Amy Tan - The Joy Luck Club

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The Joy Luck Club, published by G. P. Putnam's Sons in 1989, presents the stories of four Chinese-immigrant women and their American-born daughters. Each of the four Chinese women has her own view of the world based on her experiences in China and wants to share that vision with her daughter. The daughters try to understand and appreciate their mothers' pasts, adapt to the American way of life, and win their mothers' acceptance. The book's name comes from the club formed in China by one of the mothers, Suyuan Woo, in order to lift her friends' spirits and distract them from their problems during the Japanese invasion. Suyuan continued the club when she came to the United States -hoping to bring luck to her family and friends and finding joy in that hope.
Amy Tan wrote The Joy Luck Club to try to understand her own relationship with her mother. Tan's Chinese parents wanted Americanized children but expected them to think like Chinese. Tan found this particularly difficult as an adolescent. While the generational differences were like those experienced by other mothers and daughters, the cultural distinctions added another dimension. Thus, Tan wrote not only to sort out her cultural heritage but to learn how she and her mother could get along better.
Critics appreciate Tan's straightforward manner as well as the skill with which she talks about Chinese culture and mother/daughter relationships. Readers also love The Joy Luck Club: women of all ages identify with Tan's characters and their conflicts with their families, while men have an opportunity through this novel to better understand their own behaviors towards women. Any reader can appreciate Tan's humor, fairness, and objectivity.

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The water had turned a deep golden color, and then red, purple, and finally black. The sky had darkened and red lantern lights started to glow all over the lake. I could hear people talking and laughing, some voices from the front of our boat, some from other boats next to us. And then I heard the wooden kitchen door banging open and shut and the air filled with good rich smells. The voices from the pavilion cried in happy disbelief, "Ai! Look at this! And this!" I was hungry to be there.

I listened to their banquet while dangling my legs over the back. And although it was night, it was bright outside. I could see my reflection, my legs, my hands leaning on the edge, and my face. And above my head, I saw why it was so bright. In the dark water, I could see the full moon, a moon so warm and big it looked like the sun. And I turned around so I could find the Moon Lady and tell her my secret wish. But right at that moment, everybody else must have seen her too. Because firecrackers exploded, and I fell into the water not even hearing my own splash.

I was surprised by the cool comfort of the water, so that at first I was not frightened. It was like weightless sleep. And I expected Amah to come immediately and pick me up. But in the instant that I began to choke, I knew she would not come. I thrashed my arms and legs under the water. The sharp water had swum up my nose, into my throat and eyes, and this made me thrash even harder. "Amah!" I tried to cry and I was so angry at her for abandoning me, for making me wait and suffer unnecessarily. And then a dark shape brushed by me and I knew it was one of the Five Evils, a swimming snake.

It wrapped around me and squeezed my body like a sponge, then tossed me into the choking air-and I fell headlong into a rope net filled with writhing fish. Water gushed out of my throat, so that now I was choking and wailing.

When I turned my head, I saw four shadows, with the moon in back of them. A dripping figure was climbing into the boat. "Is it too small? Should we throw it back? Or is it worth some money?" said the dripping man, panting. And the others laughed. I became quiet. I knew who these people were. When Amah and I passed people like these in the streets, she would put her hands over my eyes and ears.

"Stop now," scolded the woman in the boat, "you've frightened her. She thinks we're brigands who are going to sell her for a slave." And then she said in a gentle voice, "Where are you from, little sister?"

The dripping man bent down and looked at me. "Oh, a little girl. Not a fish!"

"Not a fish! Not a fish!" murmured the others, chuckling.

I began to shiver, too scared to cry. The air smelled dangerous, the sharp odors of gunpowder and fish.

"Do not pay any attention to them," said the woman. "Are you from another fishing boat? Which one? Do not be afraid. Point."

Out on the water I saw rowboats and pedal boats and sailboats, and fishing boats like this one, with a long bow and small house in the middle. I looked hard, my heart beating fast.

"There!" I said, and pointed to a floating pavilion filled with laughing people and lanterns. "There! There!" And I began to cry, desperate to reach my family and be comforted. The fishing boat glided swiftly over, toward the good cooking smells.

