Amy Tan - The Bonesetter's Daughter

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In memories that rise like wisps of ghosts, LuLing Young searches for the name of her mother, the daughter of the Famous Bonesetter from the Mouth of the Mountain. Trying to hold on to the evaporating past, she begins to write all that she can remember of her life as a girl in China. Meanwhile, her daughter Ruth, a ghostwriter for authors of self-help books, is losing the ability to speak up for herself in front of the man she lives with and his two teen-aged daughters. None of her professional sound bites and pat homilies work for her personal life; she knows only how to translate what others want to say.
Ruth starts suspecting that something is terribly wrong with her mother. As a child, Ruth had been constantly subjected to her mother's disturbing notions about curses and ghosts, and to her repeated threats that she would kill herself, and was even forced by her to try to communicate with ghosts. But now LuLing seems less argumentative, even happy, far from her usual disagreeable and dissatisfied self.
While tending to her ailing mother, Ruth discovers the pages LuLing wrote in Chinese, the story of her tumuluous and star-crossed life, and is transported to a backwoods village known as Immortal Heart. There she learns of secrets passed along by a mute nursemaid, Precious Auntie; of a cave where "dragon bones" are mined, some of which may be the teeth of Peking Man; of the crumbling ravine known as the End of the World, where Precious Auntie's scattered bones lie, and of the curse LuLing believes she released through betrayal. Like layers of sediment being removed, each page reveals secrets of a larger mystery: What became of Peking Man? What was the name of the Bonesetter's Daughter? And who was Precious Auntie, whose suicide changed the path of LuLing's life? Within LuLing's calligraphed pages awaits the truth about a mother's heart, what she cannot tell her daughter yet hopes she will never forget.
Set in contemporary San Francisco and in the Chinese village where Peking Man is being unearthed, The Bonesetter's Daughter is an excavation of the human spirit: the past, its deepest wounds, its most profound hopes. The story conjures the pain of broken dreams, the power of myths, and the strength of love that enables us to recover in memory what we have lost in grief. Over the course of one fog-shrouded year, between one season of falling stars and the next, mother and daughter find what they share in their bones through heredity, history, and inexpressible qualities of love.

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When GaoLing went to the kitchen to prepare the last side dishes, Ruth followed. She had been waiting for an opportunity to talk to her aunt privately. "Here's how you make tea eggs," Auntie Gal said, as Ruth shelled the hard-boiled eggs. "Use two big pinches black tea leaves. It must be black, not Japanese green, and not the herbal kind all you kids like to drink for health purposes. Put the leaves in the cheesecloth, tie it tight.

"Now put these cooked eggs in the pot with the tea leaves, a half-cup soy sauce for twenty eggs, and six star anise," GaoLing continued. She sprinkled the mixture with liberal amounts of salt. Her longevity was obviously a tribute to her genetics and not her diet. "Cook for one hour," she said, and set the pot on the stove to simmer. "When you were a little girl, you loved to eat these. Lucky eggs, we called them. That's why your mommy and I made them. All the kids liked them better than anything else. One time, though, you ate five and got very sick. Big mess all over my sofa. After that, you said no eggs, no more eggs. You wouldn't eat them the next year either, not you. But the year after that, eggs were okay again, yum-yum."

Ruth didn't remember any of this, and wondered whether GaoLing was confusing her with her daughter. Was her aunt also showing signs of dementia?

She went to the refrigerator and took out a bowl of scalded celery, cut into strips. Without measuring, she doused the celery with sesame oil and soy sauce, chatting as if she were on a talk show for cooks.

"I've been thinking one day I might write a book. The title is this, Culinary Road to China -what do you think, good? Easy recipes. Maybe if you're not too busy, you can help me write it. I don't mean for free, though. Course, most of the words are already in my head, right here. I just need someone to write them down. Still, I'd pay you, doesn't matter that I'm your auntie."

Ruth did not want to encourage this line of thinking. "Did you make those same eggs when you lived in the orphanage with Mom?"

GaoLing stopped stirring. She looked up. "Ah, your mother told you about that place." She tasted a piece of celery and added more soy sauce. "Before, she never wanted to tell anyone why she went to the orphan school." GaoLing paused and pursed her lips, as if she had already divulged too much.

"You mean that Precious Auntie was her mother."

GaoLing clucked her tongue. "Ah, so she told you. Good, I'm glad. Better to tell the truth."

"I also know both you and Mom are five years older than what we always thought. And that your real birthday is what, four months earlier?"

