Ken Kesey - Demon Box

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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"I don't object to a journey south, but why this Purty Sancto? Why way the hell-and-gone down there?"

"Dev claims there's something special about it," Buddy said. "He wants to show off where he hid out for six months," Daddy said. "Aint that the something special?"

"Partly," I admitted. Everybody knew I'd been trying to get the three of us down there for years. "But there's something besides that about the place – something primal, prehistoric…"

"Just what a man in his predicament needs," my mother put in. "Something prehistoric."

"Maybe we oughta fly up to that spot on the Yukon again," Daddy mused. "Fish for sockeye."

"No, damm it!" I said. "All my life you've been hauling me to your spots. Now it's my turn."

"A drive across Mexico would shake him to pieces!" my mother cried. "Why, he wasn't even able to handle the drive to the Rose Parade up in Portland without getting wore to a frazzle."

"Oh, I can handle the drive," he told her. "That aint the question."

"Handle my foot! A hundred miles on those Mexican roads in your sorry condition -"

"I said I can stand it," he told her, flipping her a burger. He turned to eye me through the smoke. "All's I want to know is, one: why this Puerto Sancto place? and, two: what else you got up your sleeve?"

I didn't answer. We all knew what was up my sleeve.

"Oh no you don't!" My mother swung her glare at me. "If you think you're going to get him off somewheres and talk him into taking some of that stuff again -"

"Woman, I been legal age for some time now. I will thank you to leave me do my own deciding as to where I go and what stuff I take."

Years before, at the beginning of the sixties, Buddy and I had been trying to grow psilocybin mushrooms in a cottage-cheese vat at the little creamery Daddy staked Buddy to after he got out of Oregon State. Bud made up some research stationery and was getting spore cultures sent to him straight from the Department of Agriculture, along with all the latest information for producing the mycelium hydroponically. Bud and I plumbed an air hose into the vat, mixed the required nutrients, added the cultures and monitored the development through a microscope. Our ultimate fantasy was to produce a psilocybin slurry and ferment it into a wine. We believed we could market the drink under the name Milk of the Gods. All we ever made was huge yeast-contaminated messes.

But in one of those culture kits Buddy ordered they very helpfully included a tiny amount of the extract of the active ingredient itself – I guess so we could have something to compare our yield to, were we ever to get one. Daddy brought this particular package out to the farm from the post office. He was skeptical.

"That little dab of nothing?" In the bottom of a bottle smaller than a pencil was maybe a sixteenth inch of white dust. "All that talk I heard about those experiments and that's all you took?"

I dumped the powder in a bottle of Party-Pac club soda. There wasn't so much as a fizz. "This is probably about the size dose they gave us." I began pouring it in a set of wineglasses. "Maybe a little bigger."

"Well, hell's bells, then," Daddy said. "I'll have a glass. I better check this business out."

There were five of us: Buddy, me, Mickey Write, Betsy's brother Gil – all with some previous experience – and my Lone Star Daddy, who could never even finish the rare bottle of beer he opened on fishing trips. When we'd all emptied our glasses there was still a couple inches left in the Party-Pac bottle. Daddy refilled his glass.

"I want enough to give me at least some notion… I'm tired of hearing about it."

We went into the living room to wait. The women had gone to the shopping center. It was about sundown. I remember we were watching that last Fullmer-Basilio fight on TV. When the shopping run got back from town my mother came popping in and asked, "Who's winning?"

Daddy popped right back, "Who's fighting?" and grinned at her like a goon.

In another hour that grin was gone. He was pacing the floor in freaked distress, shaking his hands as he paced, like they were wet.

"Damn stuff got down in all my nerve ends!" Could that have had something to do with getting that disease? We all always wondered, didn't we?

By the merciful end of a terrible hell of a night, Daddy was vowing, "If you two try to manufacture this stuff… I'll crawl all the way to Washington on my bloody hands and knees to get it outlawed!"

Not a fair test, he later admitted, but he was damned if he was going to experiment further. "Never," he vowed. "Not till I'm on my deathbed in a blind alley with my back to the wall."

Which was pretty much the case that September.

The three of us flew to Phoenix and rented a Winnebago and headed into Mexico, usually Buddy at the wheel while Daddy and I argued about our selection of tapes – Ray Charles was alright, but that Bob Dappa and Frank Zylan smelt like just more burning braincells.

The farther south we went the hotter it got. Tempers went up with the temperature. A dozen times we were disinherited. A dozen times he ordered us to drop him at the first airport so he could fly out of this ratworld back to civilized comfort, yet he always cooled down by night when we pulled over. He even got to like the Mexican beer.

"But keep your dope to yourselves," he warned. "My muscles may be turning to mush but my head's still hard as a rock."

By Puerto Sancto Daddy had thrown out all the cassettes and Buddy had picked up some farmacia leapers. We were all feeling pretty good. I wanted to take the wheel to pilot her in on the last leg of our journey, then, the first bounce onto a paved street in hundreds of miles I run over a corner of one of those square Mexican manhole covers and it tilts up catty-corner and pokes a hole in our oilpan. We could've babied it to a hotel but Daddy says no, leave it with him; he'll see to it while we hike into town and get us a couple rooms.

"Give me one of those pep pills before you go," he growled, "so I'll have the juice to deal with these bastards."

He took a Ritalin. We eased it on to the biggest garage we could find and left him with it. Buddy and I went on foot across the river and into town where we rented a fourth-story seafront double, then walked down to the beach action and got burned forty bucks trying to buy a kilo of the best dope I ever smoked. From a hippie girl with nothing but a tan and a promise.

We waited three hours before we gave up. On the defeated walk back through the outskirts we passed a bottled gas supply house. I spoke enough Spanish and Buddy had enough creamery credentials that we talked them out of an E tank of nitrous. By the time we'd had a hit or two in the stickerbushes and got on back to the garage, the oilpan was off and welded and back on and Daddy knew the first names and ages and family history of every man in the shop, none of whom spoke any more English than he did Spanish. He had even put together the deal for the jumping beans.

"Good people," he said, collapsing into the back of the Winnebago. "Not lazy at all. Just easy. What's that in the blue tank?"

"Nitrous oxide," Bud told him.

"Well I hope it can wait till I get a night in a hotel bed. I'm one shot sonofagun."

We all slept most of the next day. By the time we were showered and shaved and enjoying room-service breakfast on our breezy terrace, the sun was dipping down into the bay like one of those glazed Mexican cookies. Daddy stretched and yawned. "Okay… what you got?"

I brought out my arsenal. "Grass, hash, and DMT. All of which are smoked and none of which last too long."

"Not another fifteen rounds with Carmen Basilio, eh? Well, I aint cared about smoking ever since a White Owl made me puke on my grandpa. What was in that tank, Bud?"

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