Ken Kesey - Demon Box

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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This time the stick landed in the pigpen. Stewart flew between the top two strands of barbed wire and had the stick before it stopped cartwheeling. It was too long for him to jump back through the wire with. He circled the pigs lying in the shade of their shelter and jumped the wooden gate at the far end of the pen.

"But, I mean, everything has got to have its trip, don't you agree?"

Deboree had not responded. He was already feeling the adrenaline burn in his throat. Besides, there was no more to say. Blackbeard stood up. Blondboy stepped close to his companion and whispered something at the hairy ear. All Devlin could make out was "Be cool, Bob. Remember what happened in Boise, Bob…"

"Everything gotta live," Blackbeard had answered. "And everything gotta give."

Stewart skidded to a halt in the gravel. Blackbeard grabbed one end of the stick before the dog could release it, wrenching it viciously from the animal's teeth. This time Deboree, moving with all the speed the adrenaline could wring from his weary limbs, had stepped in front of the hitchhiker and grabbed the other end of the stick before it could be thrown.

"I said don't throw it."

This time there was no averting the grin; the man looked straight at him. And Deboree had guessed right about the breath; it hissed out of the jagged mouth like a rotten wind.

"I heard what you said, fagbutt."

Then they had looked at each other, over the stick grasped at each end between them. Deboree forced himself to match the other man's grinning glare with his own steady smile, but he knew it was only a temporary steadiness. He wasn't in shape for encounters of this caliber. There was a seething accusation burning from the man's eyes, unspecified, undirected, but so furious that Deboree felt his will withering before it. Through the bean stake he felt that fury assail his very cells. It was like holding a high-voltage terminal.

"Everything gotta try," the man had said through his ragged grin, shuffling to get a better grip on his end of the stake with both leathery hands. "And everything gotta -" He didn't finish. Deboree had brought his free fist down, sudden and hard, and had chopped the stake in twain. Then, before the man could react, Deboree had turned abruptly away from him and swatted Stewart on the rump. The dog had yelped in surprise and run beneath the barn.

It had been a dramatic and successful maneuver. Both hitchhikers were impressed. Before they could recover, Deboree had pointed across the yard with the jagged end of his piece and told them, "There's the trail to the Haight-Ashbury, guys. Vibe central."

"Come on, Bob," Blondboy had said, sneering at Deboree. "Let's hit it. Forget him. He's gangrened. Like Leary and Lennon. All those high-rolling creeps. Gangrened. A power tripper."

Blackbeard had looked at his end. It had broken off some inches shorter than Deboree's. He finally muttered, "Whatever's shakin'," and turned on his heel.

As he sauntered back the way he had come into the yard, he drew his knife. The blond boy hurried to take up his saunter beside his partner, already murmuring and giggling up to him. Blackbeard stripped a long curving sliver of wood from his end of the stick with the blade of his knife as he walked. Another sliver followed, fluttering, like a feather.

Devlin had stood, hands on his hips, watching the chips fall from the broken stick. He had glared after them with raw eyes until they were well off the property. That was when he had hurried back up to his office to resume the search for his sunglasses.

He heard the whine again, returning, growing louder. He opened his eyes and walked back to the window and parted the tie-dye curtains. The pink car had turned around and was coming back. Entranced, he watched it pass the driveway again, but this time it squealed to a stop, backed up, and turned in. It came keening and bouncing down the dirt road toward the barn. Finally he blinked, jerked the curtain closed, and sat heavily in his swivel chair.

The car whirred to a stop in the gravel and mercifully cut its engine. He didn't move. Somebody got out, and a voice from the past shouted up at his office: "Dev?" He'd let the curtain close too late. "Devlinnnn?" it shouted. "Hey, you, Devlin Deboreeeee?" A sound half hysterical and half humorous, like the sound that chick who lost her marbles in Mexico used to make, that Sandy Pawku.

"Dev? I've got news. About Houlihan. Bad news. He's dead. Houlihan's dead."

He tipped back in his chair and closed his eyes. He didn't question the announcement. The loss seemed natural, in keeping with the season and the situation, comfortable even, and then he thought, That's it! That's what the revolution has been doing lately, to be honest. Losing!

"Dev, are you up there? It's me, Sandy…" He pushed himself standing and walked to the window and drew back the curtain. He wiped his eyes and stuck his head into the blighted afternoon. Hazy as it was, the sunlight nevertheless seemed to be sharper than usual, harsher. The chrome of the little car gleamed viciously. Like the knife blade.

"Houlihan," he said, blinking. The dust raised by the car was reaching the barn on its own small breeze. He felt it bring an actual chill. "Houlihan dead?" he said to the pink face lifted to him.

"Of exposure," the voice rasped.

"When? Recently?"

"Yesterday. I just heard. I was in the airport in Oakland this morning when I ran into this little hippie chicky who knew me from Mountain View. She came up to the bar and advised me that the great Houlihan is now the late great. Yesterday, I guess. Chicky Little had just got off the plane from Puerto Sancto, where Houlihan had been staying with her and a bunch of her buddies. At a villa right down the road from where we lived. Apparently the poor maniac was drinking and taking downers and walking around at night alone, miles from nowhere. He passed out on a railroad track between Sancto and Manzanillo, where he got fatally chilled from the desert dew. Well, you know, Dev, how cold it can get down there after sunset."

It was Sandy Pawku all right, but what a change! Her once long brown hair had been cropped and chromed, plated with the rusty glint of the car's grill. She had put heavy eye makeup and rouge and lipstick on her face and, over the rest of her had put on, he guessed, at least a hundred pounds.

"Dead, our hero of the sixties is, Dewy, baby. Dead, dead, dead. Of downers and drunk and the foggy, foggy dew. O, Hooly, Hooly, Hooly, you maniac. You goon. What did Kerouac call him in that book? The glorious goon?"

"No. The Holy Goof."

"I was flying to my aunt's cottage in Seattle for a little R and R, rest and writing, you dig? But that news in Oakland – I thought, Wonder if Dev and the Animal Friends have heard? Probably not. So when the plane stopped in Eugene, I remember about this commune I hear you all got and I decided, Sandy, Old Man Deboree would want to know. So Sandy, she cashes in the rest of her ticket and rents a car and here she is, thanks to Mr. Mastercharge, Mr. Hughes, and Mr. Avis. Say, is one supposed to drive these damn tricks in Dl, D2, or L? Isn't L for driving in the light and D for driving in the dark?"

"You drove that thing all the way here from the airport in low gear?"

"Might have." She laughed, slapping the flimsy hood with a hand full of jeweled fingers. "Right in amongst those log trucks and eighteen-wheelers, me and my pinkster, roaring with the loudest of them."

"I'll bet."

"When it started to smoke, I compromised with Dl. Goddamn it, I mean them damn manufacturers – but listen to me rationalizing. I probably wrecked it, didn't I? To tell the truth? Be honest, Sandy. Christ knows you could use a little honesty…" She rubbed the back of her neck and looked away from him, back the way she had come. "Eee God, what is happening? Houlihan kacked. Pigpen killed by a chicken-shit liver; Terry the Tramp snuffed by spades. Ol' Sandy herself nearly down for the count a dozen times." She began walking to and fro in the gravel. "Man, I have been going in circles, in bummer nowhere circles, you know what I mean? Weird shit. I mean, hey listen: I just wasted a dog on the road back there!"

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