?" he asked, dishtowel-wiping his hands.

"I just came in," she said.

"You look reborn."

"That's how I feel. They're playing like angels. You want to go outside?"

"Okay," he said, folding the towel. "Just for a few minutes though. I'm going over to talk with Ted." He slid the towel onto a rod of the rack.

"That's why I was looking," he said. "They just finished eating."

"What are you going to talk with him about?"

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