Kiran Desai - The Inheritance of Loss

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This stunning second novel from Desai (Hullabaloo in the Guava Orchard) is set in mid-1980s India, on the cusp of the Nepalese movement for an independent state. Jemubhai Popatlal, a retired Cambridge-educated judge, lives in Kalimpong, at the foot of the Himalayas, with his orphaned granddaughter, Sai, and his cook. The makeshift family's neighbors include a coterie of Anglophiles who might be savvy readers of V.S. Naipaul but who are, perhaps, less aware of how fragile their own social standing is?at least until a surge of unrest disturbs the region. Jemubhai, with his hunting rifles and English biscuits, becomes an obvious target. Besides threatening their very lives, the revolution also stymies the fledgling romance between 16-year-old Sai and her Nepalese tutor, Gyan. The cook's son, Biju, meanwhile, lives miserably as an illegal alien in New York. All of these characters struggle with their cultural identity and the forces of modernization while trying to maintain their emotional connection to one another. In this alternately comical and contemplative novel, Desai deftly shuttles between first and third worlds, illuminating the pain of exile, the ambiguities of post-colonialism and the blinding desire for a better life, when one person's wealth means another's poverty.
***
Desai's second novel is set in the nineteen-eighties in the northeast corner of India, where the borders of several Himalayan states – Bhutan and Sikkim, Nepal and Tibet – meet. At the head of the novel's teeming cast is Jemubhai Patel, a Cambridge-educated judge who has retired from serving a country he finds "too messy for justice." He lives in an isolated house with his cook, his orphaned seventeen-year-old granddaughter, and a red setter, whose company Jemubhai prefers to that of human beings. The tranquillity of his existence is contrasted with the life of the cook's son, working in grimy Manhattan restaurants, and with his granddaughter's affair with a Nepali tutor involved in an insurgency that irrevocably alters Jemubhai's life. Briskly paced and sumptuously written, the novel ponders questions of nationhood, modernity, and class, in ways both moving and revelatory.

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The uncle wouldn’t say. Once every four weeks he went to the post office to collect his seven-pound-a-month pension. Mostly he sat on a folding chair, silently moving an expressionless face like a sunflower, a blank handicapped insistence following the sun, the only goal left in his life to match the two, the orb of his face and the orb of light.

The family had since invested their fortunes in schoolteaching and Gyan’s father taught in a tea plantation school beyond Darjeeling.

***

Then the story stopped. "What about your father? What is he like?" Sai asked, but she didn’t press him. After all, she knew about stories having to stop.

***

The nights were turning chilly already, and it grew dark earlier. Sai, returning late and fumbling for the road beneath her feet, stopped at Uncle Potty’s for a torch. "Where’s that handsome fellow…?" Uncle Potty and Father Booty teased her. "Goodness. Those Nepali boys, high cheekbones, arm muscles, broad shoulders. Men who can do things, Sai, cut down trees, build fences, carry heavy boxes… mmm mmm. "

The cook was waiting at the gate with a lantern when she finally reached Cho Oyu. His bad-tempered wrinkled face peered from an assortment of mufflers and sweaters. "I’ve been waiting, waiting… In this darkness you have not come home!" he complained, waddling in front of her along the path from gate to house, looking round and womanish.

"Why don’t you leave me alone?" she said, conscious for the first time of the unbearable stickiness of family and friends when she had found freedom and space in love.

The cook felt hurt to his chutney core. "I’ll give you one smack," he shouted. "From childhood I have brought you up! With so much love! Is this any way to talk? Soon I’ll die and then who will you turn to? Yes, yes, soon I’ll be dead. Maybe then you’ll be happy. Here I am, so worried, and there you are, having fun, don’t care…"

"Ohhoho." As usual she ended by attempting to placate him. He wouldn’t be placated and then he was, just a little.

Twenty-four

In the Gandhi Café, the lights were kept low, the better to hide the stains. It was a long journey from here to the fusion trend, the goat cheese and basil samosa, the mango margarita. This was the real thing, generic Indian, and it could be ordered complete, one stop on the subway line or even on the phone: gilt and red chairs, plastic roses on the table with synthetic dewdrops, cloth paintings portraying -

Oh no, not again -

Yes again -

Krishna and the gopis, village belle at the well…

And the menu -

Oh no, not again -

Yes, again -

Tikka masala, tandoori grill, navrattan vegetable curry, dal makhni, pappadum. Said Harish-Harry: "Find your market. Study your market. Cater to your market." Demand-supply. Indian-American point of agreement. This is why we make good immigrants. Perfect match. (In fact, dear sirs, madams, we were practicing a highly evolved form of capitalism long before America was America; yes, you may think it’s your success, but all civilization comes from India, yes).

