Ran Chen - A Private Life

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From Publishers Weekly
"Sexuality has never been a problem with me. My problem is different. I am a fragment in a fragmented age." Despite this claim, the protagonist of Ran's unusual coming-of-age novel is defined by her precocious beauty and her struggle to define her sexual identity. Ran, one of China's most acclaimed contemporary women writers, tells how lovely Ni Niuniu is seduced before she enters puberty by an older woman, the sly, wise Widow Ho, then falls into an unwanted affair with her male teacher, Ti. In college, she meets the love of her life, a fellow student named Yin Nan, but their brief, passionate affair ends abruptly when Yin Nan becomes involved in the student protests in Tiananmen Square. Traumatized by the loss of Yin Nan and the deaths of her mother and Widow Ho, Niuniu retreats into her own mind, becoming Miss Nothing ("I no longer exist… I have disappeared…"). Niuniu's flaws, foibles and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study. Even the more conventional scenes are narrated with lyrical intensity, and hallucinatory dream sequences and passages describing Niuniu's alienation range from the revelatory to the overwrought. The result is an uneven but intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space.
From Booklist
The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous coming-of-age tale by Chinese essayist and short-story writer Chen. As a child, sensitive and gawky Ni Niuniu never quite fit in. Teased by her classmates and neglected by her cold, distant father, she engaged in quiet forms of rebellion (she once stole her father's woolen trousers and cut them off at the knees). While her father scarcely acknowledged her, other adults paid Ni Niuniu too much mind: her middle-school teacher, Ti, and an eccentric widower who lived next door each took sexual advantage of the impressionable young girl. Haunted by the past and despondent over the recent death of her mother and departure of her first love, Ni Niuniu retreats from the realities of politically charged Beijing, writing and drawing and endlessly soaking in her tub. Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world.
***
"Chen Ran's strikingly introspective, subjective, and individualized writing sets her work distinctively apart for the traditional and mainstream realism of the majority of contemporary Chinese writers… In his translation, Howard-Gibbon adeptly conveys the exquisiteness, richness, and slight eccentricity of Chen's prose." – China Daily
"The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous, coming-of-age tale by Chinese essayist and short-story writer Chen… Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world." – Booklist
"An intriguing exploration of the contemporary consciousness of an alienated, urban Chinese woman for whom current history matters less than the reliable comforts of love, nature, and solitude." – Kirkus Reviews
"Niuniu's flaws, foibles, and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study… [an] intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space." – Publishers Weekly
"In the novel A Private Life, Ran Chen immerses us in the troubled life of Ni Niuniu… Chen weaves together these evaluations with Niuniu's manic writings in order to create an ultra postmodern tale of a young woman's psychosocial evolution… an important portrait of a young woman trying to survive in a complicated world." – Bust Magazine
"A Private Life is not an overtly political book; rather, it has the timeless quality of most dreams. Still, [narrator] Ni Niuniu's refusal to connect with the world outside her door becomes a kind of political statement." – Elizabeth Gold, Washington Post
"An atmospheric story of sexual awakening and ennui that enlarges our understanding of modern China." – Vancouver Sun
"Niuniu's hatred of the few powerful males in her life and her sexual confusion and manipulations are clearly depicted." – Sofia A. Tangalos, Library Journal
"This polished and readable translation of the inaugural novel of Chen Ran stands as an example of the quasi-autobiographical Sino-Japanese shishosetsu" – Choice
"A riveting tale… a lyrical meditation on memory, sexuality, femininity, and the often arbitrary distinctions between madness and sanity." – Translation Review
"A Private Life shows Chen Ran at her best: weaving together the female bildungsroman and social and political satire, she effortlessly flits from outbursts of rage to ecstasy to rarefied emotions. Her philosophical musings on the difficulty of achieving individual freedom are as critical of the collective pursuit of wealth and sensorial pleasures in China after socialism as of the authoritarianism and ideological conformity during the heyday of the Cultural Revolution. The poignant, tragic-comic tale is ultimately about bondage and transcendence." – Tze-Lan D. Sang, author of The Emerging Lesbian: Female Same-Sex Desire in Modern China
"The novel daringly depicts a woman's emotional journey towards the maturation of her sexuality. It is a provocative reflection of the new sensibility of a young generation of Chinese women in the post-Deng era. Chen Ran's sensuous style easily breathes through the translator's English rendition of her language." – Lingchei Letty Chen, Washington University, St. Louis
"One of the most acclaimed women writers in contemporary China, Chen Ran in this novel explores the complex emotional territory of the female body, sexuality, homoeroticism, and fantasy. The author’s personal voice triumphs in the novel as a most conscious presence, dissolving the public and collective model of socialist literature. Daringly written and excellently translated, A Private Life not only entertains, but also leaves the reader pondering Chen’s disturbing and deeply personal message." – Lingzhen Wang, Brown University

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Nanny gave her key to Mama, then turned to me and took me in her arms to say something.

Not a leaf stirred. It was as if they too were waiting on her final words.

Choking sobs began to well up from my chest into my throat. Without waiting for her to open her mouth, as if I had something urgent to do at home, I hurriedly and with a strange hostility said, "Nanny, when I grow up and earn some money, I'll bring you back home. I'll make him leave. I'll make him pay!"

Then, without looking back, I fled back to the house.

"Him," of course, was my father.

3 I Carry An Infectious Disease…

"Willing to go through a keyhole,

but not through an open door."

The heavy rainfall was followed by a series of dull, damp days. My eyes half closed, I was walking alone on the way to school. The passersby were all bigger than me. I had no heart to lift my eyes to enjoy the scenery along the way, because going to school depressed me so much.

