Sarah Waters - The Night Watch

Здесь есть возможность читать онлайн «Sarah Waters - The Night Watch» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Night Watch: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Night Watch»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Sarah Waters’ fourth novel, The Night Watch, is set in 1940s London, during and after the Second World War, and is an innovative departure from her previous three lesbian Victorian historical fictions. Tipping the Velvet (1998), Affinity (1999) and Fingersmith (2002) depend on melodramatic scenes of excess and chicanery, with occasional references to postmodern thinking. In comparison, The Night Watch is more constrained in its telling of love stories and secrets. Its tone echoes the view we have, in the 21st century, of rationed wartime Britain and the use of the more distant third-person, rather than the confiding first-person, signals a further diversion from the earlier works.
The structure of The Night Watch is worth remarking upon as it begins at the end in 1947. The second section takes us back to 1944, and the third and final section is set in 1941. The decision to use this type of structure is brave, even foolhardy, because of the problems in pulling it off convincingly, but Waters’ subtlety and restraint in pulling back the layers reveals the extent of her authorial control.
This novel is essentially concerned with five main characters (Kay, Viv, Helen, Julia and Viv’s brother, Duncan) and their separate private lives. The connections between these people are also elemental to the narrative. Coincidence plays a significant role in the unfolding of past events as their lives are shown to overlap. This use of coincidence has been a feature of Waters’ previous novels, but this time she uses it casually, and as an extra element, rather than for the purposes of manipulating the plot out of hand as was deemed necessary in a melodrama such as Fingersmith.
The love stories of Kay, Viv and Helen are central and, as the narrative traces back to 1941, we learn how their present views of relationships have been shaped by these past events. As with her previous novels, Waters continues to use lesbian relationships as a main focus of the narrative, but shifts away to examine the affair between Viv and Reggie, and the horrific illegal abortion she undergoes to spare her father from further shame.
Repression becomes a touchstone as many of the characters keep a secret or carry a weight of shame. The converse of this theme of fear of discovery is the examination of bravery. This is most notable in the second and third sections which are, necessarily, concerned with the bombing of London. A re-evaluation of the definition of courage is undertaken and is perhaps most poignant in the prison scene, where Duncan ’s cell mate, conscientious objector Fraser, asks himself if he is ‘simply a – a bloody coward’ when he is overwhelmed by the fear of death. The deconstruction of received morality, of what is to be brave or selfish in this time of heightened emotions, is also examined when Helen considers the effect the war has had on her ethics: ‘In the first blitz, she’d tried to help everyone; she’d given money to people, sometimes, from her own purse. But the war made you careless. You started off, she thought sadly, imagining you’d be a kind of heroine. You end up thinking only of yourself.’
The reason for Duncan ’s imprisonment is one of the well-kept secrets of the novel and is only (partially) explained in the third section. This use of the hidden truth and the hints at the unspoken strengthen the evocation of the period, where loose lips could potentially sink ships, and walls had ears. When revelations are made, they are, more often than not, as subdued as the repressed tone permits and this allows the novel to maintain the same pace throughout.
Despite this steady pace, Waters still enables the readers to see how the war also had a liberating effect on women such as Kay. Her gallantry and masculine demeanour was of use during the bombings whilst she worked as an ambulance driver, but in the beginning of the novel, in 1947, it is clear that with the return to peace time her short hair and male clothing are once more worthy of ridicule.
As with all of Waters’ novels, The Night Watch has been praised by critics for the attention to detail and meticulous research. This work stretches beyond the limits of the previous three, though, and is certainly her most impressive to date. Her control in depicting the central characters gradually is in itself an indicator of skilful writing. As this is also combined with a believable and interested evocation of period and place, this novel must be recommended highly.

The Night Watch — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Night Watch», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Julia unwrapped the sandwiches, drew out the cork from the steaming tea; she'd had the bottle wrapped in a pullover, she said, to keep it hot. She poured a little of the tea into two dainty porcelain cups from one of the cupboards; then swilled it around, to warm the china, threw that away and poured out more.

The tea was sugary, and very creamy. It must have had all Julia's ration in it. Helen sipped it, closing her eyes, feeling guilty. When Julia offered her a sandwich she said, 'I ought to give you money or something for this, Julia.'

Julia said, 'Really.'

'I could give you a coupon-'

'For God's sake! Is that what this war has done to us? You can buy me a drink some time, if you feel as badly about it as all that.'

They began to eat. The bread was coarse, but the meat sweet and very tender; the flavour was a heavy, distinctive one-Helen realised, after a moment, that it must be garlic. She had tasted garlic in restaurants, but had never cooked with it herself; Julia had bought it, she said as they ate, from a shop on Frith Street, Soho. She'd managed, too, to get macaroni, olive oil, dried parmesan cheese. And she had a relative in America who sent her parcels of food. 'You can get more Italian food in Chicago,' she said, swallowing, 'than you can in Italy. Joyce sends me olives, and black salad vinegar-'

'How lucky you are!' said Helen.

'I suppose I am. You don't have any people abroad who could do something like that for you?'

'Oh, no. My family are all still in Worthing, where I grew up.'

Julia looked surprised. 'You grew up in Worthing? I didn't know that. Though I suppose, now I think about it, you had to grow up somewhere… My family has a house near Arundel, we used to swim at Worthing sometimes. Once I ate too many whelks or cockles-or toffee apples, or something-and was vilely sick, all over the pier. What was it like there, growing up?'

