Gao Xingjian - One Man

Здесь есть возможность читать онлайн «Gao Xingjian - One Man» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

One Man: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «One Man»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

One Man's Bible is the second novel by Nobel Prize-winning author Gao Xingjian to appear in English. Following on the heels of his highly praised Soul Mountain , this later work is as candid as the first, and written with the same grace and beauty.
In a Hong Kong hotel room in 1996, Gao Xingjian's lover, Marguerite, stirs up his memories of childhood and early adult life under the shadow of Mao Zedong and the Cultural Revolution. Gao has been living in self-imposed exile in France and has traveled to this Western-influenced Chinese city-state, so close to his homeland, for the staging of one of his plays.
What follows is a fictionalized account of Gao Xingjian's life under the Communist regime. Whether in "beehive" offices in Beijing or in isolated rural towns, daily life is riddled with paranoia and fear, as revolutionaries, counterrevolutionaries, reactionaries, counterreactionaries, and government propaganda turn citizens against one another. It is a place where a single sentence spoken ten years earlier can make one an enemy of the state. Gao evokes the spiritual torture of political and intellectual repression in graphic detail, including the heartbreaking betrayals he suffers in his relationships with women and men alike.
One Man's Bible is a profound meditation on the essence of writing, on exile, on the effects of political oppression on the human spirit, and on how the human spirit can triumph.
***
One Man's Bible belongs to that sad class of books sold on the strength of their authors having won a prize. But a prize is rather a thin argument for reading it, especially in a wooden English translation. Does one want to know more about Gao Xingjian than his first novel translated into English, Soul Mountain, told? That book had just enough exotic colour to survive its translation; from its portentous title onwards, One Man's Bible has much less going for it. It needs more story, structure, people, situations, atmosphere, ideas – anything strong enough to come through the obscuring veil of alien words.
When, in 2001, Gao became the first Chinese writer to win a Nobel prize for literature, it came as a surprise. The Chinese literary bureaucrats – today's counterparts of the strange Soviet creatures in Bulgakov's The Master and Margarita – had long been pushing for one of their trusties to win. Gao was certainly not one of those, but neither was he prominent in any of the exiled literary cliques. Since being driven to leave China in the 1980s he had been living in France, writing supposedly experimental, sub-Beckettian plays with Chinese characteristics that some critics in the Chinese-speaking world thought worth discussing. These plays also suited small, subsidised European theatre companies in search of uncommercial exotica full of the timeless wisdom of the east. While still in China, Gao was best known for Bus Stop, a one-acter about people waiting for a bus that never came. What delighted audiences and infuriated the authorities when the play appeared some 20 years ago was its apparent implied message: the never-arriving bus was the wonderful future that the regime promised but could not deliver.
Soul Mountain was fiction in the form of an autobiography (or vice versa) that told a fragmented tale of a writer on the run in the wilder reaches of the Yangtze valley. The background chimed with Gao's own flight from the thought police, as well as being a celebration of "authentic" China surviving 40 years of the party state in remote and picturesque areas. There was quite a lot of sex, too.
One Man's Bible also invites us to read its central character, again an author, as an alter ego of Gao's. As he looks back from cosmopolitan exile in the present – the book was written in the late 1990s – on his life in China, this author makes much of feeling uncomfortable, and wallows in sententiousness. The book starts with a bourgeois childhood before the Communists seized power in 1949 (when the real Gao was eight or nine), moving on to his family's and his own troubles in the unending series of political campaigns that ran through the Mao era and its aftermath. Much of it deals with the cultural revolution, with our hero as participant as well as victim in a hellish process, and with how all this made him what he is now. Between the earlier life and the recent past there is a gap where Soul Mountain might fit.
Like Gao, the central figure in One Man's Bible is an exile based in France who writes fiction and drama in his own language. He enjoys the freedom not to be caught up in politics, and wonders how he came to be what he is. Invitations to events on the international cultural circuit give us scenes in Hong Kong, Sydney, New York, Perpignan and elsewhere, all of which are much the same. None of it seems to matter very much in comparison with the seriously deranged political movements of his youth which, though hindsight tells him they were wrong, he savours the discomfort of remembering.
If Soul Mountain explored China and Chineseness, One Man's Bible is all about enjoying feeling guilty, but not too guilty. It is about not being at home anywhere, not even in your own skin, and making the best of it; about the middle-aged worry over what you were when you were younger. As the central figure looks back over his life, he tries to accept the great realisation that it hasn't meant anything. Yet for all his attempts to be sophisticated, he can't help but feel disappointed at the pointlessness of life. He has not got over the Maoist urge to preach, though it is now a different sermon.
In the past 20 years, having a hard time under the Communist party dictatorship has been the stuff of a commercially flourishing genre of autobiographical writing in English by people, especially women, who have got out. Gao is not into that sort of soppy stuff. His fiction has rather more in common with a newer popular sub-genre of Chinese fiction for foreign readers: unillusioned fucklit, by younger women writers. The China his central character has left was an awful place, but one that gave him access to plenty of women's bodies. The west has given him freedom and more women for his bed, but not happiness or meaning. It has allowed him to hold forth on life and art, even if what he has to say is banal.
As a self-conscious follower of European modernism, Gao does not give us this fictional life in a chronological sequence. He assumes that readers can find their way through the cut-up narrative of the cultural revolution, picking up references as Chinese people of his generation will be able to. Yet most foreigners will simply be confused. They are more likely to follow the novel through the unending couplings with which its subject tries to fill the voids in his past and present lives. We start with a German-Jewish woman in Hong Kong, where one of his plays is being staged. There is another in France, and others collected elsewhere on his travels, as well as the various sexual partners in his earlier life in China. But on the whole, the bodies do not seem to have brains.
The ideas in One Man's Bible are commonplace, its characters are ciphers, and it is not redeemed by wit, grace or self-mockery. Its solipsism is banal. I hope we will not have to endure a third novel in this series on the splendours and miseries of being a Nobel prize-winner.
WJF Jenner is a translator and expert on Chinese writing.

