Kiran Desai - The Inheritance of Loss

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This stunning second novel from Desai (Hullabaloo in the Guava Orchard) is set in mid-1980s India, on the cusp of the Nepalese movement for an independent state. Jemubhai Popatlal, a retired Cambridge-educated judge, lives in Kalimpong, at the foot of the Himalayas, with his orphaned granddaughter, Sai, and his cook. The makeshift family's neighbors include a coterie of Anglophiles who might be savvy readers of V.S. Naipaul but who are, perhaps, less aware of how fragile their own social standing is?at least until a surge of unrest disturbs the region. Jemubhai, with his hunting rifles and English biscuits, becomes an obvious target. Besides threatening their very lives, the revolution also stymies the fledgling romance between 16-year-old Sai and her Nepalese tutor, Gyan. The cook's son, Biju, meanwhile, lives miserably as an illegal alien in New York. All of these characters struggle with their cultural identity and the forces of modernization while trying to maintain their emotional connection to one another. In this alternately comical and contemplative novel, Desai deftly shuttles between first and third worlds, illuminating the pain of exile, the ambiguities of post-colonialism and the blinding desire for a better life, when one person's wealth means another's poverty.
***
Desai's second novel is set in the nineteen-eighties in the northeast corner of India, where the borders of several Himalayan states – Bhutan and Sikkim, Nepal and Tibet – meet. At the head of the novel's teeming cast is Jemubhai Patel, a Cambridge-educated judge who has retired from serving a country he finds "too messy for justice." He lives in an isolated house with his cook, his orphaned seventeen-year-old granddaughter, and a red setter, whose company Jemubhai prefers to that of human beings. The tranquillity of his existence is contrasted with the life of the cook's son, working in grimy Manhattan restaurants, and with his granddaughter's affair with a Nepali tutor involved in an insurgency that irrevocably alters Jemubhai's life. Briskly paced and sumptuously written, the novel ponders questions of nationhood, modernity, and class, in ways both moving and revelatory.

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***

It wasn’t just Harish-Harry. Confusion was rampant among the " haalf ‘n’ haf " crowd, the Indian students coming in with American friends, one accent one side of the mouth, another the other side; muddling it up, wobbling then, downgrading sometimes all the way to Hindi to show one another: Who? No, no, it was not they pretending to be other than who and what they were. They weren’t the ones turning their back on the greatest culture the world has ever seen…

And the romances – the Indian-White combination, in particular, was a special problem.

The desis entered feeling very ill at ease and the waiters began to smirk and sneer, raising their eyebrows to show them what they thought.

"Hot, medium, or mild?" they asked. "Hot," the patrons said invariably, showing off, informing their date they were the unadulterated exotic product, and in the kitchen they laughed, "Ha ha," then suddenly the unadulterated anger came out, " sala! "

The evildoers bit into the vindaloo -

And that vindaloo – it bit them back.

Faces smarting, ears and eyes burning, tongues becoming numb, they whimpered for yogurt, explaining to the table, "That is what we do in India, we always eat yogurt for the balance…"

The balance, you know…

You know, you know -

Hot cool, sweet sour, bitter pungent, the ancient wisdom of the Ayurveda that can grant a person complete poise…

"Too hot?" Biju would ask, grinning.

Weeping, "No, no."

There was no purity in this venture. And no pride. He had come home to no clarity of vision.

***

Harish-Harry blamed his daughter for rattling his commitment. The girl was becoming American. Nose ring she found compatible with combat boots and clothes in camouflage print from the army-navy surplus.

His wife said, "All this nonsense, what is this, give her two tight slaps, that’s what…"

"Good you did like that," he had said, but slaps had not worked. "You go, girl!" he said, trying to rise, instead, to the occasion of his daughter being American. "You GO, gurllll!!!" But that didn’t work either. "I didn’t ask to be born," she said. "You had me for your own selfish reasons, wanted a servant, didn’t you? But in this country, Dad, nobody’s going to wipe your ass for free."

Not even bottom! Wipe your ass! Dad! Not even Papaji. No wipe your bottom, Papaji. Dad and ass. Harish-Harry got drunk in an episode that would become familiar and tedious; he sat at the cash register and wouldn’t go home, though the kitchen staff were anxiously waiting so they could get up on the tables and sleep wrapped in the tablecloths. "And they think we admire them!" He began to laugh. "Every time one enters my shop I smile" – he showed his skeleton grin – "‘Hi, how ya doin,’ but all I want is to break their necks. I can’t, but maybe my son will, and that is my great hope. One day Jayant-Jay will smile and get his hands about their sons’ necks and he will choke them dead."

