Amy Tan - The Bonesetter's Daughter

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The Bonesetter's Daughter: краткое содержание, описание и аннотация

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In memories that rise like wisps of ghosts, LuLing Young searches for the name of her mother, the daughter of the Famous Bonesetter from the Mouth of the Mountain. Trying to hold on to the evaporating past, she begins to write all that she can remember of her life as a girl in China. Meanwhile, her daughter Ruth, a ghostwriter for authors of self-help books, is losing the ability to speak up for herself in front of the man she lives with and his two teen-aged daughters. None of her professional sound bites and pat homilies work for her personal life; she knows only how to translate what others want to say.
Ruth starts suspecting that something is terribly wrong with her mother. As a child, Ruth had been constantly subjected to her mother's disturbing notions about curses and ghosts, and to her repeated threats that she would kill herself, and was even forced by her to try to communicate with ghosts. But now LuLing seems less argumentative, even happy, far from her usual disagreeable and dissatisfied self.
While tending to her ailing mother, Ruth discovers the pages LuLing wrote in Chinese, the story of her tumuluous and star-crossed life, and is transported to a backwoods village known as Immortal Heart. There she learns of secrets passed along by a mute nursemaid, Precious Auntie; of a cave where "dragon bones" are mined, some of which may be the teeth of Peking Man; of the crumbling ravine known as the End of the World, where Precious Auntie's scattered bones lie, and of the curse LuLing believes she released through betrayal. Like layers of sediment being removed, each page reveals secrets of a larger mystery: What became of Peking Man? What was the name of the Bonesetter's Daughter? And who was Precious Auntie, whose suicide changed the path of LuLing's life? Within LuLing's calligraphed pages awaits the truth about a mother's heart, what she cannot tell her daughter yet hopes she will never forget.
Set in contemporary San Francisco and in the Chinese village where Peking Man is being unearthed, The Bonesetter's Daughter is an excavation of the human spirit: the past, its deepest wounds, its most profound hopes. The story conjures the pain of broken dreams, the power of myths, and the strength of love that enables us to recover in memory what we have lost in grief. Over the course of one fog-shrouded year, between one season of falling stars and the next, mother and daughter find what they share in their bones through heredity, history, and inexpressible qualities of love.

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Two days later, LuLing showed Ruth an official-looking notice from the California Department of Public Safety, on letterhead generated from Art's computer.

"Radon leak!" LuLing exclaimed. "What this mean, radon leak?"

"Let me see," Ruth said, and scanned the letter. Art had been very clever. Ruth played along. "Mm. It's a heavy gas, it says, radioactive, dangerous to your lungs. The gas company detected it when they did a routine inspection for earthquake dangers. The leakage isn't from a pipe. It comes from the soil and rocks under the house, and they need to have you move out for three months while they do an environmental assessment and hazard removal via intensive ventilation."

"Ai-ya! How much cost?"

"Hm. Nothing, it says. The city does it for free. Look, they even pay for the place where you stay while they do the ventilation. Three months' free rent… including food. The Mira Mar Manor-'located near your current residence,' it says, 'with amenities typical of a five-star hotel.' That's the highest rating, five stars. They're asking you to go there as soon as possible."

"Free five-star? For two people?"

Ruth pretended to search the fine print. "No. Looks like it's just for one person. I can't go." She sighed, sounding disappointed.

"Hunh! I don't mean you!" her mother exclaimed. "What about that girl downstair?"

"Oh, right." Ruth had forgotten about the tenant. So had Art, evidently. But her mother, brain disease and all, hadn't let that slip by.

"I'm sure she got a similar notice. They wouldn't let anyone remain in the building, not if it can give them lung disease."

LuLing frowned. "Then she live my same hotel?"

"Oh!… No, it's probably different, a place that isn't as nice, I'm sure, since you're the owner and she's only the renter."

"But she still pay me rent?"

Ruth looked at the letter again. "Of course. That's the law."

LuLing nodded with satisfaction. "Okay, then."

By phone, Ruth told Art that his plan seemed to have worked. She was glad that he didn't sound smug.

"It's kind of scary how easily fooled she was," he said. "That's how a lot of old people get swindled out of their homes and savings."

"I feel like a spy right now," Ruth added. "Like we succeeded at a covert mission."

"I guess she and a lot of other people will buy into any idea that involves getting something for nothing."

"Speaking of which, how much will this Mira Mar place cost?"

"Don't worry about it."

"Come on. Tell me."

"I'll take care of it. If she likes it and stays, we'll figure it out later. If she hates it, the three months are on me. She can move back into her old place, and we'll think of something else."

