Jung Chang - Wild Swans - Three Daughters of China

At fourteen, and having lived a very sheltered life, my great-grandfather was little more than a boy at the time of his marriage. On the first night, he did not want to go into the wedding chamber. He went to bed in his mother's room and had to be carried in to his bride after he fell asleep. But, although he was a spoiled child and still needed help to get dressed, he knew how to 'plant children," according to his wife. My grandmother was born within a year of the wedding, on the fifth day of the fifth moon, in early summer 1909. She was in a better position than her mother, for she was actually given a name: Yufang. Yu , meaning 'jade," was her generation name, given to all the offspring of the same generation, while fang means 'fragrant flowers."

The world she was born into was one of total unpredictability. The Manchu empire, which had ruled China for over 260 years, was tottering. In 1894-95 Japan attacked China in Manchuria, with China suffering devastating defeats and loss of territory. In 1900 the nationalist Boxer Rebellion was put down by eight foreign armies, contingents of which had stayed on, some in Manchuria and some along the Great Wall. Then in 1904-5 Japan and Russia fought a major war on the plains of Manchuria. Japan 's victory made it the dominant outside force in Manchuria. In 1911 the five-year-old emperor of China, Pu Yi, was overthrown and a republic was set up with the charismatic figure of Sun Yat-sen briefly at its head.

The new republican government soon collapsed and the country broke up into fiefs. Manchuria was particularly disaffected from the republic, since the Manchu dynasty had originated there. Foreign powers, especially Japan, intensified their attempts to encroach on the area. Under all these pressures, the old institutions collapsed, resulting in a vacuum of power, morality, and authority. Many people sought to get to the top by bribing local potentates with expensive gifts like gold, silver, and jewelry. My great grandfather was not rich enough to buy himself a lucrative position in a big city, and by the time he was thirty he had risen no higher than an official in the police station of his native Yixian, a provincial backwater. But he had plans. And he had one valuable asset-his daughter.

My grandmother was a beauty. She had an oval face, with rosy cheeks and lustrous skin. Her long, shiny black hair was woven into a thick plait reaching down to her waist.

She could be demure when the occasion demanded, which was most of the time, but underneath her composed exterior she was bursting with suppressed energy. She was petite, about five feet three inches, with a slender figure and sloping shoulders, which were considered the ideal.

But her greatest assets were her bound feet, called in Chinese 'three-inch golden lilies' ( san-tsun-gin-lian ). This meant she walked 'like a tender young willow shoot in a spring breeze," as Chinese connoisseurs of women traditionally put it. The sight of a woman teetering on bound feet was supposed to have an erotic effect on men, partly because her vulnerability induced a feeling of protectiveness in the onlooker.

My grandmother's feet had been bound when she was two years old. Her mother, who herself had bound feet, first wound a piece of white cloth about twenty feet long round her feet, bending all the toes except the big toe inward and under the sole. Then she placed a large stone on top to crush the arch. My grandmother screamed in agony and begged her to stop. Her mother had to stick a cloth into her mouth to gag her. My grandmother passed out repeatedly from the pain.

The process lasted several years. Even after the bones had been broken, the feet had to be bound day and night in thick cloth because the moment they were released they would try to recover. For years my grandmother lived in relentless, excruciating pain. When she pleaded with her mother to untie the bindings, her' mother would weep and tell her that unbound feet would ruin her entire life, and that she was doing it for her own future happiness.

In those days, when a woman was married, the first thing the bridegroom's family did was to examine her feet. Large feet, meaning normal feet, were considered to bring shame on the husband's household. The mother-in-law would lift the hem of the bride's long skirt, and if the feet were more than about four inches long, she would throw down the skirt in a demonstrative gesture of contempt and stalk off, leaving the bride to the critical gaze of the wedding guests, who would stare at her feet and insultingly mutter their disdain. Sometimes a mother would take pity on her daughter and remove the binding cloth; but when the child grew up and had to endure the contempt of her husband's family and the disapproval of society, she would blame her mother for having been too weak.

The practice of binding feet was originally introduced about a thousand years ago, allegedly by a concubine of the emperor. Not only was the sight of women hobbling on tiny feet considered erotic, men would also get excited playing with bound feet, which were always hidden in embroidered silk shoes. Women could not remove the binding cloths even when they were adults, as their feet would start growing again. The binding could only be loosened temporarily at night in bed, when they would put on soft-soled shoes. Men rarely saw naked bound feet, which were usually covered in rotting flesh and stank when the bindings were removed. As a child, I can remember my grandmother being in constant pain. When we came home from shopping, the first thing she would do was soak her feet in a bowl of hot water, sighing with relief as she did so. Then she would set about cutting off pieces of dead skin. The pain came not only from the broken bones, but also from her toenails, which grew into the balls of her feet.

In fact, my grandmother's feet were bound just at the moment when foot-binding was disappearing for good. By the time her sister was born in 1917, the practice had virtually been abandoned, so she escaped the torment.

However, when my grandmother was growing up, the prevailing attitude in a small town like Yixian was still that bound feet were essential for a good marriage-but they were only a start. Her father's plans were for her to be trained as either a perfect lady or a high-class courtesan. Scorning the received wisdom of the time-that it was virtuous for a lower class woman to be illiterate-he sent her to a girl's school that had been set up in the town in 1905. She also learned to play Chinese chess, mah-jongg, and go. She studied drawing and embroidery. Her favorite design was mandarin ducks (which symbolize love, because they always swim in pairs), and she used to embroider them onto the tiny shoes she made for herself. To crown her list of accomplishments, a tutor was hired to teach her to play the qin, a musical instrument like a zither.

My grandmother was considered the belle of the town. The locals said she stood out 'like a crane among chickens." In 1924 she was fifteen, and her father was growing worried that time might be running out on his only real asset-and his only chance for a life of ease. In that year General Xue Zhi-heng, the inspector general of the Metropolitan Police of the warlord government in Peking, came to pay a visit.

Xue Zhi-heng was born in 1876 in the county of Lulong, about a hundred miles east of Peking, and just south of the Great Wall, where the vast North China plain runs up against the mountains. He was the eldest of four sons of a country schoolteacher.

He was handsome and had a powerful presence, which struck all who met him. Several blind fortune-tellers who felt his face predicted he would rise to a powerful position.

He was a gifted calligrapher, a talent held in high esteem, and in 1908 a warlord named Wang Huai-qing, who was visiting Lulong, noticed the fine calligraphy on a plaque over the gate of the main temple and asked to meet the man who had done it. General Wang took to the thirty two-year-old Xue and invited him to become his aide de -camp.