A madman came up to me and started to laugh. His withered body was as thin as a straw swaying in a whistling wind. Staring into my face, he laughed as gaily as if he were on a road leading to some blissful heaven. Maybe he wasn't really a madman, but I thought he was. Would anyone other than a madman start to laugh at some stranger on the street, especially at a little girl of no consequence like me?

He darted past me as cheery as a crackling fire. I stopped and turned, unable to take my eyes off him, and continued to watch until he disappeared behind a wall at the corner of the street.

The schoolyard was enshrouded in a thick fog that curled itself around everything. Today Teacher Ti was going to divide the entire class into extracurricular study groups. I dashed quickly toward our classroom.

He was already there, pacing up and down between the rows of desks. He hadn't rung the bell yet, but all my classmates were sitting in their seats as stiff as pencils. Something must have happened. They were on tenterhooks, awaiting Ti's outburst.

The moment I entered the room, I could hear his whistling bronchial wheeze. This was a kind of signal, an omen that something very serious was about to happen.

Once, near the end of the term when I was in fourth grade, just as Mr. Ti was launching into a denunciation of the despicable behavior of someone caught cheating on an exam, the thin, shrill sound of a whistle broke the solemn silence in the classroom. Mr. Ti barked, "Who blew that whistle?"

Struck with disbelief, we listened intently, until we realized that the whistling was coming from Ti's own throat; then we started giggling, hiding our faces behind our hands.

After a moment, seeming to have discovered the source of the noise himself, Mr. Ti cleared his throat angrily. "So you find it amusing, do you? This cruel memento that China 's history has foisted upon me. You couldn't possibly understand."

Over the preceding several years, from the few things that Mr. Ti had revealed to us out of his discontent, I knew that he was one of the educated youth who had graduated from middle school at the time of the Red Guards. In 1966 he was labeled one of the rebels among the children of high-ranking officials who had been ousted from office and was sent to the northeast as a soldier in an army agriculture and construction team. Once there, he stayed for eight years, returning only after his father was rehabilitated in 1974. But his father died suddenly only nine days after his name had been cleared, and from that time the family's fortunes began to slip.

Whenever Ti told us of those times, he was overwhelmed with the injustice of his never having had a chance to realize his potential, and he got so upset that he found it hard to breathe.

Much of what I know of Ti's personal history comes from what he revealed to us in those days, but what I know of his inner self comes out of the strange and confused personal relationship that developed between us, which I came to understand only many years later.

When I entered the classroom that day, I very quietly edged my way to my desk. Once in my seat, I started to look around.

My desk partner told me in a veiled whisper, "Someone has stolen some money."

The student behind me immediately countered, "No, someone's been writing reactionary slogans in the toilet."

My heart started to pound.

Like a caged animal, Teacher Ti angrily yet calculatedly paced up and down between our desks, cold nails flashing from his watchful eyes as they swept across our faces. It seemed as if his eyes could see directly into our minds, past our faces into our innermost secrets. I don't know whether it was my racing heart that affected my appearance or whether those cold nails sweeping our faces had actually pierced my cheeks, but my face felt red with blood as hot as chili peppers.

Please, please, don't blush; you haven't done anything, I said to myself.

"One of you," at last Mr. Ti spoke out, "has been passing around pictures of the human body, pictures that display the private parts of men and women!"

Oh, thank heaven, thank earth! It's not stolen money or reactionary graffiti. But private parts – what are private parts?

The way Mr. Ti said "private parts," the words seemed to be coated with phosphorous, which, touched with the heat of his voice, flared to life like the heads of matches for a moment, to stand out from the rest of his words.

From the tone of his voice, I knew that the private parts must be in a special location, probably "that place." But as soon as this occurred to me, my face, without my bidding at all, flushed crimson.

"Ni Niuniu, stand up!" Mr. Ti was addressing me. "Why are you blushing?"

The accusation in his voice isolated me from the others even more. They distanced themselves from me as is I were some sort of plague, a carrier of some infectious disease.

When classes were over, Mr. Ti took me to his office and left me standing there to stew while he graded papers.

After a while, when everyone else had left the office, he at last stilled his busy red pen.

"Tell me," he said, very gently, obviously wanting to make things easier for me. "Why were you blushing?"

I cleared my throat and thought for a moment.

Because Mr. Ti was making an effort to be gentle, I decided not to be totally uncooperative, but to meet him halfway.

I said, "This has absolutely nothing to do with me. I haven't seen the pictures; I have no idea what's in them."

"They are pictures of private parts. If you didn't know, why did you blush?"

So there they were again – "private parts." And again I got the feeling that these words were burning Mr. Ti's mouth. It was like he had put a hot date just out of the boiling water on his tongue and wanted to swallow it but was afraid it would burn.

I hesitated, then said uncertainly, "Private parts… where are they?

Really, I've never seen them."

"I find that hard to believe. Then why did you blush?"

I didn't respond.

The room was dead quiet for a moment, and my resentment began to grow again. I turned away from him, determined not to look at or speak to him anymore.

Suddenly he spun me around, as if he were getting angry.

One by one, he waved the pictures in front of me and put them down, as if he were laying down a hand of cards.

"Private parts, surely you must know about them?" He paused a moment. Then, "These are your private parts," he said, touching my breasts, "and this," he said, putting his hand briefly between my thighs.

I jerked away from him, my heart pounding, afraid to utter a word.

His eyes fixed on my face, Mr. Ti seemed overcome with an uneasy excitement.

"Truly, Ni Niuniu, I have always been concerned about you. I like you very much. Why are you always so difficult with me?" he said, his voice filled with gentleness and sincerity. For a fleeting moment, I caught in his expression a hint of distress over our impasse.

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