One Man — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «One Man», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

A local from the village then said, "There isn't anyone who hasn't enjoyed her favors!"

"Get rid of that filthy mouth of yours!" The teasing put Zhao's wife in high spirits. Straightening her apron, she put her hands on her hips and told everyone off, "All of you are gluttons, go get yourselves stuffed on green-feed slops!"

There was no end to the coarse talk, and there was the stench of alcohol all over the place. He could tell from the banter that not one of them had a bad pedigree. Otherwise, how else would they have managed to become village cadres?

"If it wasn't for the kindness of Chairman Mao, would the poor and lower-middle-class peasants enjoy what they do today? How else would we have girl students coming from the city to settle in our villages?"

"Stop all this indecent thinking!"

"It's only you who's fuckin' decent. Have you ever had it off with them? Come on, out with it!"

"There's a teacher present, surely he's disgusted by all this talk!"

"The teacher's not an outsider, he respects us, we people with mud on our legs. Didn't he sleep on the ground with us?"

You had, indeed. You slept with them on paddy-rice hay spread on the floor of a granary, and every day after military training you watched them compete in strength, wrestling, and tumbling, after which the loser had to let the winner grope in his trousers. When the village women watched, they joined in the cheering, some would even go up to tug at the loser's belt, and it would all end up with the men and women getting into a huddle. At such times, Maomei would stand aside, cover her mouth, and just laugh. Everyone was jolly until the whistle signaled for the lights to be put out.

You came out of the main hall; a cool breeze was blowing gently. There was no nauseating stench of alcohol, and the pure fragrance of paddy grass wafted in gusts through the air. In the moonlight, the villages became fused with the shadows of the undulating mountains. You sat down on the stone mill by the house and lit a cigarette.

You rejoiced that you had won their trust. There were no more suspicious noises outside, and no longer figures silhouetted on the windows in the moonlight. You were no longer being spied on. It seemed that you had settled permanently here, and that, from now on, you would mix with these men. They have lived like this for generations. They rolled in the mud and on women's bodies, when they were tired or drunk they fell fast asleep, they did not have nightmares. You could smell the moist air of the mud and felt relaxed, drowsy.

"Teacher, are you still up?"

You turned and saw Maomei come out the back door of the kitchen and stop by the pile of firewood. The hazy moonlight perfectly revealed her feminine charm.

"Teacher, you're really relaxed. Are you looking at the moon?"

