Ran Chen - A Private Life

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From Publishers Weekly
"Sexuality has never been a problem with me. My problem is different. I am a fragment in a fragmented age." Despite this claim, the protagonist of Ran's unusual coming-of-age novel is defined by her precocious beauty and her struggle to define her sexual identity. Ran, one of China's most acclaimed contemporary women writers, tells how lovely Ni Niuniu is seduced before she enters puberty by an older woman, the sly, wise Widow Ho, then falls into an unwanted affair with her male teacher, Ti. In college, she meets the love of her life, a fellow student named Yin Nan, but their brief, passionate affair ends abruptly when Yin Nan becomes involved in the student protests in Tiananmen Square. Traumatized by the loss of Yin Nan and the deaths of her mother and Widow Ho, Niuniu retreats into her own mind, becoming Miss Nothing ("I no longer exist… I have disappeared…"). Niuniu's flaws, foibles and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study. Even the more conventional scenes are narrated with lyrical intensity, and hallucinatory dream sequences and passages describing Niuniu's alienation range from the revelatory to the overwrought. The result is an uneven but intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space.
From Booklist
The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous coming-of-age tale by Chinese essayist and short-story writer Chen. As a child, sensitive and gawky Ni Niuniu never quite fit in. Teased by her classmates and neglected by her cold, distant father, she engaged in quiet forms of rebellion (she once stole her father's woolen trousers and cut them off at the knees). While her father scarcely acknowledged her, other adults paid Ni Niuniu too much mind: her middle-school teacher, Ti, and an eccentric widower who lived next door each took sexual advantage of the impressionable young girl. Haunted by the past and despondent over the recent death of her mother and departure of her first love, Ni Niuniu retreats from the realities of politically charged Beijing, writing and drawing and endlessly soaking in her tub. Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world.
***
"Chen Ran's strikingly introspective, subjective, and individualized writing sets her work distinctively apart for the traditional and mainstream realism of the majority of contemporary Chinese writers… In his translation, Howard-Gibbon adeptly conveys the exquisiteness, richness, and slight eccentricity of Chen's prose." – China Daily
"The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous, coming-of-age tale by Chinese essayist and short-story writer Chen… Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world." – Booklist
"An intriguing exploration of the contemporary consciousness of an alienated, urban Chinese woman for whom current history matters less than the reliable comforts of love, nature, and solitude." – Kirkus Reviews
"Niuniu's flaws, foibles, and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study… [an] intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space." – Publishers Weekly
"In the novel A Private Life, Ran Chen immerses us in the troubled life of Ni Niuniu… Chen weaves together these evaluations with Niuniu's manic writings in order to create an ultra postmodern tale of a young woman's psychosocial evolution… an important portrait of a young woman trying to survive in a complicated world." – Bust Magazine
"A Private Life is not an overtly political book; rather, it has the timeless quality of most dreams. Still, [narrator] Ni Niuniu's refusal to connect with the world outside her door becomes a kind of political statement." – Elizabeth Gold, Washington Post
"An atmospheric story of sexual awakening and ennui that enlarges our understanding of modern China." – Vancouver Sun
"Niuniu's hatred of the few powerful males in her life and her sexual confusion and manipulations are clearly depicted." – Sofia A. Tangalos, Library Journal
"This polished and readable translation of the inaugural novel of Chen Ran stands as an example of the quasi-autobiographical Sino-Japanese shishosetsu" – Choice
"A riveting tale… a lyrical meditation on memory, sexuality, femininity, and the often arbitrary distinctions between madness and sanity." – Translation Review
"A Private Life shows Chen Ran at her best: weaving together the female bildungsroman and social and political satire, she effortlessly flits from outbursts of rage to ecstasy to rarefied emotions. Her philosophical musings on the difficulty of achieving individual freedom are as critical of the collective pursuit of wealth and sensorial pleasures in China after socialism as of the authoritarianism and ideological conformity during the heyday of the Cultural Revolution. The poignant, tragic-comic tale is ultimately about bondage and transcendence." – Tze-Lan D. Sang, author of The Emerging Lesbian: Female Same-Sex Desire in Modern China
"The novel daringly depicts a woman's emotional journey towards the maturation of her sexuality. It is a provocative reflection of the new sensibility of a young generation of Chinese women in the post-Deng era. Chen Ran's sensuous style easily breathes through the translator's English rendition of her language." – Lingchei Letty Chen, Washington University, St. Louis
"One of the most acclaimed women writers in contemporary China, Chen Ran in this novel explores the complex emotional territory of the female body, sexuality, homoeroticism, and fantasy. The author’s personal voice triumphs in the novel as a most conscious presence, dissolving the public and collective model of socialist literature. Daringly written and excellently translated, A Private Life not only entertains, but also leaves the reader pondering Chen’s disturbing and deeply personal message." – Lingzhen Wang, Brown University

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I said nothing. It seemed like something was wrong, but I couldn't speak because I wasn't sure what it was.

"Niuniu, you're a big girl now, you should know about things like our private parts," he said, again putting his hand on my breasts and between my legs. He seemed unable to pull his hand away, as if it were glued to me.

Suddenly I knew the source of our difficulty. It was his hand – he was touching my body.

My faced flushed hot, every bit as hot as it had been in the classroom that morning.

In a confused state of anger, wanting both to defend myself and to strike out, suddenly I felt an urge to put my hands on the same places on his body and say, "These are your private parts, these are your private parts!"

I took a deep breath, but in the end I did nothing.

