Ken Kesey - Demon Box

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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F: I have been working.

D: Teaching?

F: No. I have been working on my book.

D: Very good. And what book have you been working on?

Again, that subtle moment of amused silence.

F: I have been working on my History of Chinese Philosophy. As always. On what else would I be working?

D: Oh. Of course. I guess what I meant was on what aspect. A revision? For a new edition?

F: No. Not a revision, a continuation. Volume five. It is an attempt to examine the Cultural Revolution, a task for which I fear I am woefully inadequate. But I feel that these last fifteen years must be examined and understood.

D: These last fifteen years? I should say! Boy, we will all be very interested in reading that. That's terrific. Isn't that terrific, you guys?

Much agreement, and more slurping of tea and rattling of cups on saucers. Then more silence.

D: This tea is very good. What kind of tea is it, anyway?

F: Chinese.

See? Embarrassing. Disquieting, even before this chance to review the tape. Back at the hotel that very evening the Big-time Writer couldn't get the humiliating encounter off his mind. Unable to sleep, he dug the borrowed book from the bottom of his luggage. He opened it beneath a bed lamp and found himself immediately captured by the clarity of the prose; it had been swept as clean as that bald yard…

Two hours later, the Big-time Writer lays the book down and bows his head, finally beginning to get some inkling of the stature of the mind he had found in this far-off keep.

He discerned that Philosopher Fung had arbitrarily fashioned four views of man, as a means of observing the gradations of evolving ethical human awareness. These four views, or "realms" as Fung calls them, are (1) The unself-conscious or "natural" realm, (2) The self-conscious or "utilitarian" realm, (3) The other-conscious or "moral" realm, and (4) The all-conscious or "universal" realm.

The first two realms, according to Dr. Fung's canon, are "gifts of nature," while the second two are realized only as "creations of the spirit." That these two conditions must sometimes necessarily be in conflict was taken for granted by the old Doctor; that either side should ever completely triumph over the other was considered the most dangerous of folly.

The writer looked up from the closed book, recalling the walk through blighted Berkeley and the question to the minister concerning the old man's pertinence. Here was how he pertained, this teak-jawed Chinaman, to the Telegraph of today as well as to last season's idealism. Wasn't he trying to light up the very dilemma the sixties had stumbled over? the problem of how to go with the holy flow and at the same time take care of basic biz? Sure, you can to thine own cells be true and liberate parking lots from the pigs, but how do you keep them free of future swine without turning into something of a cop yourself? There was the block that had stumbled a mighty movement, and Fung Yu-lan pertained because he had tried to light it with his intellect, without bias, from all sides. And is still trying, bright as ever. How does he manage it, in this dim comer? How does he keep the faith and keep ahead of the ax at the same time? And for so many years?

The Sharp Old Fox would have had answers to such pertinent questions, had the subjects ever been touched on, but all our Big-time Writer could think to ask were things like "What kind of tea?" Embarrassing…

It is only at the end of the tape, after the visitors have slurped their way to the meeting's end and are once again outside in the shifting Chinese twilight, that he asked a question that was remotely close:

D: One more thing, Doctor. There are some pretty grisly – I mean we've heard a lot of accounts, stories, about how quite a lot of teachers and intellectuals were… I mean how did you get through that dreadful time of turmoil?

F (shrugging): I have been a student of Chinese philosophy for more than three quarters of a century. Thus – (he shrugs again, flashing such a jaunty, devil-may-care grin that one might almost expect him to say, It was a piece of cake. Except for a sharpness that one senses beneath that jaunty flash, a carnivorous quality that suggests the toothy old smiler is not only capable of biting off and swallowing any time of turmoil - - any period of upheaval or downfall brought about by any single dictator or by any Gang of Force with their rinky-dink revolution whether cultural or dreadful - - but that he can thrive on it! As though the turmoil had not only been a piece of cake, easily downed and digested, it had been savored as well) - - I have become very broadminded.

RUN INTO GREAT WALL

Verses appearing here are from the Tao Te Ching by Lao-tzu. An older contemporary of Confucius (551-479 B.C.), Lao-tzu was the Chinese historian in charge of archives at the royal court of the Chou dynasty. He wrote nothing of his own but taught by example and parable. When the famous sage was at last departing his homeland for the mountains of his end, the keeper of the mountain pass detained him.

"Master, my duties as sentry of this remote outpost have made it impossible for me to visit your teachings. As you are about to leave the world behind, could you not also leave behind a few words for my sake?"

Whereupon Lao-tzu sat down and filled two small books with 81 short verses, less than some 5,000 characters, and then departed. No one ever heard where he went.

There is a thing confusedly formed,
Born before heaven and earth.
Silent and void,
It stands alone and does not change,
Goes round and does not weary.
It is capable of giving birth to the world.
I know not its name
So I style it "the way …"
Man models himself on earth,
Earth on heaven,
Heaven on the way,
And the way on that which is naturally so.

The dark was already pressing down out of the eastern sky when Yang at last swung off the main road from the village and opened up for his finishing sprint down the canal path. A hundred and thirty meters away, at the end of the row of mud-and-brick houses crouching along both sides of the dirt lane, his uncle's dwelling was tucked back beneath two huge acacias. A large estate compared to the other 10-by-10 yard-with-huts, the building housed his uncle's dentist shop and cycle-repair service, as well as his uncle's wife and their four children, his uncle's ancient father, who was Yang's grandfather and an inveterate pipe-smoker, wind-breaker, and giggler… also Yang's mother and her bird and Yang's three sisters, and usually a client or two staying over on one of the thin woven mats to await the repair of their transportation or recuperate from the repair of their molars.

Yang could not see the house as he ran toward the looming acacias, but he could easily picture the scene within. The light would already have been moved from above the evening meal to the dishwashing, and the family would be moving to the television in the shop room, trying to find places among the packing crates of dental molds. The only light there would be the flutter of the tiny screen beating at the dark like the wings of a black-and-white moth.

Yang knew just how they would look. His uncle would be cranked back in the dentist chair, a cigarette cupped in his stubby hand, his shirt open. His wife would be perched beside him on her nurse's stool. On the floor, in half lotus, Grandfather would be leaned forward, giggling, his long pipe only inches from the screen. Farther back his four cousins and his two youngest sisters would be positioned among the paraphernalia on the floor, trying to appear interested in the reports of how the flood along the Yangtze might affect rice quotas. Along the rear wall his oldest sister would be preparing the infants for the night, wrapping their bottoms and sliding them, one after the other, onto the pad beneath the raised cot. The bird would be hung near the door, covered against evening drafts.

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