Jung Chang - Wild Swans - Three Daughters of China

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The forces of history and the exceptional talents of this young writer combine to produce a work of nonfiction with the breadth and drama of the richest, most memorable fiction classics. Wild Swans is a landmark book, with the intimacy of memoir and the panoramic vision of a monumental human saga, which tells of the lives of Jung Chang, her mother, her grandmother, and of 20th-century China. 16-page photo insert.
***
"Bursting with drama, heartbreak and horror, this extraordinary family portrait mirrors China 's century of turbulence…[Chang's] meticulous, transparent prose radiates an inner strength." Publisher's Weekly
"The story reads like the sweeping family sagas of genre fiction but rises far above the norm. The characters are well drawn, the events are riveting, and the story teaches lessons of history as well as lessons of the heart. It also allows listeners to visit a world unfamiliar to most Westerners. The author brings memories of a foreign life and illuminates them with graceful prose." Jacqueline Smith, Library Journal
"[This] is one of the most intimate studies of persecution, suffering, and fear in Mao's time, before and after his triumph in 1949, and one of the finest…It is the most harrowing and extended account I have read of the years between 1966 and 1976, and the most analytical." The New York Review of Books
"By keeping her focus on three generations of female kin and their practical adaptations to the shifting winds of political power, Ms. Chang gives us a rare opportunity to follow the evolution of some remarkable women who not only reflected their times, but who also acted upon them in order to change their individual destiny." Susan Brownmiller, The New York Times Book Review
"Despite its interesting details, Wild Swans does not tell us much that other memoirs, similarly written from a position of privilege, have not already revealed. One looks forward to an account of China 's recent past which will not merely focus on the experience of the privileged urban elite." The Times Literary Supplement
"[The author] tells stories and anecdotes, in straight chronological order, with little contrivance, providing real-life fables as open-ended answers to the puzzles of 20th-century China…Taken in pieces, Chang's narrative can be prosaic. But in its entirety, the author achieves a Dickensian tone with detailed portraits and intimate remembrances, with colorful minor characters and intricate yet fascinating side plots." Time
"An evocative, often astonishing view of life in a changing China." The New York Times
***
Amazon.com Review
In Wild Swans Jung Chang recounts the evocative, unsettling, and insistently gripping story of how three generations of women in her family fared in the political maelstrom of China during the 20th century. Chang's grandmother was a warlord's concubine. Her gently raised mother struggled with hardships in the early days of Mao's revolution and rose, like her husband, to a prominent position in the Communist Party before being denounced during the Cultural Revolution. Chang herself marched, worked, and breathed for Mao until doubt crept in over the excesses of his policies and purges. Born just a few decades apart, their lives overlap with the end of the warlords' regime and overthrow of the Japanese occupation, violent struggles between the Kuomintang and the Communists to carve up China, and, most poignant for the author, the vicious cycle of purges orchestrated by Chairman Mao that discredited and crushed millions of people, including her parents.
From Publishers Weekly
Bursting with drama, heartbreak and horror, this extraordinary family portrait mirrors China 's century of turbulence. Chang's grandmother, Yu-fang, had her feet bound at age two and in 1924 was sold as a concubine to Beijing 's police chief. Yu-fang escaped slavery in a brothel by fleeing her "husband" with her infant daughter, Bao Qin, Chang's mother-to-be. Growing up during Japan 's brutal occupation, free-spirited Bao Qin chose the man she would marry, a Communist Party official slavishly devoted to the revolution. In 1949, while he drove 1000 miles in a jeep to the southwestern province where they would do Mao's spadework, Bao Qin walked alongside the vehicle, sick and pregnant (she lost the child). Chang, born in 1952, saw her mother put into a detention camp in the Cultural Revolution and later "rehabilitated." Her father was denounced and publicly humiliated; his mind snapped, and he died a broken man in 1975. Working as a "barefoot doctor" with no training, Chang saw the oppressive, inhuman side of communism. She left China in 1978 and is now director of Chinese studies at London University. Her meticulous, transparent prose radiates an inner strength.

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Dusk was descending. I felt very ill. Jin-ming had spread his jacket on the ground for me so I would not have to sit on the damp grass. Our aim was to cross over to Yunnan and try to hitch a lift to Chengdu. The roads through Xichang were cut off by fighting between Rebel factions, so we had to try a roundabout route. Nana and Wen had offered to get my registration book and luggage, and those of Xiao-hong, to Chengdu.

A dozen strong men rowed the ferry against the current, chanting a song in unison. When they reached the middle of the river, they stopped and let the ferry be carried downstream toward the Yunnan side. Huge waves broke over us several times. I had to hold on tight to the side while the boat listed helplessly. Normally I would have been terrified, but now I felt only numbness. I was too preoccupied with the death of my grandmother.

A solitary truck stood on a basketball court in the town on the Yunnan bank, Qjaojia. The driver readily agreed to give us a lift in the back. All the time, I kept turning over in my head what I could have done to save my grandmother. As the truck jolted along, we passed banana groves at the back of mud houses in the embrace of cloud-capped mountains. Seeing the gigantic banana leaves, I remembered the small, potted, fruitless banana by the door of my grandmother's hospital ward in Chengdu. When Bing came to see me, I used to sit beside it with him, chatting deep into the night. My grandmother did not like him because of his cynical grin and the casualness with which he treated adults, which she considered disrespectful. Twice she came staggering downstairs to call me back.