What I wanted to say and do happened only in my head. Every action, every word, existed only in my imagination.

"Niuniu…" Mr. Ti didn't want to say anything. I could see that. All he was doing was repeating my name, "Niuniu." The expression on his face was imploring and conciliatory.

I turned and ran.

There was no one in the schoolyard. To get from the office at the back of the campus to the front gate, I had to go through a long, narrow passageway with high walls on either side. I tried to be quiet, because I was afraid I would think that the sound of footsteps was from someone following me. I kept thinking about the daring nature of the things that I had imagined doing, my heart filled with revengeful anger and fear.

But as I continued, I felt my anger gradually dissipate. As I hurried along between the two smooth, hard walls that stretched ahead of me, I felt a kind of frightening and strange satisfaction growing within me. Because the passageway was so narrow, there were not "four directions"; there were only two, "ahead" and "behind." With my arms repeatedly bumping against the closely set walls, I felt like I was moving in a dream. And that strange, frightening feeling of satisfaction came first through the repeated bumping of my arms, not through my eyes.

Suddenly I felt an unaccountable sense of triumph.

But what kind of triumph, I had no idea.

4 Scissors And Seduction…

The pair of scissors dominating the dressing table,

like a bird perched on the topmost branch of a

magnolia, had long been waiting their moment.

After deciding what to do and how to do it, they

flew into my head and borrowed my hands to

complete their work.

At last the rainy weather announced its end by suddenly opening a fissure in the leaden gray clouds through which glinting blades of sunlight angled earthward.

It was early Sunday morning, and even though I hadn't opened my eyes, I knew the sky had cleared.

I luxuriated in my bed with no desire to get up. Mother was ignoring me for the moment, and I simply indulged myself in another of my imaginary dialogues.

Father was reading the paper as he ate his breakfast. He obviously read very quickly. The way he wolfed down his food as he read bore witness to this. An intense man, the way he focused on his work and his impatient nature made it very difficult for him to lead a quiet and relaxed life. His mind worked at lightning speed, leaving most ordinary people behind. His thoughts were always a sentence ahead of his tongue or had even jumped to a different subject, to the point where he was unable to express himself clearly, a fact that often caused him great vexation. He could never queue up to buy anything or to get something done. He would sooner do without than stand in line.

From my father's impatience and agitation I knew that he had to go to a meeting. This was just at the time when there had been a major turn in the course of political events in China. From the few things that my father and mother said about this, I gathered that this had resulted in a turn for the better in my father's situation. But at that time I didn't really understand what went on in the adult world outside our home, nor did I have any interest in it. That world had nothing to do with me. The only thing that concerned me was that improvement in the outside situation had brought no improvement to the atmosphere in our home. I was just as unhappy as I had always been.

Wiping here and tidying there, Mother was busying herself with her household chores.

From my bed, through the open window above me that I saw through half-closed eyes, a rusty reddish intermittent sound of breathing seemed to come from the distant horizon. It was the deep and heavy breath of this city that I live in – Beijing. Its breath filled our house and filled my lungs. Like ashen, filthy time itself, it forever clings closely to the arms of all good people as it leads them silently away.

On his way out the door, briefcase in his hand, Father was saying, "Is sleeping in all Niuniu is good for? Doesn't she know how to talk? She'll end up with some job for the deaf and dumb."

Mother said, "She's still just a child."

Father said, "How old does she have to be before she starts to grow up? It's no good, the way you spoil her and turn her against me."

"It's you yourself who have turned her against you; it's got nothing to do with me. You don't know how to get along with anybody. Even the dog didn't like you," Mother retaliated.

Father slammed the door and left.

I was elated. I could spend the whole day at home alone with Mama. I didn't have to go to school or listen to Father's angry outbursts. Lying in bed, it seemed as if I could see the little black car. It was in the shadows just outside the big wooden door to our courtyard, listening for the sound of Father's footsteps. Then, opening one of its doors, it looked like a huge bird with one wing spread, waiting for my father to disappear into its body before they set out in the 8 o'clock morning light.

… Then, unexpectedly, the little car suddenly turned into a police car, its siren bleating, and Father into a felon in dark brown prison garb, his hands and feet tightly fettered. He was trying desperately to free himself, but the police car took him to a place so far away that it would be impossible for him ever to come home again…

I awoke with a start from semisleep, and my muddled dream faded away. Father had already left for his meeting.

I continued my silent movies in my head. This habit not only allowed me to avoid the clamor of crowds but also even let me escape my mother without feeling left alone.

But it is this habit of actively longing to avoid people and submerge myself in my own thinking that has made me like a real carrier of an infectious disease.

I continued my stroll through my thoughts:

… Again I saw the long, narrow corridor at my primary school. Bearing traces of the passage of countless tiny feet, like the thought patterns of serious young students, the pavement of bare red brick mottled with a patina of dull silver gray bore testimony to its great age. Smiling through half-closed eyes as if harboring some evil intent, Mr. Ti stood at one end of the passageway. I turned and ran as fast as I could for the other end, but when I turned my head to get a better look at him, in disbelief I saw him suddenly turn into my father, tall and imposing. When I finally got out of the passageway, I saw another me run out. We looked at each other intently, eager to discuss just who it was that we had seen. But although we wanted to talk, we also wanted to avoid each other, and in the end we went our separate ways, refusing to have anything to do with each other.

At that point Mother called me to get up for breakfast.

I wanted to, but my body refused to move.

I turned away from my previous thoughts. I really didn't want to think about that day, about anything to do with men.

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