Kiran Desai - The Inheritance of Loss

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This stunning second novel from Desai (Hullabaloo in the Guava Orchard) is set in mid-1980s India, on the cusp of the Nepalese movement for an independent state. Jemubhai Popatlal, a retired Cambridge-educated judge, lives in Kalimpong, at the foot of the Himalayas, with his orphaned granddaughter, Sai, and his cook. The makeshift family's neighbors include a coterie of Anglophiles who might be savvy readers of V.S. Naipaul but who are, perhaps, less aware of how fragile their own social standing is?at least until a surge of unrest disturbs the region. Jemubhai, with his hunting rifles and English biscuits, becomes an obvious target. Besides threatening their very lives, the revolution also stymies the fledgling romance between 16-year-old Sai and her Nepalese tutor, Gyan. The cook's son, Biju, meanwhile, lives miserably as an illegal alien in New York. All of these characters struggle with their cultural identity and the forces of modernization while trying to maintain their emotional connection to one another. In this alternately comical and contemplative novel, Desai deftly shuttles between first and third worlds, illuminating the pain of exile, the ambiguities of post-colonialism and the blinding desire for a better life, when one person's wealth means another's poverty.
***
Desai's second novel is set in the nineteen-eighties in the northeast corner of India, where the borders of several Himalayan states – Bhutan and Sikkim, Nepal and Tibet – meet. At the head of the novel's teeming cast is Jemubhai Patel, a Cambridge-educated judge who has retired from serving a country he finds "too messy for justice." He lives in an isolated house with his cook, his orphaned seventeen-year-old granddaughter, and a red setter, whose company Jemubhai prefers to that of human beings. The tranquillity of his existence is contrasted with the life of the cook's son, working in grimy Manhattan restaurants, and with his granddaughter's affair with a Nepali tutor involved in an insurgency that irrevocably alters Jemubhai's life. Briskly paced and sumptuously written, the novel ponders questions of nationhood, modernity, and class, in ways both moving and revelatory.

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"I am very tired," he said out loud.

A man near him was frying in bed, turning this way, that way. Someone else was grinding his teeth.

***

By the time he had found employment again, at a bakery on Broadway and La Salle, he had used up all the money in the savings envelope in his shoe.

It was spring, the ice was melting, the freed piss was flowing. All over, in city cafés and bistros, they took advantage of this delicate nutty sliver between the winter, cold as hell, and summer, hot as hell, and dined al fresco on the narrow pavement under the cherry blossoms. Women in baby-doll dresses, ribbons, and bows that didn’t coincide with their personalities indulged themselves with the first fiddleheads of the season, and the fragrance of expensive cooking mingled with the eructation of taxis and the lascivious subway breath that went up the skirts of the spring-clad girls making them wonder if this was how Marilyn Monroe felt – somehow not, somehow not…

The mayor found a rat in Gracie Mansion.

And Biju, at the Queen of Tarts bakery, met Saeed Saeed, who would become the man he admired most in the United States of America.

"I am from Zanzibar, not Tanzania," he said, introducing himself.

Biju knew neither one nor the other. "Where is that?"

"Don’t you know?? Zanzibar full of Indians, man! My grandmother – she is Indian!"

In Stone Town they ate samosas and chapatis, jalebis, pilau rice… Saeed Saeed could sing like Amitabh Bachhan and Hema Malini. He sang, Mera joota hai japani.. ." and "Bombay se aaya mera dostOi! " He could gesture with his arms out and wiggle his hips, as could Kavafya from Kazakhstan and Omar from Malaysia, and together they assailed Biju with thrilling dance numbers. Biju felt so proud of his country’s movies he almost fainted.

Eleven

Mondays, Wednesdays, and Fridays were the days Noni tutored Sai.

The cook dropped her off and collected her at Mon Ami, continuing to the market and the post office in the meantime, and selling his chhang.

He had first started a liquor business on the side for Biju’s sake, because his salary had hardly been changed in years. His last raise had been twenty-five rupees.

"But sahib," he had begged, "how can I live on this?"

"All your expenses are paid for – housing, clothing, food, medicines. This is extra," growled the judge.

"What about Biju?"

" What about Biju? Biju must make his own way. What’s wrong with him?"

