Cormac McCarthy - The Road

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The Road: краткое содержание, описание и аннотация

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A searing, postapocalyptic novel destined to become Cormac McCarthy's masterpiece.
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. They sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food – and each other.
The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.
The prose is quintessentially McCarthy: spare, desolate, unemotional, reserved of both unnecessary vocabulary and punctuation (he recognized the necessary evil of periods denoting the end of a sentence. Some contractions are so designated with an apostrophe, some not. Exclamation points are avoided with the same vigilance as would be shown to beanies with propellers). Although most English teachers I've been a captive audience to would consider him Satan incarnate, he still can turn a phrase of almost unbearable beauty.

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He unlatched and raised the hatch to the engine compartment. Half flooded and pitch dark. No smell of gas or oil. He closed it again. There were lockers built into the benches in the cockpit that held cushions, sailcanvas, fishing gear. In a locker behind the wheel pedestal he found coils of nylon rope and steel bottles of gas and a toolbox made of fiberglass. He sat in the floor of the cockpit and sorted through the tools. Rusty but serviceable. Pliers, screwdrivers, wrenches. He latched the toolbox shut and stood and looked for the boy. He was huddled in the sand asleep with his head on the pile of clothes.

He carried the toolbox and one of the bottles of gas into the galley and went forward and made a last tour of the staterooms. Then he set about going through the lockers in the saloon, looking through folders and papers in plastic boxes, trying to find the ship's log. He found a set of china packed away unused in a wooden crate filled with excelsior. Most of it broken. Service for eight, carrying the name of the ship. A gift, he thought. He lifted out a teacup and turned it in his palm and put it back. The last thing he found was a square oak box with dovetailed corners and a brass plate let into the lid. He thought it might be a humidor but it was the wrong shape and when he picked it up and felt the weight of it he knew what it was. He unsnapped the corroding latches and opened it. Inside was a brass sextant, possibly a hundred years old. He lifted it from the fitted case and held it in his hand. Struck by the beauty of it. The brass was dull and there were patches of green on it that took the form of another hand that once had held it but otherwise it was perfect. He wiped the verdigris from the plate at the base. Hezzaninth, London. He held it to his eye and turned the wheel. It was the first thing he'd seen in a long time that stirred him. He held it in his hand and then he fitted it back into the blue baize lining of the case and closed the lid and snapped the latches shut and set it back in the locker and closed the door.

When he went back up on deck again to look for the boy the boy was not there. A moment of panic before he saw him walking along the bench downshore with the pistol hanging in his hand, his head down. Standing there he felt the hull of the ship lift and slide. Just slightly. Tide coming in. Slapping along the rocks of the jetty down there. He turned and went back down into the cabin.

He'd brought the two coils of rope from the locker and he measured the diameter of them with the span of his hand and that by three and then counted the number of coils. Fifty foot ropes. He hung them over a cleat on the gray teakwood deck and went back down into the cabin. He collected everything and stacked it against the table. There were some plastic jugs of water in the locker off the galley but all were empty save one. He picked up one of the empties and saw that the plastic had cracked and the water leaked out and he guessed they had frozen somewhere on the ship's aimless voyagings. Probably several times. He took the half full jug and set it on the table and unscrewed the cap and sniffed the water and then raised the jug in both hands and drank. Then he drank again.

The cans in the galley floor did not look in any way salvable and even in the locker there were some that were badly rusted and some that wore an ominous bulbed look. They'd all been stripped of their labels and the contents written on the metal in black marker pen in Spanish. Not all of which he knew, had burst free of their labels. He sorted through them, shaking them, squeezing them in his hand. He stacked them on the counter above the small galley refrigerator. He thought there must be crates of foodstuffs packed somewhere in the hold but he didnt think any of it would be edible. In any case there was a limit to what they could take in the cart. It occurred to him that he took this windfall in a fashion dangerously close to matter of fact but still he said what he had said before. That good luck might be no such thing. There were few nights lying in the dark that he did not envy the dead.

He found a can of olive oil and some cans of milk. Tea in a rusted metal caddy. A plastic container of some sort of meal that he did not recognize. A half empty can of coffee. He went methodically through the shelves in the locker, sorting what to take from what to leave. When he had carried everything into the saloon and stacked it against the companionway he went back into the galley and opened the toolbox and set about removing one of the burners from the little gimballed stove. He disconnected the braided flexline and removed the aluminum spiders from the burners and put one of them in the pocket of his coat. He unfastened the brass fittings with a wrench and took the burners loose. Then he uncoupled them and fastened the hose to the coupling pipe and fitted the other end of the hose to the gasbottle and carried it out to the saloon. Lastly he made a bindle in a plastic tarp of some cans of juice and cans of fruit and of vegetables and tied it with a cord and then he stripped out of his clothes and piled them among the goods he'd collected and went up onto the deck naked and slid down to the railing with the tarp and swung over the side and dropped into the gray and freezing sea.

He waded ashore in the last of the light and swung the tarp down and palmed the water off his arms and chest and went to get his clothes. The boy followed him. He kept asking him about his shoulder, blue and discolored from where he'd slammed it against the hatch door. It's all right, the man said. It doesnt hurt. We got lots of stuff. Wait till you see.

They hurried down the beach against the light. What if the boat washes away? the boy said.

It wont wash away.

It could.

No it wont. Come on. Are you hungry?

Yes.

We're going to eat well tonight. But we need to get a move on.

I'm hurrying, Papa.

And it may rain.

How can you tell?

I can smell it.

What does it smell like?

Wet ashes. Come on.

Then he stopped. Where's the pistol? he said.

The boy froze. He looked terrified.

Christ, the man said. He looked back up the beach. They were already out of sight of the boat. He looked at the boy. The boy had put his hands on top of this head and he was about to cry. I'm sorry, he said. I'm really sorry.

He set down the tarp with the canned goods. We have to go back.

I'm sorry, Papa.

It's okay. It will still be there.

The boy stood with his shoulders slumped. He was beginning to sob. The man knelt and put his arms around him. It's all right, he said. I'm the one who's supposed to make sure we have the pistol and I didnt do it. I forgot.

I'm sorry, Papa.

Come on. We're okay. Everything's okay.

The pistol was where he'd left it in the sand. The man picked it up and shook it and he sat and pulled the cylinder pin and handed it to the boy. Hold this, he said.

Is it okay, Papa?

Of course it's okay.

He rolled the cylinder out into his hand and blew the sand from it and handed it to the boy and he blew through the barrel and he blew the sand out of the frame and then took the parts from the boy and refitted everything and cocked the pistol and lowered the hammer and cocked it again. He aligned the cylinder for the true cartridge to come up and he let the hammer down and put the pistol in his parka and stood up. We're okay, he said. Come on.

Is the dark going to catch us?

I dont know.

It is, isnt it?

Come on. We'll hurry.

The dark did catch them. By the time they reached the headland path it was too dark to see anything. They stood in the wind from off the sea with the grass hissing all about them, the boy holding on to his hand. We just have to keep going, the man said. Come on.

I cant see.

I know. We'll just take it one step at a time.

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