Cormac McCarthy - The Road

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The Road: краткое содержание, описание и аннотация

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A searing, postapocalyptic novel destined to become Cormac McCarthy's masterpiece.
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. They sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food – and each other.
The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.
The prose is quintessentially McCarthy: spare, desolate, unemotional, reserved of both unnecessary vocabulary and punctuation (he recognized the necessary evil of periods denoting the end of a sentence. Some contractions are so designated with an apostrophe, some not. Exclamation points are avoided with the same vigilance as would be shown to beanies with propellers). Although most English teachers I've been a captive audience to would consider him Satan incarnate, he still can turn a phrase of almost unbearable beauty.

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That hurt, didnt it? the boy said.

Yes. It did.

Are you real brave?

Just medium.

What's the bravest thing you ever did?

He spat into the road a bloody phlegm. Getting up this morning, he said.

Really?

No. Dont listen to me. Come on, let's go.

In the evening the murky shape of another coastal city, the cluster of tall buildings vaguely askew. He thought the iron armatures had softened in the heat and then reset again to leave the buildings standing out of true. The melted window glass hung frozen down the walls like icing on a cake. They went on. In the nights sometimes now he'd wake in the black and freezing waste out of softly colored worlds of human love, the songs of birds, the sun.

He leaned his forehead on his arms crossed upon the bar handle of the cart and coughed. He spat a bloody drool. More and more he had to stop and rest. The boy watched him. In some other world the child would already have begun to vacate him from his life. But he had no life other. He knew the boy lay awake in the night and listened to hear if he were breathing.

The days sloughed past uncounted and uncalendared. Along the interstate in the distance long lines of charred and rusting cars. The raw rims of the wheels sitting in a stiff gray sludge of melted rubber, in blackened rings of wire. The incinerate corpses shrunk to the size of a child and propped on the bare springs of the seats. Ten thousand dreams ensepulchred within their crozzled hearts. They went on. Treading the dead world under like rats on a wheel. The nights dead still and deader black. So cold. They talked hardly at all. He coughed all the time and the boy watched him spitting blood. Slumping along. Filthy, ragged, hopeless. He'd stop and lean on the cart and the boy would go on and then stop and look back and he would raise his weeping eyes and see him standing there in the road looking back at him from some unimaginable future, glowing in that waste like a tabernacle.

The road crossed a dried slough where pipes of ice stood out of the frozen mud like formations in a cave. The remains of an old fire by the side of the road. Beyond that a long concrete causeway. A dead swamp. Dead trees standing out of the gray water trailing gray and relic hagmoss. The silky spills of ash against the curbing. He stood leaning on the gritty concrete rail. Perhaps in the world's destruction it would be possible at last to see how it was made. Oceans, mountains. The ponderous counterspectacle of things ceasing to be. The sweeping waste, hydroptic and coldly secular. The silence.

They'd begun to come upon dead windfalls of pinetrees, great swaths of ruin cut through the countryside. The wreckage of buildings strewn over the landscape and skeins of wire from the roadside poles garbled like knitting. The road was littered with debris and it was work to get the cart through. Finally they just sat by the side of the road and stared at what was before them. Roofs of houses, the trunks of trees. A boat. The open sky beyond where in the distance the sullen sea lagged and shifted.

They sorted through the wreckage strewn along the road and in the end he came up with a canvas bag that he could tote over his shoulder and a small suitcase for the boy. They packed their blankets and the tarp and what was left of the canned goods and set out again with their knapsacks and their bags leaving the cart behind. Clambering through the ruins. Slow going. He had to stop and rest. He sat in a roadside sofa, the cushions bloated in the damp. Bent over, coughing. He pulled the bloodstained mask from his face and got up and rinsed it in the ditch and wrung it out and then just stood there in the road. His breath pluming white. Winter was already upon them. He turned and looked at the boy. Standing with his suitcase like an orphan waiting for a bus.

In two day's time they came to a broad tidal river where the bridge lay collapsed in the slow moving water. They sat on the broken abutment of the road and watched the river backing upon itself and coiling over the iron trellis-work. He looked across the water to the country beyond.

What are we going to do Papa? he said.

Well what are we, said the boy.

They walked out the long spit of tidal mud where a small boat lay half buried and stood there looking at it. It was altogether derelict. There was rain in the wind. They trudged up the beach with their baggage looking for shelter but they found none. He scuffled together a pile of the bonecolored wood that lay along the shore and got a fire going and they sat in the dunes with the tarp over them and watched the cold rain coming in from the north. It fell harder, dimpling the sand. The fire steamed and the smoke swung in slow coils and the boy curled up under the pattering tarp and soon he was asleep. The man pulled the plastic over himself in a hood and watched the gray sea shrouded away out there in the rain and watched the surf break along the shore and draw away again over the dark and stippled sand.

The next day they headed inland. A vast low swale where ferns and hydrangeas and wild orchids lived on in ashen effigies which the wind had not yet reached. Their progress was a torture. In two days when they came out upon a road he set the bag down and sat bent over with his arms crossed at his chest and coughed till he could cough no more. Two more days and they may have traveled ten miles. They crossed the river and a short ways on they came to a crossroads. Downcountry a storm had passed over the isthmus and leveled the dead black trees from east to west like weeds in the floor of a stream. Here they camped and when he lay down he knew that he could go no further and that this was the place where he would die. The boy sat watching him, his eyes welling. Oh Papa, he said.

He watched him come through the grass and kneel with the cup of water he'd fetched. There was light all about him. He took the cup and drank and lay back. They had for food a single tin of peaches but he made the boy eat it and he would not take any. I cant, he said. It's all right.

I'll save your half.

Okay. You save it until tomorrow.

He took the cup and moved away and when he moved the light moved with him. He'd wanted to try and make a tent out of the tarp but the man would not let him. He said that he didnt want anything covering him. He lay watching the boy at the fire. He wanted to be able to see. Look around you, he said. There is no prophet in the earth's long chronicle who's not honored here today. Whatever form you spoke of you were right.

The boy thought he smelled wet ash on the wind. He went up the road and come dragging back a piece of plywood from the roadside trash and he drove sticks into the ground with a rock and made of the plywood a rickety leanto but in the end it didnt rain. He left the flarepistol and took the revolver with him and he scoured the countryside for anything to eat but he came back emptyhanded. The man took his hand, wheezing. You need to go on, he said. I cant go with you. You need to keep going. You dont know what might be down the road. We were always lucky. You'll be lucky again. You'll see. Just go. It's all right.

I cant.

It's all right. This has been a long time coming. Now it's here. Keep going south. Do everything the way we did it.

You're going to be okay, Papa. You have to.

No I'm not. Keep the gun with you at all times. You need to find the good guys but you cant take any chances. No chances. Do you hear?

I want to be with you.

You cant.

Please.

You cant. You have to carry the fire.

I dont know how to.

Yes you do.

Is it real? The fire?

Yes it is.

Where is it? I dont know where it is.

Yes you do. It's inside you. It was always there. I can see it.

Just take me with you. Please.

I cant.

Please, Papa.

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