" E! " called the woman up to the boat. "Have you lost a little girl, a girl who fell in the water?"

There were some shouts from the floating pavilion, and I strained to see faces of Amah, Baba, Mama. People were crowded on one side of the pavilion, leaning over, pointing, looking into our boat. All strangers, laughing red faces, loud voices. Where was Amah? Why did my mother not come? A little girl pushed her way through some legs.

"That's not me!" she cried. "I'm here. I didn't fall in the water." The people in the boat roared with laughter and turned away.

"Little sister, you were mistaken," said the woman as the fishing boat glided away. I said nothing. I began to shiver again. I had seen nobody who cared that I was missing. I looked out over the water at the hundreds of dancing lanterns. Firecrackers were exploding and I could hear more people laughing. The farther we glided, the bigger the world became. And I now felt I was lost forever.

The woman continued to stare at me. My braid was unfurled. My undergarments were wet and gray. I had lost my slippers and was barefoot.

"What shall we do?" said one of the men quietly. "Nobody to claim her."

"Maybe she is a beggar girl," said one of the men. "Look at her clothes. She is one of those children who ride the flimsy rafts to beg for money."

I was filled with terror. Maybe this was true. I had turned into a beggar girl, lost without my family.

"Anh! Don't you have eyes?" said the woman crossly. "Look at her skin, too pale. And her feet, the bottoms are soft."

"Put her on the shore, then," said the man. "If she truly has a family, they will look for her there."

"Such a night!" sighed another man. "Always someone falling in on holiday nights. Drunken poets and little children. Lucky she didn't drown." They chatted like this, back and forth, moving slowly toward shore. One man pushed the boat with a long bamboo pole and we glided between other boats. When we reached the dock, the man who had fished me out of the water lifted me out of the boat with his fishy-smelling hands.

"Be careful next time, little sister," called the woman as their boat glided away.

On the dock, with the bright moon behind me, I once again saw my shadow. It was shorter this time, shrunken and wild-looking. We ran together over to some bushes along a walkway and hid. In this hiding place I could hear people talking as they walked by. I could hear frogs and crickets. And then-flutes and tinkling cymbals, a sounding gong and drums!

I looked through the branches of the bushes and in front I could see a crowd of people and, above them, a stage holding up the moon. A young man burst out from the side of a stage and told the crowd, "And now the Moon Lady will come and tell her sad tale to you, in a shadow play, classically sung."

The Moon Lady! I thought, and the very sound of those magic words made me forget my troubles. I heard more cymbals and gongs and then a shadow of a woman appeared against the moon. Her hair was undone and she was combing it. She began to speak. Such a sweet, wailing voice!

"My fate and my penance," she began to lament, pulling her long fingers through her hair, "to live here on the moon, while my husband lives on the sun. So that each day and each night, we pass each other, never seeing one another, except this one evening, the night of the mid-autumn moon."

The crowd moved closer. The Moon Lady plucked her lute and began her singing tale.

On the other side of the moon I saw the silhouette of a man appear. The Moon Lady held her arms out to embrace him-"O! Hou Yi, my husband, Master Archer of the Skies!" she sang. But her husband did not seem to notice her. He was gazing at the sky. And as the sky grew brighter, his mouth began to open wide-in horror or delight, I could not tell.

The Moon Lady clutched her throat and fell into a heap, crying, "The drought of ten suns in the eastern sky!" And just as she sang this, the Master Archer pointed his magic arrows and shot down nine suns which burst open with blood. "Sinking into a simmering sea!" she sang happily, and I could hear these suns sizzling and crackling in death.

And now a fairy-the Queen Mother of the Western Skies!-was flying toward the Master Archer. She opened a box and held up a glowing ball-no, not a baby sun but a magic peach, the peach of everlasting life! I could see the Moon Lady pretending to be busy with her embroidery, but she was watching her husband. She saw him hide the peach in a box. And then the Master Archer raised his bow and vowed to fast for one year to show he had the patience to live forever. And after he ran off, the Moon Lady wasted not one moment to find the peach and eat it!

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