Patrick McCabe - The Butcher Boy

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SHORTLISTED FOR THE 1992 BOOKER PRIZE
WINNER OF THE IRISH TIMES-AER LINGUS
LITERATURE PRIZE FOR FICTION
"BRILLIANT, UNIQUE. Patrick McCabe pushes your head through the book and you come out the other end gasping, admiring, and knowing that reading fiction will never be the same again. It's the best Irish novel I've read in years." – Roddy Doyle, Author, Paddy Clarke Ha Ha Ha
"STUNNING… PART HUCK FINN, PART HOLDEN CAULFIELD, PART HANNIBAL LECTER." – The New York Times Book Review
"AN ALMOST PERFECT NOVEL… A BECKETT MONOLOGUE WITH PLOT BY ALFRED HITCHCOCK… STARTLINGLY ORIGINAL." – The Washington Post Book World
"BRILLIANT… Francie is a shrewd and amusing observer… his voice is mordant, colloquial and brash as a punch in the nose." – Scott Turow
"A ROLLICKING NASTY NOVEL." – The Village Voice
"There are a number of fine novels about violent youth, and Patrick McCabe's frightening and sorrowful The Butcher Boy stands up to any of them… Francie portrays himself in every word he utters, and his language gives Patrick McCabe's The Butcher Boy its valuable dread power." – The Atlanta Journal Constitution
"A CHILLING TALE OF A CHILD'S HELL… OFTEN SCREAMINGLY FUNNY… THE BOOK HAS A COMPELLING AND TERRIBLE BEAUTY." – The Boston Globe
"A tour de force." – Kirkus Reviews
"IT'S AS BRIGHT AS IT IS DEPRESSING, AS FUNNY AS IT IS GRUESOME. We see Francie clearly as psychopath, and we ache with sympathy for him. It's almost impossible to pinpoint the moment in his growing up when the imagination of an ordinary boy shades over into something dangerously loony. The key is Francie's slangy, angry, '60s-flavored voice, which McCabe renders with a minimum of punctuation and a maximum of control." – Los Angeles Times Book Review
"AN UNRELENTING, UPBEAT STREAM OF PATTER. McCabe's acclaimed third novel… walks the path of dementia with remarkable assurance." – Entertainment Weekly
"McCABE'S FRANCIE SPEAKS IN A RICH VERNACULAR SPIRITED BY THE BRASSY AND ENDEARING RHYTHMS OF PERPETUAL DELINQUENCY; even in his gradual unhinging, Francie remains a winning raconteur. By looking so deeply into Francie's soul, McCabe subtly suggests a common source of political and personal violence – lack of love and hope." – Publishers Weekly
"PATRICK McCABE IS AN OUTSTANDING WRITER. The Butcher Boy is fearful, original, compelling and very hard to put out of your mind. American readers should pay close attention to this man." – Thomas McGuane
"A BRILLIANT BOOK SO VERY FUNNY AS WELL AS BEING HEARTRENDINGLY SAD." – J. P. Donleavy
"Written with wonderful assurance and a technical skill that is as great as it is unobtrusive… Perhaps the novel is best read as a twisted coming-of-age story; imagine Huck Finn crossed with Charlie Starkweather, and you have Francie Brady, the young narrator of The Butcher Boy." – The Washington Post Book World
"A POTENT AMALGAM OF COMEDY, HORROR AND PATHOS… The Butcher Boy is a prime slice of modern Gothic… McCabe presents a study in spiritual derangement that rivets." – The Sunday Times (London)
"DEADLY SERIOUS, TERRIFICALLY LOONY AND SCARY, AND ABSOLUTELY HILARIOUS… Francie Brady's story is reminiscent of Samuel Beckett's Molloy, Moran, Malone, and the Unnameable even, with Anthony Burgess's Alex tossed in for good measure." – James McManus
"THE MOST ASTONISHING IRISH NOVEL FOR MANY YEARS, A MASTERPIECE." – Sunday Independent
"A POWERFUL AND DEEPLY SHOCKING NOVEL where the seemingly innocent logic of a child imperceptibly turns into the manic logic of an unhinged mind. Patrick McCabe portrays 1960s small-town life from a bizarre perspective where the aliens from Outer Space on the television are as real as the emotional poverty of one child filled with unconscious envy for another." – Dermont Bolger

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Oh he says and what might that be?

You know every tune in the world I says. I'll bet you know every one.

Not them all he says with a smile but a fair few, I'd say I know a fair few. I walked around. Gramophones, how many, twenty maybe. All kinds. Big trumpets, little trumpets. Any kind you want. Then what did I hear only this gurgling and when I look over what's that old music man doing only pouring himself tea. Want some? he says. A spot of tea, he says. He had some good sayings that music man. His sayings made me so happy I wanted to cry. But then what! Out of nowhere comes these cakes, would you believe it butterfly buns! Fuck me, I says, how did you know? He just smiled and said there you are and the tea looping and gurgling into the cups say when he says. I still don't know how he knew but it didn't matter I was away off filling him in on ma and da and the potatoes and salt and the song and saying the rosary on the rocks and everything. So he played the trumpet he says, your father. Yes I says and I told him some of the tunes. Well if he could handle that solo he says about one of the songs he certainly knew how to play a trumpet! He sure did I says licking the cream off my fingers. Outside the town had turned into glass the colour of dawnlight. There were tinkling mobiles in the shape of music notes hanging from the ceiling tinkle tinkle pling was all you could hear. Stacks of records, one by one I went through them but you had to be careful they could fall to pieces in your hands. Watch it Francie! I said and laughed: Don't worry, I will!