I had hated myself for making her anxious, but I could not help it. I could not control my desire to see Bing. Now how I wished I could start all over again! I would not do anything to upset her. I would just make sure she got better although how I did not know.

We passed through Yibin. The road wound down Emerald Screen Hill on the edge of the city. Staring at the elegant redwoods and bamboo groves, I thought back to April, when I had just returned home to Meteorite Street from Yibin. I was telling my grandmother how I had gone to sweep Dr. Xia's tomb, which was on the side of this hill, on a sunny spring day. Aunt Jun-ying had given me some special 'silver money' to burn at the tomb. God knows where she had got it from, as it had been condemned as 'feudal." I searched up and down for hours, but could not find the tomb. The hillside was a battered mess. The Red Guards had leveled the cemetery and smashed the tombstones, as they considered burial an 'old' practice. I can never forget the intense flame of hope in my grandmother's eyes when I mentioned the visit, and how it darkened almost immediately when I stupidly added that the tomb was lost. Her look of disappointment had been haunting me. Now I kicked myself for not telling her a white lie.

But it was too late.

When Jin-ming and I got home, after more than a week on the road, there was only her empty bed. I remembered seeing her stretched out on it, her hair loose but still tidy, biting her lips hard, her cheeks sunken. She had suffered her murderous pains in silence and composure, never screaming, never writhing. Because of her stoicism, I had failed to realize how serious her illness was.

My mother was in detention. What Xiao-her and Xiaohong told me about Grandmother's last days caused me such anguish that I had to ask them to stop. It was only years later that I learned what had happened after I left.

She would do some housework, then go back to bed and lie there with her face taut, trying to fight back the pain.

She constantly murmured that she was anxious about my trip, and worried about my younger brothers.

"What will become of the boys, with no schools?" she would sigh.

Then one day she could not get out of bed. No doctor would come to the house, so my sister's boyfriend, Specs, carried her to the hospital on his back. My sister walked by his side, propping her up. After a couple of journeys, the doctors asked them not to come anymore. They said they could find nothing wrong with her and there was nothing they could do.

So she lay in bed, waiting for death. Her body became lifeless bit by bit. Her lips moved from time to time, but my sister and brothers could hear nothing. Many times they went to my mother's place of detention to beg for her to be permitted to come home. Each time, they were turned away without being able to see her.

My grandmother's entire body seemed to be dead. But her eyes were still open, looking around expectantly. She would not close them until she had seen her daughter.

At last my mother was allowed home. Over the next two days, she did not leave my grandmother's bedside. Every now and then, my grandmother would whisper something to her. Her last words were about how she had fallen into this pain.

She said the neighbors belonging to Mrs. Shau's group had held a denunciation meeting against her in the courtyard. The receipt for the jewelry she had donated during the Korean War had been confiscated by some Rebels in a house raid. They said she was 'a stinking member of the exploiting class," otherwise how could she have acquired all that jewelry in the first place?

My grandmother said she had had to stand on a small table. The ground was uneven and the table wobbled, and she felt dizzy. The neighbors were yelling at her. The woman who had accused Xiao-fang of raping her daughter hit one leg of the table ferociously with a club. My grandmother could not keep her balance and fell backwards onto the hard ground. She said she had felt a sharp pain ever since.

In fact, there had been no denunciation meeting. But that was the image that haunted my grandmother to her last breath.

On the third day after my mother came home, my grandmother died. Two days later, immediately after my grandmother was cremated, my mother had to return to detention.

I have often dreamed of my grandmother since, and awakened sobbing. She was a great character vivacious, talented, and immensely capable. Yet she had no outlet for her abilities. The daughter of an ambitious small-town policeman, concubine to a warlord, stepmother to an extended but divided family, and mother and mother-inlaw to two Communist officials in all these circumstances she had little happiness. The days with Dr. Xia were lived under the shadow of their past, and together they endured poverty, Japanese occupation, and the civil war. She might have found happiness in looking after her grandchildren, but she was rarely free from anxiety about us. Most of her life she had lived in fear, and she faced death many times.

She was a strong woman, but in the end the disasters which hit my parents, the worries about her grandchildren, the tide of ugly human hostility all conspired to crush her.

But the most unbearable thing for her was what happened to her daughter. It was as though she felt in her own body and soul every bit of the pain that my mother suffered, and she was finally killed by the accumulation of anguish.

There was another, more immediate factor in her death: she was denied proper medical care and could not be looked after, or even seen, by her daughter when she was fatally ill. Because of the Cultural Revolution. How could the revolution be good, I asked myself, when it brought such human destruction, for nothing? Over and over again, I told myself I hated the Cultural Revolution, and I felt even worse because there was nothing I could do.

I blamed myself for not looking after my grandmother as well as I might have. She was in the hospital at the time when I had come to know Bing and Wen. My friendships with them had cushioned and insulated me, and had blunted my awareness of her suffering. I told myself it was despicable to have had any happy feelings at all, by the side of what I'now realized was my grandmother's deathbed. I resolved never to have a boyfriend again. Only by self denial I thought, could I expiate some of my guilt.

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