Ken Kesey - Demon Box

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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Hush, Stewart; it's Ebenezer. I can't see her in the dark but I can see our brand: a white heart with an X in it, floating ghostly in a black puddle. We use a freeze brand instead of a burn brand, so instead of the traditional bawling of calves and reek of seared hair and flesh, our stock marking is done with whispers and frozen gas. The heavy brass brand soaks at the end of a wooden stick in an insulated bucket bubbling with dry ice and methyl alcohol while we wrestle a calf to the sawdust. We shave a place on the flank, stick the frosted iron to the bald spot, then hope everything holds still for the count of sixty. If it's done right, the hair grows back out white where the metal touched. Why the crossed heart? It used to be the Acid Test symbol, something to do with spiritual honesty, cross thy heart and hope to etc.

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It worked on Ebenezer the best; maybe the iron was colder, or the shave closer; perhaps it's simply that she is an Angus and pure black for the white to show against. Her has tripled in size since it was frosted on years ago yet still shines sharp and clear. The insignia gives her a look of authority. Indeed, Ebenezer has led the herd with an influence that has continued to grow ever since she first realized that she was the smartest thing in the field, and the bravest, and that if anybody was going to lead a charge of periodic grievances through the fence to protest pasture conditions, it would have to be her. When there is a beef, so to speak, Ebenezer is the spokesman of this whole eighty acres of grazers – cows, calves, steers, bulls, sheep, horses, goats, donkeys, and vegetarian four-footers all.

I refuse to say spokesperson.

The crown of leadership has not been a light one. She's paid for her years of barricade busting and midwinter protest marches. She's been hung with irritating bells, tethered to drags, hobbled, collared with yokes made from Y's of sturdy ash sticking a yard above her neck and a yard below to stop her from squeezing between the strands of barbed wire (stop her until she really got resolute, of course; any of our fencing during those first years was at best a tacit agreement with the half-ton tenants), and she has had bounced off her hide barrages of rocks, clods, bean poles, tools, tin cans and tent stakes and, on one rainy raging night, after hours of mediation over a border dispute, fiery Roman candle balls.

She doesn't do it so much anymore. She's learned the price of protest and I've learned how to build stronger fences and feed better hay. Still, we both know we can look forward to future demonstrations. There's a farm doggerel, goes: "Ya know ol' Ebenezer… she will do what'll please 'er!"

Hi, Ebenezer. Still here at the dent in the pipe, eh, chewing away cool and calm? I see you haven't let no hotrod fox mess with your memories in the ruminating night…

She's had other old men. The first was Hamburger, a big Guernsey bull, low-browed and hard-looking and horny enough to one time try to mount an idling Harley, biker and all, because a heifer in heat had rubbed against the rear wheel. During the bidding the auctioneer admitted Hamburger was no good looker to speak of, but he claimed he knew the beast personally and could guarantee he was a hard lover with boundless ardor. We knew he had spoken the truth as soon as the bull came down the truck ramp into our clover. He hit the ground with his hard already on. From that time on, almost any hour of any day when you saw Hamburger hanging out, it looked like he could have broke new ground by just walking on his knees.

But ardor that knows no bounds neither knows any boundaries. He wasn't a movement leader like Ebenezer but he was just as hard on my fences. One morning he wasn't in our pasture. I found the twisted gap in the wire, but Hamburger was nowhere to be seen. Butch, my neighbor Olaf's son, finally brought us the news that his dad had Hamburger chained in his barn. When I went over to get him, Olaf says, "Come on in the house. I'll have the woman make us a pot of fresh coffee. I want to talk to ya."

I trust Olaf. Like most of my farming neighbors he has to hold down a job to support his right to labor on his own land. He's out working his fields the minute he's home from the woods; he doesn't even change out of his calk boots.

We chatted the first cup away. After the second cup he says, "That bull's become a breacher – dangerous. Guernsey bulls'll do that, all to once one day decide to be hateful. And this'n has decided. From now on he's gonna go through any fence any gate any damn thing that happens to stand between him and anything he fancies. Till eventually he's gonna turn on a human being. Maybe not a grown man, but he wouldn't hesitate to turn on a kid or a woman trying to head him. Ya can bet money on it. He's got that look in his eye."

We went out to his barn and peered through the rails. There was no denying it: what had once been just hard and horny was now a look burning with the first coals of hate for the human oppressor.

"I'll butcher the bastard tomorrow," I said.

"Now don't do that. Ya don't want to be eatin' hate. He's still young enough so he oughten be too tough, but he'll have all that breachin' and screwin' and sod-pawin' in his blood. The meat'd be rank as a billygoat. What it is ya'll have to do is put him in a fattening pen and top him off with grain for about forty days. Try to get his mind off all the hellin' around after hot heifers."

We built the pen out of railroad ties and telephone poles, but I had my doubts about changing Hamburger's mind. Not only was he still horny, with those heifers crooning at him every night from miles around – "Hamburger… Hammm-burger, honey" – those coals in his eyes were hotter with each passing penned-up day. When we saw that the weeks of solitary were making him no mellower, were in fact making him rush daily fiercer at the fence when we brought his grain out, and roar and rumble nightly louder and louder like a pent-up volcano of sperm, we finally resorted to putting a potion in his serving of morning mash, hoping to raise his consciousness, if not up to the Knowledge of the Glorious All-Pervading Mercy that Passeth Understanding, at least up out of his scrotum.

Our potion produced more agitation, it seemed, than enlightenment. He stood staring into the empty bucket a few minutes, slobbering and twitching. Then he gave a mighty fart and charged. He leveled a railroad tie with his first rush (it must have been a good one; we had estimated his weight as that of six men and medicated him accordingly). When he crashed out we headed for high places, stumbling over each other in our realization of what we had wrought, but his hormones were apparently stronger than his hate; forgetting his scattering tormentors, he stampeded straight for the neglected herd. Far into the night we could hear the debauchery.

Betsy phoned Sam's Slaughtering. The little refrigerated aluminum truck was there at dawn. Sam's son John got out and took the.22 rifle from the rack behind the seat. Sam no longer did the actual knockover. He was content to stay back at the butcher shop and argue with deer hunters while his son took care of the field work. John was only about eighteen at this time. Though not a licensed butcher, years of accompanying his father on these killing runs had taught John something about death and timing. He knew to arrive at dawn, to stroll out to the condemned animal before it was fully awake (a wave of his hand, a call – "Hey! Here!" – a sharp crack…) and to drop it with the first shot.

The resulting quake of terror that runs from one end of the farm to the other after this shot must never enter the mind of the victim, or the meat. Ya don't wanta to be eatin' fear, neither. As far as John and I and the cows are concerned, this is what kosher was originally supposed to be about.

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