Ruth liked that he was thinking "we" again. "Well, we '11 share the cost of the three months, then."

"Just let me do this, okay?"

"Why should I?"

"Because it feels like the most important thing I've done in a long time. Call it a Boy Scout good deed for the day. Mitzvah-gathering, mensch remedial training. Temporary insanity. It makes me feel good, like a human being. It makes me happy."

Happy. If only her mother could be happy as well, living in a place like the Mira Mar. Ruth wondered what made people happy. Could you find happiness in a place? In another person? What about happiness for herself? Did you simply have to know what you wanted and reach for it through the fog?

As they parked in front of the three-story shingled building, Ruth was relieved to see that it did not look like an asylum. LuLing was at her sister's for the weekend, and it was Art's idea that they visit Mira Mar Manor without her, so that they could anticipate what objections she might raise. Mira Mar Manor was flanked by windswept cypress trees and looked out on the ocean. The wrought-iron fence held a plaque declaring that this was a San Francisco landmark, erected as an orphanage after the Great Earthquake.

Ruth and Art were ushered into an oak-paneled office and told that the director of care services would be with them soon. They sat stiffly on a leather sofa, facing a massive desk. Framed diplomas and health certifications hung on the wall, as well as old photographs of the building in its original incarnation, with beaming girls posed in white frocks.

"Sorry to keep you waiting," she heard someone say in a British accent. Ruth turned and was surprised to see a polished-looking young Indian man in suit and tie. "Edward Patel," he said, smiling warmly. He shook hands and handed them each a business card. He must be in his early thirties, Ruth thought. He looked like a stockbroker, not someone who concerned himself with laxatives and arthritis medication.

"I'd like to start here," Patel said, taking them back to the foyer, "because this is what our seniors first see when they arrive." He began what sounded like an oft recited spiel: "Here at Mira Mar Manor, we believe home is more than a bed. It's a whole concept."

Concept? Ruth looked at Art. This would never work.

"What does the 'P and F' in P and F HealthCare stand for?" Art asked, looking at the business card.

"Patel and Finkelstein. One of my uncles was a founding partner. He's been in the hospitality business a long time, hotels. Morris Finkelstein is a doctor. His own mother is a resident here."

Ruth marveled that a Jewish mother would allow her son to put her in a place like this. Now that was an endorsement.

They stepped through French doors into a garden surrounded by hedges. On each side was a shady arbor with a latticed covering of jasmine. Underneath were cushioned chairs and opaque glass-topped tables. Several women glanced up from their conversations.

"Hello, Edward!" three of them sang out in turn.

"Morning, Betty, Dorothy, Rose. Wow, Betty, that's a spectacular color on you!"

"You watch it, young lady," the old woman said sternly to Ruth. "He'll sell the pants off you, if he can." Patel laughed easily, and Ruth wondered whether the woman was only joking. Well, at least he knew their names.

Down the middle of the garden was a reddish pathway lined with benches, some shaded by awnings. Patel pointed out amenities that might have gone unnoticed to an untrained eye. His voice was resonant, familiar, and knowledgeable, like that of an English teacher Ruth had once had. The strolling path, he explained, had the same covering used for indoor running tracks, no loose bricks or stones to catch a feeble walker off guard, no hard concrete. Of course, if a senior fell, she could still break a hip, he said, but it was less likely to shatter into a million pieces. "And studies show that's what is so deadly to this population. One fall, boom!" Patel snapped his fingers. "Happens a lot when the elderly live alone and in the old family home that hasn't been adapted to their needs. No ramp-ways, no handrails."

Patel gestured to the flowers in the garden. "All thorn-free and non-toxic, no deadly oleander or foxglove that a confused person might nibble on." Each plant was identified by staked marker at eye level-no bending down necessary. "Our seniors really love naming the herbs. On Mondays, the afternoon activity is herb collecting. There's rosemary, parsley, oregano, lemon thyme, basil, sage. The word 'echinacea' gives them a hard time, though. One lady calls it 'the China Sea.' Now we all call it that."

The herbs from the garden, Patel added, were used in the meals. "The ladies still pride themselves on their cooking abilities. They love to remind us to add only a pinch of oregano, or to rub the sage on the inside not the outside of the chicken, that sort of thing." Ruth could picture dozens of old ladies complaining about the food, and her mother yelling above the rest that everything was too salty.

They continued walking along the path toward a greenhouse at the back of the garden. "We call this the Love Nursery," Patel said, as they stepped into a blast of color-shocking pink and monk-robe saffron. The air was moist and cool.

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