GaoLing tried to laugh, but she also looked evasive. "I always wanted to be honest. But your mommy was afraid of so many things-oh, she said the authorities would send her back to China if they knew she wasn't my real sister. And maybe Edwin wouldn't marry her, because she was too old. Then later you might be ashamed if you knew who your real grandmother was, unmarried, her face ruined, treated like a servant. Me? Over the years, I've become more modern-thinking. Old secrets? Here nobody cares! Mother not married? Oh, just like Madonna. But still your mommy said, No, don't tell, promise."

"Does anyone else know? Uncle Edmund, Sally, Billy?"

"No, no, no one at all. I promised your mother… Of course Uncle Edmund knows. We don't keep secrets. I tell him everything… Well, the age part, he doesn't know. But I wasn't lying. I forgot. It's true! I don't even feel like I'm seventy-seven. In my mind, the most is sixty. But now you remind me, I'm even older-how old?"

"Eighty-two."

"Wah." Her shoulders slumped as she pondered this fact. "Eighty-two. It's like less money in the bank than I thought."

"You still look twenty years younger. Mom does too. And don't worry, I won't tell anyone, not even Uncle Edmund. Funny thing is, last year when she told the doctor she was eighty-two, I thought that was a sure sign something was wrong with her mind. And then it turned out she did have Alzheimer's, but she was right all along about her age. She just forgot to lie-"

"Not lying," GaoLing corrected. "It was a secret."

"That's what I meant. And I wouldn't have known her age until I read what she wrote."

"She wrote this down-about her age?"

"About a lot of things, a stack of pages this thick. It's like her life story, all the things she didn't want to forget. The things she couldn't talk about. Her mother, the orphanage, her first husband, yours."

Auntie Gal looked increasingly uncomfortable. "When did she write this?"

"Oh, it must have been seven, eight years ago, probably when she first started worrying that something was wrong with her memory. She gave me some of the pages a while back. But it was all in Chinese, so I never got around to reading them. A few months ago, I found someone to translate."

"Why didn't you ask me?" GaoLing pretended to be insulted. "I'm your auntie, she's my sister. We are still blood-related, even though we don't have the same mother."

The truth was, Ruth had feared her mother might have written unflattering remarks about GaoLing. And it occurred to her now that GaoLing might have also censored the parts that dealt with her own secrets, her marriage to the opium addict, for instance. "I didn't want to bother you," Ruth said.

Her aunt sniffed. "What are relatives for if you can't bother them?"

"That's true."

"You call me anytime, you know this. You want Chinese food, I cook for you. Translate Chinese writing, I can do this too. You need me to watch your mommy, no need to ask, just drop her off."

"Actually, remember how we talked about Mom's future needs? Well, Art and I looked at a place, Mira Mar Manor, it's assisted living, really nice. They have staff twenty-four hours a day, activities, a nurse who helps with medication-"

GaoLing frowned. "How can you put your mommy in a nursing home? No, this is not right." She clamped her mouth shut and shook her head.

"It's not what you think-"

"Don't do this! If you can't take care of your mommy, let her come live here with me."

Ruth knew that GaoLing was barely able to handle LuLing for a couple of days at a time. "Nearly gave me a heart attack," was how she had described LuLing's last visit. Still, Ruth was ashamed that her aunt saw her as neglectful, uncaring. All the doubts she had about the Mira Mar bobbed to the surface, and she felt unsteady about her intentions. Was this really the best solution for her mother's safety and health? Or was she abandoning her mother for convenience' sake? She wondered whether she was simply going along with Art's rationale, as she had with so many aspects of their relationship. It seemed she was always living her life through others, for others.

"I just don't know what else to do," Ruth said, her voice full of the despair she had kept pent up. "This disease, it's awful, it's progressing more quickly than I thought. She can't be left alone. She wanders away. And she doesn't know if she's eaten ten minutes ago or ten hours ago. She won't bathe by herself. She's afraid of the faucets-"

"I know, I know. Very hard, very sad. That's why I'm saying, you can't take it anymore, you just bring her here. Part-time my place, part-time your place. Easier that way."

Ruth ducked her head. "Mom already went for a tour of the Mira Mar. She thought it was nice, like a cruise ship."

GaoLing gave a doubting sniff.

Ruth wanted her aunt's approval. She also sensed that GaoLing wanted her to ask for it. She and her mother had taken turns protecting each other. Ruth met GaoLing's eyes. "I won't make any decision until you think it's the right thing. But I would like you to look at the place. And when you do, I can give you a copy of what Mom wrote."

That got GaoLing's interest.

"Speaking of which," Ruth went on, "I was wondering whatever happened to those people you and Mom knew in China. Mom didn't say anything about her life after she left Hong Kong. What happened to that guy you were married to, Fu Nan, and his father? Did they keep the ink shop?"

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