Ken Kesey - Demon Box

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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The vision of this priceless prize brought him unsteadily to his feet. He stood weaving a moment, his chin trembling, then spread his arms as though he addressed all creation.

"Something is owed us. The debt is clearly implied by the scar of its erasure. We've been shortchanged and the books have been brazenly juggled. It's obvious to even the densest bleeding auditor: they are trying to cover up our fall! A whole long column has been rubbed out and written over and the embezzlement assiduously concealed by fraudulent bookkeepers from Herodotus to Arnold Toynbee! But for all their artfulness the debt still shows, a bloody eighteen-and-a-half-minute buzzing gap marking the removal of something important – no, of something imperative! – to this court's search for our dues. How much has been pilfered from us, mates? How much of our minds, our souls? How is it that the same species responsible for that great temple out there is now administering this bloody bushwah tourist trap featuring flat beer and unpredictable hoodlums strolling the grounds outside my window wearing dark glasses and revolvers?"

He had found his focus again. His voice rang through the lobby like Olivier in a Shakespearean tirade.

"I demand an explanation! As a human being I am owed an accurate accounting, by the heavens, owed an honest audit!"

It was a cry for the benefit of all the shortchanged everywhere, spoken out of a caldron of social outrage and cosmic inspiration and flat beer. He did not let his eyes drop back to us. He turned on his heel and strode from the lobby in his stateliest stagger. There was actual clapping.

When the reviews of the Englishman's speech subsided I hoped to find out more about their ray results, but the mention of the Mena House's new gun-toting tenants had led instead to the topic of Arafat. Not a man much loved, I gathered; even the Moslem students had bad things to say about the Palestinian guerrilla leader. The German was scathing.

"Storm trooper at heart, a filthy terrorist with a limousine." He took off his glasses and massaged the bridge of his nose. "I was at the Munich games when they murdered those fine young Israeli athletes. Wrestlers, as I remember. Filthy! I will confess to you all: If given the opportunity I would sprinkle ground glass in his Turkish coffee when they wheel the cart past in the hall."

The American said he would use LSD instead. "It'd be a gasser watching Yasir on a bummer. Clean up his Karma, too, heh heh. If we just knew where to get a hit…"

I excused myself and bought a beer and carried it back here to my cabana. I suppose I could have given them my Murine bottle; I'm sure not using it. But I'm against dosing. We just don't have the right to launder other people's Karmas, no matter how filthy. Besides, those desert gunsels? Who knows what they might do with the jams kicked out. Watching them prowl around with their revolver butts showing, I too find myself thankful their prophet forbade them booze: they're wild enough sober. As the Englishman said, unpredictable.

October 27, Sunday. It's all looking less and less resultful to Jacky. This morning we found a fence had been put up around the Sphinx.

"Little like closing the barn door," Jacky observed, "after the Turks have already shot off the Sphinx's nose."

Ignoring the mixed metaphor, the big cat-thing kept on glowering, over our heads past the squalor of Nazlet el-Samman, toward the Nile.

This afternoon things look a bit better to Jack. He's struck up an acquaintance with Kefoozalum, even had room service bring them two rum Cokes.

"She's not a Moslem, she's a Copt. The Copts are a sect of Egyptian Christians, tolerated because of their tiny size and their seniority. In fact they claim to be the first Christians, the people who cared for Joseph, Mary, and the Kid while they were in Egypt escaping Herod. Some even say they are the last remnants of the Essenes, thus actually preceding Christ as Christians by dint of second sight and signs and visions supposedly indigenous to their faith."

"That could explain her stare," I mused; the traditional Moslem woman is never supposed to look into any man's eyes but her father's, brother's, or husband's. "So frank and forward."

"Could be," Jacky said. "She buses into Cairo every Sunday morning to attend church, the very church, she told me, that housed the holy family twenty centuries ago. A place most miraculous. Just a few years ago, she said, a workman saw a woman on the roof. He went inside and got the Coptic minister, who came out and ordered her down. Then he noticed a light emitting from her: 'Holy Mary Mother of God,' he exclaims, 'it's the Virgin!' Or something to that effect.

"Anyway, the whole congregation came out and saw her, and next Sunday saw her again. The next Sunday the churchyard was packed – Moslems, Christians, agnostics – everybody saw her! It went on for two months. Thousands witnessed her weekly appearance."

Jacky smiled and raised his brows.

"The crowds finally got so big the Egyptian government put a wall around the place and charged twenty-five piastres at the turnstile. The apparition immediately stopped appearing."

"Far out," I say. "I wouldn't have stood for it either. Not when they're getting fifty piastres a head to look at those empty bull coffins."

October 28, Monday. Jacky finally lands a room in Cairo. I go in with him and check at the KLM office. I can get a plane out this coming Thursday morning, or Monday night November 4. I tell the coiffed Dutchess to book me on the Thursday morn flight.

Now that he's been accepted back into metropolitan civilization, Jacky wants to stay another week. "Why not take a room with me in Cairo? Wait and catch the November fourth flight? See some belly boogie? That way you could spend Halloween night at the tombs."

I tell him I'd rather spend the eve with the kids in Oregon, passing out popcorn balls to mummies in rubber masks. He shrugs. "Whatever. But do you think Thursday gives you enough time to find – to finish your pieces?"

I appreciated his mid-sentence alteration. I would have been forced to concede it was highly unlikely that I will be able to "find it" by Thursday, or by Monday for that matter. The closer I've looked the less I've seen. The pyramid disappears within itself as you approach it. The longer you look the more your theories become dwarfed by the blunt actuality of the puzzle.

I walk the ruins around the Giza plateau largely unaccosted now. I have learned a trick of bending down to pick up a rock as soon as I detect an approaching hustle. I then examine it through the little sighting lens on my engineer's compass, and the hustlers back off respectfully. "Shh. Observe. The Yankee doctor has found a clue. Observe the manner he thoughtfully scratch his great bald puzzle piece."

Little do they know. I'm just drifting. Peter O'Toole crossing the desert on his camel, watching his shadow ripple hypnotically over the sand. Omar Sharif rides up from behind and swats him with his camel crop. What?

You were drifting.

Oh, no! I was thinking.

I was -

You were drifting.

After a solitary supper I shuffle back to my cabana. I can't rest or write. Rest from what? Write what? I have less an idea of what I'm looking for than when I left Oregon a month ago. My poke's about played out and the cards have been cold or crooked, like that Marag and his five-pound fake map.

And my ace in the hole? The Murine bottle that I had promised myself to use should all else fail? Out of the question. As Muldoon Greggor expressed it, "I wouldn't want to try to divine its secret with acid. Soon as your armor was blasted away, these watchmen and hustlers would crawl all over you. They wouldn't leave anything but a dry husk."

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