"See, Biju, see what this world is," he said and began to weep with his arm on Biju’s shoulder.

***

It was only the recollection of the money he was making that calmed him. Within this thought he found a perfectly reasonable reason for being here, a morality to agree on, a bridge over the split – and this single fact that didn’t seem a contradiction between nations he blazoned forth.

"Another day another dollar, penny saved is penny earned, no pain no gain, business is business, gotta do what ya gotta do." These axioms were a luxury unavailable to Biju, of course, but he repeated them anyway, enjoying the cheerful words and the moment of camaraderie.

"Have to make a living, what can you do?" Biju would say.

"You are right, Biju. What can I do? Here we are," he ruminated, "for more opportunity. How can we help it?"

He hoped for a big house, then he hoped for a bigger house even if he had to leave it unfurnished for a while, like his nemesis Mr. Shah who owned seven rooms, all empty except for TV, couch, and carpeting in white. Even the TV was a white TV for white symbolized success out of India for the community. "Hae hae, we will take our time with the furniture," said Mr. Shah, "but house is there." Photos of the exterior had been sent to all the relatives in Gujarat, a white car parked in front. A Lexus, that premier luxury vehicle. On top of it sat his wife looking self-satisfied. She had left India a meek bride, scrolled and spattered with henna, so much gold in her sari she set off every metal detector in the airport – and now here she was – white pantsuit, bobbed hair, vanity case, and capable of doing the macarena.

Twenty-five

They took Mutt to the Apollo Deaf Tailors to be measured for a winter coat that would be cut out of a blanket, since the days had passed into winter, and while it didn’t snow in Kalimpong, just turned dull, all around the snow line dipped, and the high mountains around town were brindled white. In the morning, they found frost in the runnels, frost on the crest, and frost in the crotch of the hills.

Through cracks and holes in Cho Oyu, came a sterile smell of winter. The bathroom taps and switches threw off shocks. Sweaters and shawls bristled with aroused fibers, shedding lightning. "Ow ow," Sai said. Her skin was a squamous pattern of drought. When she took off her clothes, dry skin fell like salt from a salt cellar and her hair, ridiculing gravity, rose in crackling radio antennae above her skull. When she smiled, her lips split and spilled blood.

Vaselined shiny and supple for Christmas, she joined Father Booty and Uncle Potty at Mon Ami, where, in addition to the Vaseline smell, there was an odor of wet sheep – but it was only their damp sweaters. A thatch of tinsel on a potted fir glinted in the light of the fire that razzmatazzed and popped, the cold smarting beyond.

Father Booty and Uncle Potty sang together:

Who threw the overalls in Mrs. Murphy’s chowder?

When nobody answered, they shouted all the louder -

WHO THREW THE OVERALLS IN MRS. MURPHY’S CHOWDER??

And they all joined in, drunk and wild.

***

Oh, beautiful evening -

Oh, beautiful soup in the copper Gyako pot, a moat of broth around the chimney of coals, mutton steam in their hair, rollicking shimmer of golden fat, dried mushrooms growing so slippery they’d slither down scalding before you could chomp upon their muscle. "What’s for PUDS?" Lola, when she said this in England, had been unsettled to find that the English didn’t understand… Even Pixie had pretended to be bewildered…

But here they comprehended perfectly, and Kesang lugged out a weighty pudding that united via brandy its fraternity of fruit and nut, and they made the pudding holy with a sanctifying crown of brandy flame.

Mustafa climbed to his favorite place again, on Sai’s lap, turning first his face to the fire, then his behind, slowly softening, until his bottom began to dribble down the chair and he leaped up with a startled yowl, glaring at Sai as if she had been responsible for this indecency.

For the occasion, the sisters had brought out their ornaments from England – various things that looked as if they might taste of mints – snowflakes, snowmen, icicles, stars. There were little trolls, and elf shoemakers (why were cobblers, trolls, and elves, Christmasy? Sai wondered) that were stored the rest of the year inside a Bata shoe box up in the attic along with the story of the English ghost in a flouncy nightie with whom they used to scare Sai when she first arrived:

"What does she say?"

"Hmm, I think she makes a whoo hoo like an owl, whistling low, whoo hooo, sweet and serious. And now and then she says, ‘Care for a drop of sh-e-rr-y, mye dee-a-r?’ In an unsteady, but highly cultivated voice."

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