She smiled at you. She had a sweet voice with a lilt. She was a sexy girl, her pointed breasts were firm, and you thought they had been touched by men. She was radiant and healthy, without worries or fears. This was the soil that had given birth to her. She would receive you, and seemed to be saying this, but did you want her? She was waiting for your response. In the darkness, her glinting eyes were fixed upon you without embarrassment or fear, once again arousing your lust for women. She was boldly confronting you, late at night, as she leaned against the pile of wood, but, unlike those men, those bandits, you didn't dare flirt with her or approach her, you didn't dare be frivolous, you lacked the courage.

47

A day of rain and another day of rain, fine continuous drizzle. School finished some time ago, after the two afternoon classes, because students must go home to work. Your room near the teachers' office is made of brick, and there is a timber ceiling, so you do not need to worry about rain leaking in. Your mind is at peace, you like rainy days, and you no longer have to put on a big bamboo hat to work with your legs soaking in the paddy fields. With your door shut, there is the sound of the wind, the sound of the rain, as well as the sound of your reading. But not all of these sounds are audible, because you are only silently reading or writing in your mind. However, you are finally living the life of a normal human being, even if you do not have a family. You no longer want a woman to share your roof, you would prefer to live alone rather than run the risk of being exposed. If you feel the urge, you just write about it. By doing this, you win freedom for your imagination, and any woman you want can come to you via your pen.

"Teacher, Secretary Lu wants to see you!" a girl student was calling from outside his room.

He had fitted a spring lock so that people couldn't just walk into his room. If he had to talk to his students, he went to the teachers' office next door, especially in the case of girl students. The headmaster, who lived on the other side of the basketball field, was always watching his door. He had been headmaster of the primary school for twenty years, but now that it had suddenly been converted into a middle school, he was afraid of being replaced by this outsider under the protection of Secretary Lu. He wanted to catch this outsider in some act of impropriety with a girl student, so that he could be made to roll up his bedding and go away. However, he could not convince the headmaster that all he wanted was a place to stay in peace.

This student, Sun Huirong, was a pretty and lively girl. Her father had died of some illness a long time ago, and her mother sold vegetables at the cooperative in town in order to somehow bring up three daughters, Huirong being the eldest. Huirong was always trying to be nice to him: "Teacher, I'll wash your dirty clothes for you!" "Teacher, I've brought you some amaranth fresh from our vegetable garden!" Whenever he passed by the Sun house, if the girl saw him, she would always run out and greet him, "Teacher, come in and have some tea!" He knew almost every family in the small street, and had visited their homes, either sitting for a while in the main hall or else having a cigarette on the doorstep. He had made this town his hometown and was now a local, but he had never been into this girl's home. The girl said to him, "Our home is a women's domain." Probably she wanted a father and didn't necessarily want a man.

The girl had come in from the rain, and her hair was all wet. He got an umbrella and told her to take it home with her, but when he went back inside to get a bamboo hat, the girl had run off. When he had almost caught up with her, he called out. She turned around in the rain and shook her head. The front of her shirt clung to her, revealing her small, developing breasts. She was happy and laughing as she ran off, probably pleased she had delivered such an important message to her teacher.

Lu lived in a rear-courtyard compound of the commune complex, and he went in through the side gate opposite the river embankment. The yard was clean, paved with cobblestones, and there was a small well. At the time when that powerful landlord was executed, the man's mistress was living in this small, secluded, peaceful compound. Lu was lounging on a bamboo couch cushioned with a piece of deerskin. A pot of meat with a delicious pungent aroma was stewing on the brazier that stood on the brick floor.

"It's dog meat with chili. Old Zhang at the police station brought it, he said he had trapped a wild dog. Who can tell if it's a wild dog or a domestic dog, anyway, that's what he told me." Lu didn't get up. "Get a bowl and a pair of chopsticks, and pour some liquor. My back is no good, it's an old gunshot wound and it gives me trouble whenever it rains. At the time, we were fighting a war, and no doctors were around, so just to stay alive counted as being lucky."

He poured himself some liquor, then sat on the little stool by the brazier to eat and drink. Lu talked a lot as he lay on the bamboo couch.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «One Man»

Представляем Вашему вниманию похожие книги на «One Man» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «One Man»

Обсуждение, отзывы о книге «One Man» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x