Ken Kesey - Demon Box

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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In the other room his mother would be cleaning the dishes as quietly as possible.

His uncle would be angry that Yang was late again, but nothing would be said. A quick scowl turned from the television. No questions. They all knew where he had been. The only dalliance he could afford was the public library. For one-half fen a reader could rent two hours on a wooden bench and enjoy the kind of privacy a library creates, even when the benches were packed, reader to reader.

Yang had hoped to borrow one of the newly allowed classics of Confucius. He'd heard that their library had received the very first shipment to honor at last the birthplace of the great philosopher. But the books were all already on loan. Yang instead had to choose a more familiar work, Wang Shih-fu's Romance of the Western Chamber. It was a novel his father had continued to teach even during the harshest criticism of the "slave-ridden classics."

The last loan date on Western Chamber was almost five years ago. The last borrower was his father.

Without slackening his stride, Yang pushed the book into his trouser tops and buttoned his jacket over it. Not that his uncle would not know a book was there, of course. He almost certainly would. Therefore it was not that he was concealing it, Yang told himself. He carried it in his belt to have both hands free, for his balance.

For his sprint.

Fists clenched, he pumped hard against the descending gloom, trusting his feet to avoid the rocks and ruts in the dark path. He could have run it blindfolded, navigating by sound and smell – Gao Jian's machine, sewing there to the left; Xiong-and-son's excrement wagons parked in reeking rows, ready for the next day's collections; half-wit Wi snoring with his sows. He ran harder.

He was small for his nineteen years, with narrow shoulders and thin ankles. But his thighs were thick and his upper arms very strong from the weight work of wrestling. Beneath the book his belly was like carved oak. He was in good shape. He had been running home from school every night for almost four years.

With a final burst of speed he ducked beneath the curtain of acacia and into the yard of his uncle's shop. He nearly stumbled in wonderment. Everything was lit, the whole house! Even the bulb above the false teeth – still lit. Something had happened to his mother! Or one of his sisters!

He didn't go to the gate but hurdled the mud hedge and rattled across the brickpile. He charged through the door and the empty front room to the curtain across the kitchen and stopped. Shaking, he pulled aside the dingy batik and peered inside. Everyone was still at the dinner table, the bone chopsticks waiting beside the best plates, the vegetables and rice still steaming in the platters. Every head was already turned to him, smiling.

His uncle stood, a tiny glass of clear liquid in each hand. He handed one to Yang and lifted the other in toast.

"To our little Yang," his uncle declared, the big mouth beaming porcelain. "Ganbei!"

"To Yang!" The aunt and sisters and cousins all stood, lifting their glasses. "Ganbei!"

Everyone tossed the swallow of liquid into their mouths except Yang. He could only blink and pant. His mother came around the table, her eyes shining.

"Yang, son, forgive us. We have opened your letter."

She handed him an elaborately inscribed paper. He saw the official seal of the People's Republic embossed at the bottom.

"You have been invited to go to Beijing and race. Against runners from all over the world!"

Before Yang could look at his letter, his uncle was touching the rim of his refilled glass to Yang's.

"It is going to be televised all over the world. Ganbei, Yang. Drink."

Yang started to drink, then asked, "What kind of race?"

"The greatest kind. The longest kind -"

That must be a marathon, Yang realized. Now he swallowed the mao tai in a gulp. He felt the strong rice liquor blaze its way to his stomach. A marathon? He had never run a marathon, not even half a marathon. Why had they picked him? Yang didn't understand.

"We are all so proud," his mother said.

"All over the world," his uncle was saying. "It will be seen by millions. Millions!"

"Your father would have also been proud," his mother added.

Then Yang understood. The provincial chairman of sports had been a friend and colleague of his father: an old friend, and a man of honor and loyalty, if not too much courage. It was surely he who had recommended young Yang. A grand gesture of cleaning up. For things that had happened.

"He would have gone to the square and played his violin and sung, son. He would have been that proud."

Yang didn't say so, but he thought that it would take more than a grand gesture or a televised footrace to clean up that much.

When the best student hears about the way
He practices it assiduously;
When the average student hears about the way
It seems to him one moment there and gone the next;
When the worst student hears about the way
He laughs out loud.
If he did not laugh
It would not be worthy of being the way.

The American journalists sipped their free drinks in the deep divans of the Pan American Clipper Club room, an exclusive lounge located above the lesser travelers of the San Francisco International Airport terminal.

Exclusive indeed. Not only did one need to know of its esteemed existence and whereabouts, one needed as well to produce evidence of acceptable prestige before gaining entry. While the journalists were not exactly first class, they were in the company of those who were. This was enough to get them to the secret door, past the doorman, and into the free booze.

"How do you visualize ," a fellow club sipper insisted on knowing, "hanging this gig on a hook ? So it is not just another dumb road race? I mean what are you hoping to hang it on?"

The sipper was a ranking executive in the business that owned the magazine paying for this journalistic jaunt to China, so everyone acknowledged his right to be a trifle insistent.

"The hook I have in mind," answered the first of the journalists, a big bearded boy who was the editor of said mag as well as originator of the jaunt, "is sport as détente. Remember it wasn't really Nixon or Kissinger that initially broke through the bamboo curtain; it was the Ping-Pong ball. This race is the first international sporting event in China since before World War Two. To me, that has meaning ."

Meaning he really had no idea at all what to hang it on. The second journalist, bald, unbearded, bigger and older than the first, muscled his brow in a Brandoesque attitude of heavy consideration.

"Let me think on that a minute," he begged. He turned to the third journalist, absolutely enormous, with big blue eyes and a monstrous camera hanging over his belly. "What about you, Brian? What do you plan to aim at?"

"I can't take any point pictures until my writer comes up with something to make a point with, can I?" was the way the third journalist avoided the question.

The eyes turned back to the second journalist; his knotted brow indicated he nearly had his answer tied down.

"One of the main characteristics," he began, "about a bamboo curtain… is it's so damn thick. The only thing it lets show through is politics. For years no idiosyncrasies, no quirks, no personality has been allowed to show through."

"Until now?" asked the editor, proud of the way his man had wiggled off this hook business.

"Right. Until now. Now they are sponsoring this big marathon with top runners from all over the globe, even though the best Chinese marathoner is slower than the mediocre from the rest of the racing world. This may be the crack in the curtain for us to go angling through."

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