Sarah Waters - The Night Watch

Здесь есть возможность читать онлайн «Sarah Waters - The Night Watch» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Night Watch: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Night Watch»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Sarah Waters’ fourth novel, The Night Watch, is set in 1940s London, during and after the Second World War, and is an innovative departure from her previous three lesbian Victorian historical fictions. Tipping the Velvet (1998), Affinity (1999) and Fingersmith (2002) depend on melodramatic scenes of excess and chicanery, with occasional references to postmodern thinking. In comparison, The Night Watch is more constrained in its telling of love stories and secrets. Its tone echoes the view we have, in the 21st century, of rationed wartime Britain and the use of the more distant third-person, rather than the confiding first-person, signals a further diversion from the earlier works.
The structure of The Night Watch is worth remarking upon as it begins at the end in 1947. The second section takes us back to 1944, and the third and final section is set in 1941. The decision to use this type of structure is brave, even foolhardy, because of the problems in pulling it off convincingly, but Waters’ subtlety and restraint in pulling back the layers reveals the extent of her authorial control.
This novel is essentially concerned with five main characters (Kay, Viv, Helen, Julia and Viv’s brother, Duncan) and their separate private lives. The connections between these people are also elemental to the narrative. Coincidence plays a significant role in the unfolding of past events as their lives are shown to overlap. This use of coincidence has been a feature of Waters’ previous novels, but this time she uses it casually, and as an extra element, rather than for the purposes of manipulating the plot out of hand as was deemed necessary in a melodrama such as Fingersmith.
The love stories of Kay, Viv and Helen are central and, as the narrative traces back to 1941, we learn how their present views of relationships have been shaped by these past events. As with her previous novels, Waters continues to use lesbian relationships as a main focus of the narrative, but shifts away to examine the affair between Viv and Reggie, and the horrific illegal abortion she undergoes to spare her father from further shame.
Repression becomes a touchstone as many of the characters keep a secret or carry a weight of shame. The converse of this theme of fear of discovery is the examination of bravery. This is most notable in the second and third sections which are, necessarily, concerned with the bombing of London. A re-evaluation of the definition of courage is undertaken and is perhaps most poignant in the prison scene, where Duncan ’s cell mate, conscientious objector Fraser, asks himself if he is ‘simply a – a bloody coward’ when he is overwhelmed by the fear of death. The deconstruction of received morality, of what is to be brave or selfish in this time of heightened emotions, is also examined when Helen considers the effect the war has had on her ethics: ‘In the first blitz, she’d tried to help everyone; she’d given money to people, sometimes, from her own purse. But the war made you careless. You started off, she thought sadly, imagining you’d be a kind of heroine. You end up thinking only of yourself.’
The reason for Duncan ’s imprisonment is one of the well-kept secrets of the novel and is only (partially) explained in the third section. This use of the hidden truth and the hints at the unspoken strengthen the evocation of the period, where loose lips could potentially sink ships, and walls had ears. When revelations are made, they are, more often than not, as subdued as the repressed tone permits and this allows the novel to maintain the same pace throughout.
Despite this steady pace, Waters still enables the readers to see how the war also had a liberating effect on women such as Kay. Her gallantry and masculine demeanour was of use during the bombings whilst she worked as an ambulance driver, but in the beginning of the novel, in 1947, it is clear that with the return to peace time her short hair and male clothing are once more worthy of ridicule.
As with all of Waters’ novels, The Night Watch has been praised by critics for the attention to detail and meticulous research. This work stretches beyond the limits of the previous three, though, and is certainly her most impressive to date. Her control in depicting the central characters gradually is in itself an indicator of skilful writing. As this is also combined with a believable and interested evocation of period and place, this novel must be recommended highly.

The Night Watch — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Night Watch», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

'I've got to make the most of mine, then,' said Binkie, raising her glass. 'Here's how.'

At six o'clock they heard the wireless starting up on the barge next door: they opened the doors, to listen to the news. Then a programme of dance-music came on; it was too cold to keep the doors open, but Mickey slid back a window so that they could still hear the music a little, mixed up with the buzz and splutter of passing engines, the bumping of the boats. The song was a slow one. Kay kept her arm around Helen's waist, still lightly stroking and smoothing it, while Mickey and Binkie chatted on. The heat from the stove, and the gin in her cocktail, had made her dozy.

Then Helen moved forward, to reach for her drink again; and when she sat back, she turned and caught Kay's eye, a little awkwardly.

'Who do you think I saw today?' she said.

'I don't know. Who?'

'A friend of yours. Julia.'

Kay stared at her. 'Julia?' she said. 'Julia Standing?'

'Yes.'

'You mean, you saw her in the street?'

'No,' said Helen. 'That is, yes. But then we had a cup of tea together, from a van near my office. She'd been to a house nearby-you know, that job she has, with her father?'

'Yes, of course,' said Kay slowly.

She was trying to push away the mix of feelings that the sound of Julia's name always conjured up in her. She said to herself, as she always did, Don't be silly . It was nothing . It was too long ago . But it wasn't nothing, she knew that… She tried to picture Helen and Julia together: she saw Helen, with her round child's face, her untidy hair and chapped lips; and Julia, smooth and self-possessed as a cool dark gem… She said, 'Was it all right?'

Helen laughed, self-conscious. 'Yes. Why shouldn't it have been?'

'I don't know.'

But Binkie had heard. She knew Julia too, but only very slightly. 'Is that Julia Standing you're talking about?'

'Yes,' said Kay, reluctantly. 'Helen saw her today.'

