Ken Kesey - Demon Box

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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She reverently dealt the last one, her favorite (Beautiful Young Couple Still in Wedding Finery Alone for the First Time at Last or So They Think for We See in the Windowpanes Behind Them the Wedding Party Watching, as He Lifts Her Veil, Tenderly, and as She Touches His Mustache, Provocatively), then lifted her lashes to me with a look asking, in any language, What are you waiting for, fool? I responded by inviting her to drop into my cabana when she got her next break, I'd show her my Polaroid negatives -

Now she's accepted, traipsed into my cell with an armload of fresh folded damask and let the door blow closed behind her. Preliminary rites have been observed; we've exchanged pictures and she's taken the persimmon from the dish. Nothing remains but for me to incant some key words, unlock the doors of our delight. And all I can say is Hot today.

"What is you write?" Dripping on my notebooks, here.

"Nothing. Notes. To remember what happened…"

All for lack of simple courage, for fear of international faux I sit gnawing my tongue until she mercifully takes us off the hook.

"Ya Salam!"

Photos traded, fruit gone, there is nothing left for a maid to do but check the time on her wrist how it flies! She thanks me in a rush and scoops up her unrumpled linen, peeks a quick check both ways out my door, and is off to her cart, sucking on the seed.

When she has traded all the clean laundry on her cart for soiled she comes wheeling back past my open door and inquires in at live, "Is yet hot to you, the day?" I tell her yes, yet hot. She encourages me to brace up; the winds change any day now.

"All will pass." She smiles. "Even the diarrheas."

And wheels on, leaving me tongue-tied like a hick fool indeed. What a low blow from a linen maid! Nevertheless, better toss the little filly a nice tip when you check out. How nice? Real nice. This is why the help in foreign realms always like us Americans best: we can always be expected to tip more, because we are always so inadequate of what is expected.

October 23, Wednesday. The mosquitoes and scarabs have pinned Jacky Cherry up against his cabana wall. Also Yasir Arafat is taking a side trip from the Moslem convention in Cairo to visit the historic pyramids. He was allegedly seen lunching in a private portico off the main dining room. A sinister-looking coterie of bodyguards and lieutenants is spotted darkly around to make sure the Holy Land tour members don't start anything. This doesn't make Jacky any more comfortable. He catches the 900 bus into Cairo to see if he can't get lodging with fewer pests.

I walk up the hill, stopping at the shop nearest the pyramid to buy a miniature hookah I've had my eye on. The shop is an orderly little side cranny of a building labeled Poor Children's Hospital. I ask the proprietor how he happens to have a place so close to the pyramid. He says because the profits help the hospital cure the Poor Children. I ask him what it is exactly that these Poor Children are sent out here, to the base of the Great Pyramid, to be cured of. After struggling to find a name for the disease he finally points back toward the city.

"Of the pray-sure – eh? – of the city Cairo, they come to be cure. You understanding?"

I take the hookah, nodding, and go out to seek my own cure. I had thought to find a private place somewhere on the pyramid's outskirts, but there is a big crowd of tourists. I climb up to the third course and sit on the casing stones and watch the hustlers descend on each new shipment of live ones. They are merciless. One poor woman actually breaks into tears.

"Seven years I saved for this, damn you! Leave me alone!"

The dapper camel-panderer, backing away for fear of perpetrating a coronary, gets tangled in his animal's rope and falls into a heap of fresh camel manure. He stares at the stain on his fresh white gellabia with such dejection I think he might cry himself.

I wonder if they have a similar hospital in Cairo to take care of pyramid pressure casualties…

October 24, Thursday late. Just wobbled down from a bizarre bar scene where I finally made contact with my resident pyramid colleagues, the cosmic ray scientists. All of them (except for the Egyptian students) proved to be very learned and equally drunk. The new Mena Lounge is a terrible bar, pretentious and expensive. I stalked in wearing my British walking shorts and pith helmet (a dusty day at the digs) and splurged on one of their overpriced gin-and-tonics-for tradition's sake – just as a real Englishman complete with muttonchops and ascot came reeling over from one of the tables behind the plastic arabesque. "Be-ah, please," he enunciated. "And some pea -nuts." In a voice so high-handed it's no mystery why the British were kicked out of all their colonies.

The dour Egyptian behind the bar bit his tongue and obeyed. I told the Englishman he hadn't better use that tone on a bartender in Oregon.

"Unlikely one would bloody ever be in Oregon," he said, finally focusing on me. "But see our outfit. Monty's Dynasty, what? That Rommel campaign? By God's wound one has to agree with the professor – this great grimy crude pot of a place does serve up specimens from every period."

He'd been pointed out to me previously as one of the ray experts here with the new spark chamber specially constructed for another try at probing the pyramid. I told him I'd also come to this great pot of possibilities in search of hidden chambers.

"This is what I thought one was supposed to wear."

"Great pot of nonsense, you want my inebriated expert's opinion. On the other hand, if you demand sober-er-er experts, come…"

He picked up his beer and peanuts, then hooked my arm to tow me back to his table, introducing me as the renowned fellow pyra-midiot, Sir Hidden Chambers-Pott. "On with our pith helmet, Sir Hidden; give these loutish clods an eyeful of the real archaeological élan!"

They were five in all: the Real Englishman, a burly black-bearded American about my age, a suave old German wearing tinted glasses and a white linen suit, and two apprentice experts from the University of Cairo. The loutish clods barely noticed me, for all my élan. They went right back to their interrupted conversation concerning the deeply significant sociopolitical, teleological, and religious ramifications of the upcoming heavyweight title fight in Zaire.

"I don't care if Ali takes up Tibetan Yoga and learns to levitate," the American proclaimed. "Foreman is still going to waste him. Kayo- pow! Guar-an-teed."

He had a virile delivery and build, burly arms and neck squeezed into a T-shirt. A stencil across the chest declared him a member of the Stanford Linear Accelerator Computer Spacewar Team, their motto: Never Say Hyper!

"Sure, Ali was great, a goddamned saint of a fighter. But what made him great wasn't his faith. It was number one his speed – which has slowed considerably – and number two his needle. If anything esoteric gave him special powers it was his goddamn needle, right?"

"Just so," said the Real Englishman. "His bloody needling blacky's mouth -"

"But he tries to pull his needle on this man – 'Yo' gonna fall in nine, you honky-lovin shine!' – it simply is not going to work. Not on Big George. This ain't no Uncle Liston! This ain't no paranoid cub scout Floyd Patterson! This is a bona fide bright-eyed one-track-minded Jeezus freak and could give less a shit about what the black crowd thinks of him."

He was speaking toward the two students, but I had the impression that it was really for the benefit of the older man.

"So if Ali can't psyche him then what's it come back to? Physical ability. Speed, size, and strength. And Foreman is faster bigger younger. I don't care what country he's fighting in."

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