Ken Kesey - Demon Box

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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He knew he must have responded, said, "Oh?" or "Is that right?" or something, because she had kept talking.

"Old bitch it was, with a yardful of pups. Whammed her good." Sandy came around the front of the car and opened the right door. She tipped the pink seat forward and began hauling matching luggage out of the back and arranging it on the gravel, all the while relating vividly how she had come around a bend and run over a dog sleeping in the road. Right in the road. A farmwife had come out of her house at the commotion and had dragged the broken animal out of the culvert where it had crawled howling. The farmwife had felt its spine then sentenced it to be put out of its misery. At her repeated commands, her teenage son had finally fetched the shotgun from the house.

"The kid was carrying on such a weeping and wailing, he missed twice. The third time, he let go with both barrels and blew bitch bits all over the lawn. The only thing they wanted from me was six bits apiece for the bullets. I asked if they took credit cards." She laughed. "When I left, goddamn me if the pups weren't playing with the pieces."

She laughed again. He remembered hearing the shots. He knew the family and the dog, a deaf spaniel, but he didn't say anything.

Shading his eyes, he watched this swollen new version of the skinny Sandy of his past bustle around the luggage below him, laughing. Even her breath seemed to have gained weight, husking out of her throat with an effort. Swollen. Her neck where she had rubbed it, her wrists, her back, all swollen. But her weight actually rode lightly, defiantly, like a chip on her shoulder. In her colored shoes and stretch pants and a silk Hawaiian shirt pulled over her paunch, she looks like a Laguna Beach roller derby queen, he thought, just arriving at the rink. She looks primed, he thought. Like the hitchhiker; an argument rigged to go off at the slightest touch. The thought of another confrontation left him weak and nauseous.

M'kehla's Great Danes discovered her in the yard and came barking. Sandy sliced at them with her pink plastic handbag. "Get away from me, you big fuckers. You smell that other mutt on my wheels? You want the same treatment? Damn, they are big, aren't they? Get them back, can't you?"

"Their big is worse than their bite," he told her and shouted at the dogs to go home to their bus. They paid no attention.

"What the shit, Deboree?" She sliced and swung. "Can't you get your animals to mind?"

"They aren't mine," he explained over the din. "M'kehla left them here while he went gallivantin' to Woodstock with everybody else."

"Goddamn you fuckers, back off!" Sandy roared. The dogs hesitated, and she roared louder. "Off! Off! Clear off!" They shrunk back. Sandy hooted gleefully and kicked gravel after them until they broke into a terrified dash. Sandy gave chase, hooting their retreat all the way to the bus, out of his view.

The ravens were flying again. The sun was still slicing a way through the impacted smoke. The radio was playing "Good Vibrations" by The Beach Boys. Back in the yard below, at her luggage, Sandy was humming along, her hysteria calmed by her victory over the dogs. She found the bag she had been searching for, the smallest in a six-piece set that looked brand-new. She opened it and took out a bottle of pills. Deboree watched as she shook out at least a dozen. She threw the whole handful into her mouth and began digging again into the case for something to wash them down with.

"Ol' Thandy'th been platheth and theen thingth thinth Mexico," she told him, trying to keep all the pills in her mouth and bring him up to date at the same time. Seen lots of water under the bridges, she let him know, sometimes too much. Bridges washed out. Washed out herself a time or two, she told him. Got pretty mucked up. Even locked up. But with the help of some ritzy doctors and her rich daddy, she'd finally got bailed out and got set up being half owner of a bar in San Juan Capistrano; then become a drunk, then a junkie, then a blues singer nonprofessional; found Jesus, and Love, and Another Husband – "Minithter of the Univerthal Church of Latterday Thonthabitcheth!" – then got p.g., got an abortion, got disowned by her family, and got divorced; then got depressed, as he could well understand, and put on a little weight, as he could see; then – Sunday, now - was looking for a place where a gal might lay back for a while.

"A plathe to read and write and take a few barbth to mellow out," she said through the pills.

"A few!" he said, remembering her old barbiturate habit. "That's no 'few.' " The thought of having more than one carcass to dispose of alarmed him finally into protest. "Damn you, Sandy, if you up and O.D. on me now, so help me -"

She held up her hand. "Vitamin theeth. Croth my heart." Pawing through a boil of lingerie, she at last had found the silver flask she had been seeking. She unscrewed the lid and threw back her head. He watched her neck heave as the pills washed down. She wiped her mouth with her forearm and laughed up at him.

"Don't worry, Granny," she said. "Just some innocent little vitamins. Even the dandy little Sandy of old never took that many downers at once. She might someday, though. Never can tell. Who the hell knows what anybody's gonna do this year? It's the year of the downer, you know, so who knows? Just let it roll by…" She returned the flask to the suitcase and snapped it shut. Rayon and Orion scalloped out all around like a piecrust to be trimmed. "Now. Where does Sandy take a wee-wee and wash out her Kotex?"

He pointed, and she went humming off to the corner of the barn. The big dogs came to the door of their bus and growled after her. Deboree watched as she ducked under the clothesline and turned the corner. He heard the door slam behind her.

He stayed at the window, feeling there was more to be revealed. Everything was so tense and restrained. The wash hung tense in the smoky air, like strips of jerky. The peacock, his fan molted to a dingy remnant of its springtime elegance, stepped out of the quince bush where he had been visiting his mate and flew to the top of one of the clothesline poles. Deboree thought the bird would make his cry when he reached the top, but he didn't. He perched atop the pole and bobbed his head this way and that at the end of his long neck, as though gauging the tension. After watching the peacock for a while, he let the curtain close and moved from the window back to his desk; he too found he could be content to let it roll by without resolution.

Over the radio The Doors were demanding that it be brought on through to the other side. Wasn't Morrison dead? He couldn't remember. All he could be sure of was that it was 1969 and the valley was filled to the foothills with smoke as 300,000 acres of stubble were burned so lawn-seed buyers in subdivisions in California wouldn't have to weed a single interloper from their yards.

Tremendous.

The bathroom door slammed again. He heard the plastic heels crunch past below; one of M'kehla's dogs followed, barking tentatively. The dog followed the steps around the other corner, barking in a subdued and civilized voice. The bitch Great Dane, he recognized. Pedigreed. She had barked last night, too. Out in the field. Betsy had got out of bed and shouted up the stairs at him to go check what was the matter out there. He hadn't gone. Was that what offed the lamb? One of M'kehla's Great Danes? He liked to think so. It made him pleasantly angry to think so. Just like a Marin County spade to own two blond Great Danes and go off and leave them marooned. Too many strays. Somebody should go down to that bus and boot some pedigreed ass. But he remained seated, seeking fortification behind his desk, and turned up the music against the noise. Once he heard a yelping as Sandy ran the bitch back to the bus. Sometimes a little breeze would open the curtain and he could see the peacock still sitting on the clothesline pole, silently bobbing his head. Eventually he heard the steps return, enter the barn below, and find the wooden stairs. They mounted briskly and crossed the floor of the loft. Sandy came through his door without knocking.

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