Christopher Buckley - Boomsday

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From The Washington Post
Reviewed by Judy Budnitz
Does government-sanctioned suicide offer the same potential for satire as, say, the consumption of children? Possibly. One need only look to Kurt Vonnegut's story "Welcome to the Monkey House," with its "Federal Ethical Suicide Parlors" staffed by Juno-esque hostesses in purple body stockings. Or the recent film "Children of Men," in which television commercials for a suicide drug mimic, to an unsettling degree, the sunsets-and-soothing-voices style of real pharmaceutical ads. Now, Christopher Buckley ventures into a not-too-distant future to engage the subject in his new novel, Boomsday.
Here's the set-up: One generation is pitted against another in the shadow of a Social Security crisis. Our protagonist, Cassandra Devine, is a 29-year-old public relations maven by day, angry blogger by night. Incensed by the financial burden soon to be placed on her age bracket by baby boomers approaching retirement, she proposes on her blog that boomers be encouraged to commit suicide. Cassandra insists that her proposal is not meant to be taken literally; it is merely a "meta-issue" intended to spark discussion and a search for real solutions. But the idea is taken up by an attention-seeking senator, Randy Jepperson, and the political spinning begins.
Soon Cassandra and her boss, Terry Tucker, are devising incentives for the plan (no estate tax, free Botox), an evangelical pro-life activist is grabbing the opposing position, the president is appointing a special commission to study the issue, the media is in a frenzy, and Cassandra is a hero. As a presidential election approaches, the political shenanigans escalate and the subplots multiply: There are nursing-home conspiracies, Russian prostitutes, Ivy League bribes, papal phone calls and more.
Buckley orchestrates all these characters and complications with ease. He has a well-honed talent for quippy dialogue and an insider's familiarity with the way spin doctors manipulate language. It's queasily enjoyable to watch his characters concocting doublespeak to combat every turn of events. "Voluntary Transitioning" is Cassandra's euphemism for suicide; "Resource hogs" and "Wrinklies" are her labels for the soon-to-retire. The opposition dubs her "Joan of Dark."
It's all extremely entertaining, if not exactly subtle. The president, Riley Peacham, is "haunted by the homophonic possibilities of his surname." Jokes are repeated and repeated; symbols stand up and identify themselves. Here's Cassandra on the original Cassandra: "Daughter of the king of Troy. She warned that the city would fall to the Greeks. They ignored her… Cassandra is sort of a metaphor for catastrophe prediction. This is me. It's what I do." By the time Cassandra asks Terry, "Did you ever read Jonathan Swift's 'A Modest Proposal'?" some readers may be crying, "O.K., O.K., I get it."
Younger readers, meanwhile, may find themselves muttering, "He doesn't get it." The depiction of 20-somethings here often rings hollow, relying as it does on the most obvious signifiers: iPods, videogames, skateboards and an apathetic rallying cry of "whatever."
But Buckley isn't singling out the younger generation. He's democratic in his derision: boomers, politicians, the media, the public relations business, the Christian right and the Catholic Church get equal treatment. Yet despite the abundance of targets and the considerable display of wit, the satire here is not angry enough – not Swiftian enough – to elicit shock or provoke reflection; it's simply funny. All the drama takes place in a bubble of elitism, open only to power players – software billionaires, politicians, lobbyists, religious leaders. The general population is kept discretely offstage. Even the two groups at the center of the debate are reduced to polling statistics. There are secondhand reports of them acting en masse: 20-somethings attacking retirement-community golf courses, boomers demanding tax deductions for Segways. But no individual faces emerge. Of course, broadness is a necessary aspect of satire, but here reductiveness drains any urgency from the proceedings. There's little sense that lives, or souls, are at stake.
Even Cassandra, the nominal hero, fails to elicit much sympathy. Her motivations are more self-involved than idealistic: She's peeved that her father spent her college fund and kept her from going to Yale. And she's not entirely convincing as the leader and voice of her generation. Though her blog has won her millions of followers, we never see why she's so popular; we never see any samples of her blogging to understand why her writing inspires such devotion. What's even more curious is that, aside from her blog, she seems to have no contact with other people her own age. Her mentors, her lover and all of her associates are members of the "wrinklies" demographic.
Though I was willing for the most part to sit back and enjoy the rollicking ride, one incident in particular strained my credulity to the breaking point: Cassandra advises Sen. Jepperson to use profanity in a televised debate as a way of wooing under-30 voters, and the tactic is a smashing success. If dropping an f-bomb were all it took to win over the young folks, Vice President Cheney would be a rock star by now.

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“Payne? He’s just another preacher on steroids.”

“Rule number one: Don’t drink your own Kool-Aid. Rule number two: Never, ever, underestimate the enemy. Gideon Payne didn’t get to be Mr. Pro-Life by being an idiot.”

Cass reflected. “Did he really kill his mother?”

“That’s what they say. Why don’t you ask him, on the air? That’ll break the ice.”

Cass’s phone rang.

“Ms. Devine?” said the voice. “I have Senator Jepperson for you.”

“Well, well. Hello, Senator.”

“Cass? Voluntary Transitioning! Best euphemism I’ve heard since ‘ethnic cleansing.’ I love it. With all my heart, I love it. I knew this was a winner from the get-go.”

“Randy,” Cass said coolly, “when I presented it to you, you practically threw me out of your office.”

“Darling girl, I had a committee meeting. On that moronic monorail that my distinguished colleague wants to build in the middle of Alaska. Someone has to stand up for the caribou. Now listen up. Pay attention. I’m calling to say-I want to sponsor the bill.”

“To save the caribou?”