The cook, known for the fine quality of his product, would buy millet, wash and cook it like rice, then, adding yeast, would leave it to ferment overnight in hot weather, longer in winter. A day or two in a gunny sack, and when it had that sour dry buzzing flavor, he would sell it at a shack restaurant called Gompu’s. It filled him with pride to see men sitting in the steam and smoke with their bamboo mugs full of his grain topped with hot water. They sucked up the liquid, filtering out the millet with a bamboo stem for a straw – aaaaah… The cook urged his customers to keep some chhang near their beds in case they felt thirsty at night, claiming it gave strength after illness. This venture led to another, even more lucrative one as the cook made contacts in the brand-name black market and became a crucial, if small, link in the underground business of subsidized army liquor and fuel rations. His shack was an easy jungle-camouflaged detour for military trucks on their way to the officers’ mess. He stood in the bushes, waiting. The vehicles paused and quickly the crates were unloaded – Teacher’s, Old Monk, Gilby’s, Gymkhana; he carried them to his shack and later to certain merchants in town who sold the bottles. They all received a cut of the money, the cook a smidgen in the scheme of things, fifty rupees, a hundred rupees; the lorry drivers a bigger amount; the men at the mess even more; the biggest cut of all went to Major Aloo, friend of Lola and Noni, who procured for them, by similar means, their favorite Black Cat rum and cherry brandy from Sikkim.

***

This the cook had done for Biju, but also for himself, since the cook’s desire was for modernity: toaster ovens, electric shavers, watches, cameras, cartoon colors. He dreamed at night not in the Freudian symbols that still enmeshed others but in modern codes, the digits of a telephone flying away before he could dial them, a garbled television.

He had found that there was nothing so awful as being in the service of a family you couldn’t be proud of, that let you down, showed you up, and made you into a fool. How the other cooks and maids, watchmen and gardeners on the hillside laughed, boasting meanwhile how well they were treated by their employers – money, comfort, even pensions in special bank accounts. In fact, so beloved were some of these servants that they were actually begged not to work; their employers pleaded with them to eat cream and ghee, to look after their chilblains and sun themselves like monitor lizards on winter afternoons. The MetalBox watchman assured him that each morning he consumed a fried egg – with white toast, when white bread had been fashionable, and now that brown bread was most in vogue, with brown.

So serious was this rivalry that the cook found himself telling lies. Mostly about the past since the present could too easily be picked apart. He fanned a rumor of the judge’s lost glory, and therefore of his own, so it flamed and prospered up and down the market. A great statesman, he told them, a wealthy landowner who gave his family property away, a freedom fighter who left a position of immense power in court as he did not wish to pass judgment on his fellow men – he could not, not with his brand of patriotic zest, jail congresswallahs, or stamp out demonstrations. A man so inspiring, but brought to his knees, to austerity and philosophy, by sorrow at his wife’s death, the wife herself a martyred and religious mother of the kind that makes a Hindu weak in the knees. "That is why he sits by himself all day and every day."

The cook had never known the judge’s wife, but he claimed that his information had been handed down from the older servants in the household, and eventually, he had grown to believe his own marvelous story. It gave him a feeling of self-respect even as he picked over the vegetables being sold cheap and considered rebate melons with caving pates.

"He was completely different," he told Sai, too, when she first came to Kalimpong. "You cannot believe. He was born a rich man."

"Where was he born?"

"Into one of the top families of Gujarat. Ahmedabad. Or was it Bar-oda? Huge haveli like a palace."

Sai liked to keep him company in the kitchen as he told her stories. He gave her bits of dough to roll into chapatis and showed her how to make them perfectly round, but hers came out in all kinds of shapes. "Map of India," he would say, dismissing one. "Oof ho, now you’ve made the map of Pakistan," he tossed out the next. Finally he’d let her put one of them on the fire to puff up and if it didn’t, "Well, Dog Special Roti," he would say.

"But tell me more," she would ask, as he allowed her to spread jam on a tart or grate cheese into a sauce.

"They sent him to England and ten thousand people saw him off at the station. He went on top of an elephant! He had won, you see, a scholarship from the maharaja…"

***

The sound of the cook talking reached the judge’s ears as he sat over chess in the drawing room. When he thought of his past, he began, mysteriously, to itch. Every bit of him filled with a burning sensation. It roiled within until he could barely stand it.

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