Ken Kesey - Demon Box

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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After Hamburger we went through several steer misses – chance bulls, spared by our ineptness with the elastrator or weak rubber bands; but these fellows were at best bush-league bulls who kept trying to get into their own mothers, so they lasted no length of time. After a couple seasons of no bull, and fast approaching a time of no beef, I made a deal with my dad and brother and Mickey Write to get new blood on the property. Mickey had a couple of ponies foundering on my far pasture, and my father knew a milk producer with an extra young bull to swap. Mickey hauled the ponies to the producer in his girlfriend's horse trailer and returned a few hours later with our trade. We all stood in the bee-loud field and witnessed the cautious coming-out of a black Aberdeen yearling, as demure and dimensionless in the trailer as midnight itself. This was to be Abdul, the Bull Bull.

Barely a boy bull that afternoon, he backed off the ramp as cowed-looking as a new kid on a strange playground. A cute new kid, too. Almost dainty. He was long-lashed and curly-locked and hornless, it appeared to us, in more ways than one. He took one apprehensive look around at our array of cows watching him in a row, tails twitching and eyes a-glitter from two years of bull-lessness, and struck out south for mellower climes like San Francisco, through our fence, our neighbor's fence, and our neighbor's neighbor's neighbor's fence before we could head him off.

When we finally got him back he took another look at our cows and headed this time for Victoria. It took two days of chasing him with rocks and ropes and coaxing him with alfalfa and oats to get him back and secured and calmed or at least resigned that this was, ready or not, his new home. He stayed, but all the rest of that summer and fall he kept as much field as possible between himself and that herd of hussies stalking his vital bodily essence.

"What kind of Ferdinand have you rung in here on me?" I asked my father.

"A new experimental breed," Dad assured me. "I think they call 'em Fag gerdeen Anguses, known for docility."

When hard winter set in, young Abdul finally took to associating openly with the herd, but for warmth and meals only, it appeared. After the daily hay was gone he would stand aside and chew in saintly solitude. With his shy face and his glossy black locks he looked more a pubescent altar boy considering a life of monastic celibacy than the grandsire of steaks.

There comes into the story now a minor cow character, one of Hamburger's heifers named Floozie. A cross-eyed Jersey-Guernsey cross – runty, unassuming, and as unpretty as her father – yet this wallflower was to be the first to clear Abdul of the charge of Flagrant Ferdinandeering. Betsy had told me some of the cows looked pregnant but I was a doubter. I was even more skeptical when she said that it was homely Floozie who was due to drop her calf first.

"Any time now," Betsy said. "She's secreting, her hips are distended, and listen to her complain out there."

"It's only been barely nine months since we bought him," I reminded her. "And the only thing he jumped that first two months was fences. She's just bellering because the weather's been so shitty. Everything is complaining."

That had been the coldest winter in Oregon's short recorded history – 20 degrees below zero in Eugene! – and the bitterest in even the old mossbacks' long recollection. Nor did the freeze let up after a few days, like our usual cold snap. The whole state froze for one solid week. Water went rigid in the plumbing if a faucet was left off for a few minutes; submersible pumps burned out sixty feet down; radiators exploded; trees split; the gasoline even froze in the fuel lines of moving cars. After a week it thawed briefly to let all the cracked water mains squirt gaily for a day; then it froze again. Another new record! And snowed. And blew like a bastard, and kept freezing and snowing and blowing for week after week right through February and March and even into April. By Easter it had warmed up a little. Fairer days were predicted. The snow had stopped but those April showers were a long way from violets. Sleet is worse than snow with none of the redeeming charm. With nasty slush all day long and black ice all night, every citizen was depressed, the beasts as bad as the folks. Beasts don't have any calendar, any Stonehenge Solstice, any ceremonial boughs of holly to remind them of the light. Cows have a big reservoir of patience, but it isn't bottomless. And when it's finally emptied, when month after miserable month has passed and there is no theology to shore up the weatherbeaten spirit, they can begin to despair. My cows began to stand ass to the wind and stare bleakly into a worsening future, neither mooing nor moving for hours on end. Even alfalfa failed to perk them up.

Then one dim morning Betsy came in to tell me Floozie was in labor down in the swamp and looked like she needed help. By the time I was bundled up and had followed Betsy back down, the calf had been born: a tiny black ditto of daddy Abdul without a doubt, curly-browed and angel-eyed and standing against the sleet as healthy and as strong – to coin a phrase – as a bull. Floozie didn't look so good, though. She was panting and straining through sporadic contractions, but she couldn't seem to rally strength enough to pass the afterbirth. We decided to move them up to the field next to the house to keep an eye on them. I carried the calf while Betsy shooed Floozie along behind. We all had to duck our heads into the stinging icy rain. I was cursing and Betsy was grumbling and Floozie was lowing forlornly about the woes of this harsh existence, but the little calf wasn't making a sound in my arms; his head was too high and his eyes too wide with the wonder of it all to think of a complaint.

The sleet got colder. Betsy and I went inside and watched out the window. The calf lay down in the shelter of the pumphouse and waited for whatever new wonder life had in store. Floozie continued to low. The afterbirth dangled from her rump like a cluster of grape Popsicles. Some of it finally broke away and dropped to the icy mud. The remainder started drawing back inside. Betsy said we ought to go out there and dig the rest of it forth. I observed that cows had been surviving calving for thousands of years now without my help. Dig my arm into that mysterious yin dark? I was not – to coin another – into it.

That afternoon Floozie was down. She still hadn't passed the afterbirth, and fever was steaming from her heaving sides. She was making a sighing wheeze every few breaths that sounded like a rusty wind-up replica of a cow running down. The little calf was still standing silent, nuzzling his mother with soft, imploring bumps of his nose, but his mother wasn't answering. Betsy said peritonitis was setting in and we'd need some antibiotics to save her. I drove into Springfield, where I was able to buy a kit for just this veterinarian problem. It was a pint bottle of oxytetracycline antibiotic hooked by a long rubber tube to a stock hypo with a point big as a twenty-penny nail. Waiting for a freight at the Mt. Nebo crossing I had time to read the pamphlet of directions for the inoculation. It showed a drawing of a cow with an arrow indicating the vein in the neck I was to hit. It said nothing about where to tie her off, however.

The rest of the drive home I spent considering various ties. A garden hose, I thought, would be best, with a slip knot… but before I was even turned into our drive I saw that I wasn't going to get the chance, not that day. I could see the sides heaved no more. The little calf was still standing beside the steaming mound, but was no longer silent. He was bawling as though his heart would break.

The rest of that sleetsmeared day I spent shivering and shoveling and thinking how if I had just gone ahead and stuck my hand up that cow this morning I wouldn't be digging this huge goddamned hole this afternoon. While I dug and the calf bawled, the cows – one by one – came to the fence to stare in on the scene, not at the dead sister, who was already little more to them than the mud being shoveled back over her, but at the newborn marvel. As the cows stared you could see them straining back through the long dark tunnel of the winter's memory, recalling something. That little calf's cry was tugging on the udders of their memory, drawing down the milky remembrance of brighter times, of longer days and clover again, of sunshine, warmth, birth, of living again.

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