'Did you, Helen? How is she? Still looking as though she's spent the entire war eating steak tartare and drinking glasses and glasses of milk?'

Helen blinked. 'Well,' she said, 'I suppose so.'

'She's so frightfully handsome, isn't she? But- I don't know. I've always found looks like hers rather chilling, somehow. What do you think, Mickey?'

'She's all right,' said Mickey shortly-glancing at Kay; knowing more than Binkie.

But Binkie went on. 'Is she still doing that thing of hers, Helen-going over bombed houses?'

'Yes,' said Helen.

Mickey picked up her drink and narrowed her eyes. 'She ought,' she murmured, 'to try pulling somebody out from underneath one, some time.'

Kay laughed. Helen lifted her own drink again, as if not trusting herself to answer. Binkie said to Mickey, 'Dear girl, talking of pulling out bodies-did you hear what happened to the crew over at Station 89? Jerry struck a cemetary and hit the graves. Half of the coffins were blown wide open-'

Kay drew Helen close again. 'I don't know, I'm sure,' she said very quietly, 'why one's chums should like each other, just because they are one's chums; and yet one expects them to, somehow.'

Helen said, without looking up, 'Julia's the vivid kind of person people either like or don't like, I suppose. And Mickey's loyal to you, of course.'

'Yes, perhaps that's it.'

'It was only a cup of tea. Julia was perfectly nice about it.'

'Well, good,' said Kay, smiling.

'I don't expect we'll do it again.'

Kay kissed her cheek. She said, 'I hope you do.'

Helen looked at her. 'Do you?'

'Of course,' said Kay-thinking, actually, that she rather hoped they wouldn't, since the whole idiotic situation clearly made Helen so uneasy…

But Helen laughed, and kissed her back-not uneasy, suddenly, at all.

'You darling,' she said.

3

'Miss Giniver,' said Miss Chisholm, putting her head around Helen's door, 'there's a lady to see you.'

It was a week or so later. Helen was fastening papers together with a clip, and didn't look up. 'Does she have an appointment?'

'She asked in particular for you.'

'Did she? Blast.' This was what came of giving out your name too freely. 'Where is she?'

'She said she wouldn't come in, as she's rather shabby.'

'Well, she can hardly be too shabby to come in here. Tell her we're not fussy. She must make an appointment, though.'

Miss Chisholm came further into the room and held out a folded piece of paper. 'She wanted me to give you this,' she said, with a hint of disapproval. 'I told her we weren't in the habit of accepting personal post.'

Helen took the note. It was addressed to Miss Helen Giniver , in a hand she didn't recognise, and there was a dirty thumb-print on it. She opened it up. It said: Are you free for lunch? I have tea, and rabbit-meat sandwiches! What do you say? Don't worry, if not . But I'll be outside for the next ten minutes .

And it was signed, Julia .

Helen saw the signature first, and her heart gave an astonishing sort of fillip in her breast, like a leaping fish. She was horribly aware of Miss Chisholm, watching. She closed the paper smartly back up.

'Thank you, Miss Chisholm,' she said, as she ran her thumb-nail along the fold. 'It's just a friend of mine. I'll- I'll go out to her, when I've finished here.'

She slipped the note under a pile of other papers and picked up a pen, as if meaning to write. But as soon as she heard Miss Chisholm going back to her desk in the outer office, she put the pen down. She unlocked a drawer in her own desk and took out her handbag, to tidy her hair, put on powder and lipstick.

Then she squinted at herself in the mirror of her compact. A woman could always tell, she thought, when a girl had just done her face; she didn't want Miss Chisholm to notice-worse, she didn't want Julia to think she had put on make-up especially for her. So she got out her handkerchief and tried to wipe some of the powder away. She drew in her lips and bit repeatedly at the cloth, to blot off the lipstick. She slightly disarranged her hair. Now , she thought, I look like I've been in some sort of tussle -

For God's sake! What did it matter? It was only Julia. She put the make-up away, got her coat and hat and scarf; went lightly past Miss Chisholm's desk and out along the Town Hall corridors to the lobby and the street.

Julia was standing in front of one of the grey stone lions. She had on her dungarees and her denim jacket again, but this time, instead of a turban, her hair was tied up in a scarf. She had her hands looped around the strap of a leather stachel, slung over her shoulder, and she was gazing at nothing, rocking slightly from foot to foot. But when she heard the swinging back of the bomb-proofed doors she looked round and smiled. And at the sight of her smile, Helen's heart gave another absurd lurch-a twitch, or wriggle, that was almost painful.

But she spoke calmly. 'Hello, Julia. What a nice surprise.'

'Is it?' asked Julia. ' I thought that, since I know where you work now…' She looked up at the sky, which was clouded and grey. 'I was hoping for a sunny day, like last time. It's pretty chilly, isn't it? I thought- But tell me, if this sounds like a lousy idea. I've been working so long among ruins, on my own, I've forgotten all the social niceties. But I thought you might like to come and look at the house I've pitched up in, in Bryanston Square-see what I've been up to. The place has been empty for months, I'm sure no-one would mind.'

'But, I'd love to,' said Helen.

'Really?'

'Yes!'

'All right,' said Julia, smiling again. 'I won't take your arm, as I'm so filthy; but this way is nicest.'

She led Helen along the Marylebone Road, and soon made a turn into quieter streets. 'Was that the famous Miss Chisholm,' she said as they went, 'who took my note? I see what you mean about those pursed lips. She looked at me as though she thought I had designs on the office safe!'

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Night Watch»

Представляем Вашему вниманию похожие книги на «The Night Watch» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Night Watch»

Обсуждение, отзывы о книге «The Night Watch» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.