“Screw the caribou. No, child-Voluntary Transitioning. It’s big, it’s bold, and I love it to death. Pardon the pun. Now you and I both know that it doesn’t stand a chance of a snow cone in Dante’s Hell. It redefines reductio ad absurdum . It’s the policy equivalent of Pickett’s Charge. We may go down in flames, but they’ll be writing ballads about us. Oh, how I love it.”

“And you want to go down in flames?”

“Honestly?”

“Randy, why do I cringe when I hear you say ‘honestly’?”

“Don’t be too hard on me, Cassandra. I’m disabled.”

“Don’t go there, Randy.”

“I want to sponsor it for the same reason you came up with it. To make waves. To make those lily-livered weasels in the White House wet their pantalones. I’m going to get Ron Fundermunk to co-sponsor it with me. The junior senator from the great state of Oregon. You know how they are in Oregon. It says the ‘ Assisted Suicide State ’ right there on the license plate.”

“Watch Greet the Press this Sunday,” Cass said. “I’m on with Gideon Payne.”

“Loathsome little toad,” Randy said. “Did you know his ancestor shot my ancestor?”

“What?”

“In the Civil War.”

“Sedgwick?” Cass said.

“Clever girl. He was a brilliant soldier and by accounts a lovely chappie. Distinguished himself in every battle-Antietam, the Wilderness, Gettysburg. They were getting ready for a big clash at Spotsylvania. He was inspecting the Union artillery position. There were Confederate snipers. The officers were nervous and told him he should take cover. He said, ‘They couldn’t hit an elephant at this distance.’ His last words. Story is, the sniper who drilled him is related somehow to Gideon Payne. Give him a good kick in the macadamias for me, would you?”

G reet the Press was the premier Sunday morning news show. Its opening theme music consisted of trumpets and kettledrums, affecting a tone of earthshaking momentousness, as though an electronic curtain were about to rise to reveal the chief justice of the Supreme Court, a prime minister, and the pope.

The host was a genial, ruddy-faced man named Glen Waddowes. He began his career as a Benedictine monk, left the order under circumstances never entirely clarified, then became a speechwriter and ultimately chief of staff to the governor of New York. He ran for Congress, served two terms, and, with eight children to feed (he had apparently remained Catholic), accepted a job running a network news bureau, ultimately taking over Greet the Press, whose motto was, “Since 1955, more important than the people who appear on it.”

Beneath Waddowes’s jolly, rubicund exterior lurked a mind armed with brass knuckles, a shank, and a blackjack. He had famously derailed the presidential campaign of Senator Root Hollings by asking him, “Senator, with all due respect, what makes you think that a man like you has the right to run for president?”

Cass had done her homework. Still, as she sat in the greenroom before the show, her palms were clammy and her chest felt tight.

In two other corners of the greenroom, eyeing her with barely concealed disdain, sat Gideon Payne and the director of the White House Office of Management and Budget. They were carrying on polite conversation, the purpose of which was-mainly-to exclude her. The OMB director was pretending to be interested in what college Gideon Payne had attended. Gideon, for his part, was pretending not to notice that he was being flattered. As the saying goes, what flatters people most is that others feel you’re worth flattering. Gideon knew he was worth it and accepted it as nothing less than his due. He was a short, fat, elegant man in his late forties. He wore his hair slicked back, gave off a warm, clovelike aroma of French cologne, had a neatly trimmed beard, carried a silver-tipped cane, and dressed in bespoke suits from Gieves amp; Hawkes of London.

Cass overheard him saying to the OMB director, “As I said to the president just last week…” She mused that the only way really to top that was to say, “As I said to the president in bed this morning…” But the OMB director, apparently not being able to make this boast, merely nodded and pretended to be impressed by Payne’s easy familiarity with the summits of Olympus-on-the-Potomac.

They were led into a refrigerated studio by whispery production assistants, miked, foreheads blotted dry of sweat by the makeup lady-not that it was possible to sweat in these subarctic temperatures.

Waddowes arrived, preceded by a flutter of aides with earphones. He was all smiles, looking like a fifty-five-year-old altar boy who’d just had a swig from the sacramental wine cruet in the sacristy. Cass smiled back, trying not to overdo it for fear her grin would freeze in place.

Five, four, three…Trumpets volunteered, kettledrums beat their somber, self-important tattoo.

“Economic calamity…,” the host intoned over montage footage of depressed-looking traders on the floor of the stock exchange. “Retiring Baby Boomers trigger a Social Security crisis”-gray-haired sixty-somethings in golf carts, fleeing one of Cass’s mobs-“and angry youths saying they’re not going to pay for it anymore.…?Foreign banks refusing to go on financing America ’s debt-” Segue to a shot of Japanese currency speculators shaking their heads furiously. “Have we-finally-reached the tipping point that some are now calling ‘Boomsday’? Our guests on this week’s Greet the Press …”

Terry had been right. The OMB director treated Cass like an unwelcome bug that had splattered on Uncle Sam’s vast windshield and simply needed to be wiped away, if possible without going to the trouble of pulling the vehicle over to the side of the road.

Cass patiently and courteously countered that her generation was quite open to hearing another solution, as long as it emancipated them from having to pay the bill for the excesses of the prior ones. He announced that the White House was boldly “considering” appointing a “blue-ribbon presidential commission” to “study the problem.” Cass-still polite-suggested that this was akin to being on a runaway train and appointing a commission among the passengers to “study the problem that they were about to drive off a cliff.” That being the case, the OMB director sniffed with all his Harvard hauteur, he hardly expected a “callow PR person” to understand the complexities of a highly engineered locomotive. After all, so many moving parts…It went on like this until Gideon Payne, impatient of being left out of the fight, came out swinging.

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