'It was all right,' said Helen. 'My family- Well, they're very ordinary. Did you know that? They're not- They're not like Kay's.' They're not like yours , was what she really meant. 'My father's an optician. My brother makes lenses for the RAF. My parents' house-' She looked around. 'It isn't like this house, it isn't anything like this.'

Perhaps Julia saw that she was embarassed. She said quietly, 'Well, but nothing like that matters any more, does it? Not these days. Not now we all dress like scarecrows, and talk like Americans-or else, like chars. “Here's your grub, ducks,” a girl in a café said to me the other day; I swear she'd been to Roedean, too…'

Helen smiled. 'It makes people feel better, I suppose. It's another kind of uniform.'

Julia made a face. 'I hate this passion for uniforms, too. Uniforms, armbands, badges.-I thought the military impulse, as it's grown up in Germany, was what we were against!' She sipped her tea, then almost yawned. 'But perhaps I take the whole thing too seriously…' She looked at Helen over the rim of her cup. 'I ought to be like you. Well-adjusted, and so on.'

Helen stared-amazed to think that Julia had formed any sort of opinion of her, much less one like that. She said, 'Is that how I seem? It isn't how I feel. Well-adjusted . I'm not even sure I know what it means.'

'Well,' said Julia, 'you always give the impression of being pretty thoughtful, pretty measured. That's what I mean. You don't say much; but what you do say seems to be worth listening to. That's quite rare, isn't it?'

'It must be a trick,' said Helen lightly. 'When you're quiet, people imagine you're awfully deep. In fact all you're doing is thinking-I don't know-how tight your bra is; or wondering whether or not you need the lavatory.'

'But that,' said Julia, 'sounds exactly like good adjustment, to me! Thinking about yourself, rather than the effect you might be having on other people. And the whole-' She hesitated. 'Well, the whole grisly “L” business. You know what I mean… You seem to handle that awfully coolly.'

Helen looked down into her cup, and didn't answer. Julia said, more quietly, 'How impertinent of me. I'm sorry, Helen.'

'No, it's all right,' said Helen quickly, looking up again. 'I'm not very used to talking about it, that's all. And I'm not sure, you know, that I've ever really thought of it as being much of a business . It was just how things turned out… I didn't think about it at all, to tell you the truth, when I was younger. Or if I did, I suppose I thought the usual sort of thing: spinster teachers, earnest girls…'

'There was no-one, in Worthing?'

'Well, there were men.' Helen laughed. 'That makes me sound like a call-girl, doesn't it? There was only one boy, really. I moved to London to be near him; but it didn't work out… And, then I met Kay.'

'Ah, yes,' said Julia, sipping her tea again. 'And then you met Kay. And in such terribly romantic circumstances.'

Helen looked at her, trying to gauge her tone and expression. She said shyly, 'It did seem romantic. Kay's rather glamorous, isn't she? At least, she seemed glamorous to me. I'd never met anyone like her before. I'd been in London less than six months then. She made such a-such a fuss of me. And she seemed so certain of what she wanted. That was terribly exciting somehow. It was hard to resist, anyway. It never felt strange, as perhaps it ought to have done… But then, so many impossible things were becoming ordinary, just then.' She thought back, with a slight shudder, to the night that she and Kay had met. 'And as impossible things go, being with Kay was, I suppose, quite a mild one…'

She was speaking, she realised, in almost a tone of apology; for she was conscious, still, of what she thought of as a gaucheness in herself-conscious that all the things she was describing to Julia as attractive in Kay were things that Julia herself must have found it easy to resist… Part of her wanted to defend Kay; part of her was simply embarassed. But part of her, too, wanted to confide in Julia, almost as one wife to another. She'd never spoken like this to anyone. She'd left her own friends behind, when she moved in with Kay; or she kept Kay a secret from them. And Kay's friends were all like Mickey-all like Kay, in other words… Now she wanted to ask how it had been for Julia, with Kay. She wanted to know if Julia had felt what she herself sometimes, guiltily, felt: that Kay's constant fussing, which had once been so appealing, so exciting, could also be rather like a burden; that Kay made an absurd kind of heroine of you; that Kay's passion was so great there was something unreal about it, it could never be matched…

But she didn't ask any of these things. She looked down into her cup again, and was silent. Julia said, 'And, when the war's over? And everything goes back to normal?'-and she took refuge, then, in briskness. She shook her head.

'It's pointless thinking about that, isn't it?' It was what everybody said, to all sorts of questions. 'We might get blown to bits tomorrow. Until then-well, I'd never want to advertise it. I'd never dream, for example, of telling my mother! But, why should I? It's a thing between Kay and me. And we're two grown women. Who does it harm?'

Julia watched her for a moment, then poured more tea from the bottle. She said, as if with a touch of sarcasm, 'You are well-adjusted.'

So then Helen grew embarassed again. She thought, I've said too much, and bored her . She preferred me before, when I was quiet and she thought I was deep

They sat without speaking, until Julia shivered and rubbed her arms. 'God!' she said. 'This isn't much fun for you, is it? Me, giving you the third degree, in the basement of a ruined house! It's like lunch with the Gestapo!'

Helen laughed, her embarassment fading. 'No. It's nice.'

'Are you sure? I could- Well, I could show you over the whole place, if you like.'

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Night Watch»

Представляем Вашему вниманию похожие книги на «The Night Watch» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Night Watch»

Обсуждение, отзывы о книге «The Night Watch» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.