John McCormack I knew him. Da conducted in the air when he came on, cut big swathes of air with his index fingers. I laughed again. Then I saw it and when I did I nearly fainted, I don't know why I'd seen it plenty of times before. My legs went into legs of sawdust. Trot trot goes the sadeyed ass pulling the cart and away off into the misty green mountains and the blue clouds of far away. And right over the picture there in big black letters EMERALD GEMS OF IRELAND. I flicked through the pages over and over reading all the names and when I went to pay the music man I dropped the coins all over the place then I went into the whole story about Philip and Joe and everything it was like a cavalry charge of words coming out of my mouth I didn't know where they were all coming from. You'd think you were finished then over the hill would come a whole pile more yee haa wait till you hear this bit too. And all the way through he listened to everything I was saying and you could tell by his eyes that he wasn't really thinking I wish this Francie Brady would shut up about Joe Purcell or anything like that I knew he really wanted to hear it. For then he says the best thing of all. But of course there's a far better book than that available now. There it is behind you. A much better book. It was called A TREASURY OF IRISH MELODIES. There was no ass and cart on the front of it just an old woman in a shawl standing at a half-door staring at the sun going down behind the mountains. So this is better than the other book, I says. Oh yes says the music man, much better. I want to buy it! I says, all excited and what did I do only drop more coins all over the floor. The music man thought that was a good laugh. He had no intention of selling it to me. He was giving it to me. Its not every day I meet someone whose father could play the trumpet like yours, he says. Isn't it enough that you like the songs? Then he went away off humming a new tune to himself and parcelled it up for me. I just stared at the music man when he was handing it to me. Just wait till Joe sees this! I said. But he didn't get excited. If they started hammering on the window shouting the aliens are eating all the children in the town what would he do? He'd say: Right so. I'll be with you in a minute. I'll just lock up the shop first. He was the best man I ever met that old music man I kept looking at the book over and over and trying to see Joe's face as I handed it to him I wasn't sure which road to take for the school I went the wrong way a few times what do you think of this book I said to them its good they said yes I said, its for Joe Purcell, Emerald Gems is nothing compared to this one.

The black road twisted in and out of the curly countryside like a ribbon at the end of it was Joe's school and what was he going to say then: For fuck's sake Francie, you've done it again! Hey Joe! I'd shout. Saddle up! We're riding out! Yee-haa!

I was getting as bad as ma. Whiz this way then whiz the other way. I'll do this no I'll do that. The whiz again. I know – I'll think some more about Joe and the old days. But then, more laughing. Big whorly clouds made of ink powder riding the sky and the music book stuck in my back pocket. Then the school rising up out of the fields with all its yellow windows gleaming – another house of a hundred windows. But this time it was different, behind one of them windows was Joe and when I thought that I leaped so high I could have headed the moon like a football. Francie Brady plays for the town he's forty yards out he's thirty yards out twenty ten yards out its a long ball and the goalie's missed it and yes Francie Brady has scored a goal for the town Francie has scored a goal the moon is at the back of the net!

I had been tramping for over an hour before I seen it and then soon as I turn the corner what happens. Out go the lights. Phut!, every last one. Hey – what the hell do you think you're at up there, turning off them lights? Leave them on! How am I supposed to find Joe Purcell! Hey! Did you not hear me!

Then all of a sudden I thought: This is something to do with Mrs Nugent. She's heard about me going to see Joe and she has some plan up her sleeve. She's told the priests to switch off all the lights so they can lie in wait for me and when I'm finished running round the place like an eejit looking for him, she'll appear out of the shadows standing there with them, smiling: So you couldn't find him could you not? That's a pity Francis isn't it and then I knew that would be the end I'd never find him then. But then I started breaking my arse laughing it was such a stupid idea. Oh no, I said, this is one thing that Mrs Nugent isn't going to spoil!

I'd thought some things but that was the daftest yet.

I went round the back and nearly walked into a big bin full of brock you'd think with me being King of The Brock I'd have been able to see that! I was in behind the kitchens. Grr says a dog.

Fuck up I said but I managed to get past him all right. I could hear the toilets hissing. Hiss hiss, we can see you Francie. I kept checking the book to see that I still had it in my back pocket. Where did I end up only in a room full of football boots and the smell of sweaty oxters. Curse of fuck on this and I had to start again. Dant-a-dan! Along the wall. Don't move! Six soldiers out of nowhere cocking rifles, up against the wall so we have you at last Mr Brady! No, none of that, only snoring priests and bogmen but where were they? Not in here nothing only an empty bed and a cupboard full of medicine bottles. I think I'll have a look at these I said and shovelled a few coloured pills into my hand out of a little brown bottle. Gulp down the hatch they went. I wonder what they were. I don't know. Whee, I thought I heard someone shouting from the other end of the corridor you take a left then the next right Francie and you'll find him no problem. I turned round to thank him whoever it was but there was no one there. Then the pill said: Oh that was just me Francie. Pill, I said, you bastard! Now now Francie said the pill for that I'll just have to turn your feet to sponge. Squish squeesh along the tiles. What's this the biggest bell in the world sitting under the stairs. I said: Mrs Nugent if you're in behind that bell you had better come out. I know you're in there Mrs Nugent you can't fool me.

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