But was he underestimating his market? He didn’t care.

The customers – poor students, untenured professors – filled up at the lunch buffet, "ALL YOU CAN EAT FOR $5.99," tottered out overcome by the tipsy snake charmer music and the heaviness of the meal.

***

To add up the new numbers that came clinking in, Harish-Harry’s wife arrived on Sunday mornings after she had washed her hair. A horsetail of sopping tresses, bound loosely in a gold ribbon from a Diwali fruit-and-nut box, dripped onto the floor behind.

" Arre, Biju… to sunao kahani, " she always said, " batao… what’s the story?"

But it didn’t matter that he had no story to tell, because she went immediately to the ledgers kept under a row of gods and incense sticks.

"Hae hae," her husband laughed with pleasure, diamond and gold glints coming forth on the black velvet of his pupils, "You can’t make a fool of Malini. She get on the phone, she get the best deal of anybody."

***

It had been Malini who had suggested the staff live down below in the kitchen.

"Free housing," Harish-Harry told Biju.

By offering a reprieve from NYC rents, they could cut the pay to a quarter of the minimum wage, reclaim the tips for the establishment, keep an eye on the workers, and drive them to work fifteen-, sixteen-, seventeen-hour donkey days. Saran, Jeev, Rishi, Mr. Lalkaka, and now Biju. All illegal. "We are a happy family here," she said, energetically slapping vegetable oil on her arms and face, "no need for lotions-potions, baba, this works just as well."

Biju had left the basement in Harlem one early morning when the leaves of the scraggly tree outside were an orange surprise, supple and luminous. He had one bag with him and his mattress – a rectangle of foam with egg crate marking rolled into a bundle and tied with string. Before he packed, he took one more look at his parents’ wedding photo that he had brought from India, the color leaching out; it was, by now, a picture of two serious ghosts. Just as he was about to go, Jacinto, who always appeared for his rent at the right moment, came around the corner: "Adios adios," gold tooth flashing a miner’s delight.

Biju looked back for the last time at that facade of former respectability deteriorating. In the distance stood Grant’s tomb like a round gray funeral cake with barbarous trim. Closer, the projects were a dense series of bar graphs against the horizon.

At the Gandhi Café, amid oversized pots and sawdusty sacks of masalas, he set up his new existence. The men washed their faces and rinsed their mouths over the kitchen sink, combed their hair in the postage stamp mirror tacked above, hung their trousers on a rope strung across the room, along with the dishtowels. At night they unrolled their bedding wherever there was room.

The rats of his earlier jobs had not forsaken Biju. They were here, too, exulting in the garbage, clawing through wood, making holes that Harish-Harry stuffed with steel wool and covered with bricks, but they moved such petty obstructions aside. They were drinking milk just like the billboards told them, eating protein; vitamins and minerals spilled out of their invincible ears and claws, their gums and fur. Kwarshikov, beri beri, goiter (that in Kalimpong had caused a population of mad toad throated dwarves to roam the hillside), such deficiency disorders were unknown to such a population.

One chewed Biju’s hair at night.

"For its nest," said Jeev. "It’s expecting, I think."

They took to creeping up and sleeping on the tables. At daybreak they shuffled back down before Harish arrived, " Chalo, chalo, another day, another dollar."

***

Toward his staff Harish-Harry was avuncular, jocular, but he could suddenly become angry and disciplinary. "Shuddap, keep shut," he’d say, and he wasn’t above smacking their heads. But when an American patron walked through the door, his manner changed instantly and drastically into another thing and a panic seemed to overcome him.

"Hallo Hallo," he said to a pink satin child smearing food all over the chair legs, "Ya givin your mom too much trouble, ha ha? But one day ya make her feel proud, right? Gointa be a beeeg man, reech man, vhat you say? Ya vanna nice cheekan karry?" He smiled and genuflected.

Harish-Harry – the two names, Biju was learning, indicated a deep rift that he hadn’t suspected when he first walked in and found him, a manifestation of that clarity of principle which Biju was seeking. That support for a cow shelter was in case the Hindu version of the afterlife turned out to be true and that, when he died, he was put through the Hindu machinations of the beyond. What, though, if other gods sat upon the throne? He tried to keep on the right side of power, tried to be loyal to so many things that he himself couldn’t tell which one of his selves was the authentic, if any.

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