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Cormac McCarthy: The Road

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Cormac McCarthy The Road

The Road: краткое содержание, описание и аннотация

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A searing, postapocalyptic novel destined to become Cormac McCarthy's masterpiece. A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. They sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food – and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation. The prose is quintessentially McCarthy: spare, desolate, unemotional, reserved of both unnecessary vocabulary and punctuation (he recognized the necessary evil of periods denoting the end of a sentence. Some contractions are so designated with an apostrophe, some not. Exclamation points are avoided with the same vigilance as would be shown to beanies with propellers). Although most English teachers I've been a captive audience to would consider him Satan incarnate, he still can turn a phrase of almost unbearable beauty.

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Okay.

Dont let go.

Okay.

No matter what.

No matter what.

They went on in the perfect blackness, sightless as the blind. He held out one hand before him although there was nothing on that salt heath to collide with. The surf sounded more distant but he took his bearings by the wind as well and after tottering on for the better part of an hour they emerged from the grass and seaoats and stood again on the dry sand of the upper beach. The wind was colder. He'd brought the boy around on the lee side of him when suddenly the beach before them appeared shuddering out of the blackness and vanished again.

What was that, Papa?

It's okay. It's lightning. Come on.

He slung the tarp of goods up over his shoulder and took the boy's hand and they went on, tramping in the sand like parade horses against tripping over some piece of driftwood or seawrack. The weird gray light broke over the beach again. Far away a faint rumble of thunder muffled in the murk. I think I saw our tracks, he said.

So we're going the right way.

Yes. The right way.

I'm really cold, Papa.

I know. Pray for lightning.

They went on. When the light broke over the beach again he saw that the boy was bent over and was whispering to himself. He looked for their tracks going up the beach but he could not see them. The wind had picked up even more and he was waiting for the first spits of rain. If they got caught out on the beach in a rainstorm in the night they would be in trouble. They turned their faces away from the wind, holding on to the hoods of their parkas. The sand rattling against their legs and racing away in the dark and the thunder cracking just offshore. The rain came in off the sea hard and slant and stung their faces and he pulled the boy against him.

They stood in the downpour. How far had they come? He waited for the lightning but it was tailing off and when the next one came and then the next he knew that the storm had taken out their tracks. They trudged on through the sand at the upper edge of the beach, hoping to see the shape of the log where they'd camped. Soon the lightning was all but gone. Then in a shift in the wind he heard a distant faint patter. He stopped. Listen, he said.

What is it?

Listen.

I dont hear anything.

Come on.

What is it, Papa?

It's the tarp. It's the rain falling on the tarp.

They went on, stumbling through the sand and the trash along the tideline. They came upon the tarp almost at once and he knelt and dropped the bindle and groped about for the rocks he'd weighed the plastic with and pushed them beneath it. He raised up the tarp and pulled it over them and then used the rocks to hold down the edges inside. He got the boy out of his wet coat and pulled the blankets over them, the rain pelting them through the plastic. He shucked off his own coat and held the boy close and soon they were asleep.

In the night the rain ceased and he woke and lay listening. The heavy wash and thud of the surf after the wind had died. In the first dull light he rose and walked down the beach. The storm had littered the shore and he walked the tideline looking for anything of use. In the shallows beyond the breakwater an ancient corpse rising and falling among the driftwood. He wished he could hide it from the boy but the boy was right. What was there to hide? When he got back he was awake sitting in the sand watching him. He was wrapped in the blankets and he'd spread their wet coats over the dead weeds to dry. He walked up and eased himself down beside him and they sat watching the leaden sea lift and fall beyond the breakers.

They were most of the morning offloading the ship. He kept a fire going and he'd wade ashore naked and shivering and drop the towrope and stand in the warmth of the blaze while the boy towed in the seabag through the slack swells and dragged it onto the beach. They emptied out the bag and spread blankets and clothing out on the warm sand to dry before the fire. There was more on the boat than they could carry and he thought they might stay a few days on the beach and eat as much as they could but it was dangerous. They slept that night in the sand with the fire standing off the cold and their goods scattered all about them. He woke coughing and rose and took a drink of water and dragged more wood onto the fire, whole logs of it that sent up a great cascade of sparks. The salt wood burned orange and blue in the fire's heart and he sat watching it a long time. Later he walked up the beach, his long shadow reaching over the sands before him, sawing about with the wind in the fire. Coughing. Coughing. He bent over, holding his knees. Taste of blood. The slow surf crawled and seethed in the dark and he thought about his life but there was no life to think about and after a while he walked back. He got a can of peaches from the bag and opened it and sat before the fire and ate the peaches slowly with his spoon while the boy slept. The fire flared in the wind and sparks raced away down the sand. He set the empty tin between his feet. Every day is a lie, he said. But you are dying. That is not a lie.

They carried their new stores bundled in tarps or blankets down the beach and packed everything into the cart. The boy tried to carry too much and when they stopped to rest he'd take part of his load and put it with his own. The boat had shifted slightly in the storm. He stood looking at it. The boy watched him. Are you going back out there? he said.

I think so. One last look around.

I'm kind of scared.

We're okay. Just keep watch.

We've got more than we can carry now.

I know. I just want to take a look.

Okay.

He went over the ship from bow to stern again. Stop. Think. He sat in the floor of the saloon with his feet in the rubber boots propped against the pedestal of the table. It was already getting dark. He tried to remember what he knew about boats. He got up and went out on deck again. The boy was sitting by the fire. He stepped down into the cockpit and sat on the bench with his back against the bulkhead, his feet on the deck almost at eye level. He had on nothing but the sweater and the souwester outfit over that but there was little warmth to it and he could not stop shivering. He was about to get up again when he realized that he'd been looking at the fasteners in the bulkhead on the far side of the cockpit. There were four of them. Stainless steel. At one time the benches had been covered with cushions and he could see the ties at the corner where they'd ripped away. At the bottom center of the bulkhead just above the seat there was a nylon strap sticking out, the end of it doubled and cross-stitched. He looked at the fasteners again. They were rotary latches with wings for your thumb. He got up and knelt at the bench and turned each one all the way to the left. They were springloaded and when he had them undone he took hold of the strap at the bottom of the board and pulled it and the board slid down and came free. Inside under the deck was a space that held some rolled sails and what looked to be a two man rubber raft rolled and tied with bungee cords. A pair of small plastic oars. A box of flares. And behind that was a composite toolbox, the opening of the lid sealed with black electrical tape. He pulled it free and found the end of the tape and peeled it off all the way around and unlatched the chrome snaps and opened the box. Inside was a yellow plastic flashlight, an electric strobebeacon powered by a drycell, a first-aid kit. A yellow plastic EPIRB. And a black plastic case about the size of a book. He lifted it out and unsnapped the latches and opened it. Inside was fitted an old 37 millimeter bronze flarepistol. He lifted it from the case in both hands and turned it and looked at it. He depressed the lever and broke it open. The chamber was empty but there were eight rounds of flares fitted in a plastic container, short and squat and newlooking. He fitted the pistol back in the case and closed and latched the lid.

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