Ran Chen - A Private Life

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From Publishers Weekly
"Sexuality has never been a problem with me. My problem is different. I am a fragment in a fragmented age." Despite this claim, the protagonist of Ran's unusual coming-of-age novel is defined by her precocious beauty and her struggle to define her sexual identity. Ran, one of China's most acclaimed contemporary women writers, tells how lovely Ni Niuniu is seduced before she enters puberty by an older woman, the sly, wise Widow Ho, then falls into an unwanted affair with her male teacher, Ti. In college, she meets the love of her life, a fellow student named Yin Nan, but their brief, passionate affair ends abruptly when Yin Nan becomes involved in the student protests in Tiananmen Square. Traumatized by the loss of Yin Nan and the deaths of her mother and Widow Ho, Niuniu retreats into her own mind, becoming Miss Nothing ("I no longer exist… I have disappeared…"). Niuniu's flaws, foibles and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study. Even the more conventional scenes are narrated with lyrical intensity, and hallucinatory dream sequences and passages describing Niuniu's alienation range from the revelatory to the overwrought. The result is an uneven but intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space.
From Booklist
The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous coming-of-age tale by Chinese essayist and short-story writer Chen. As a child, sensitive and gawky Ni Niuniu never quite fit in. Teased by her classmates and neglected by her cold, distant father, she engaged in quiet forms of rebellion (she once stole her father's woolen trousers and cut them off at the knees). While her father scarcely acknowledged her, other adults paid Ni Niuniu too much mind: her middle-school teacher, Ti, and an eccentric widower who lived next door each took sexual advantage of the impressionable young girl. Haunted by the past and despondent over the recent death of her mother and departure of her first love, Ni Niuniu retreats from the realities of politically charged Beijing, writing and drawing and endlessly soaking in her tub. Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world.
***
"Chen Ran's strikingly introspective, subjective, and individualized writing sets her work distinctively apart for the traditional and mainstream realism of the majority of contemporary Chinese writers… In his translation, Howard-Gibbon adeptly conveys the exquisiteness, richness, and slight eccentricity of Chen's prose." – China Daily
"The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous, coming-of-age tale by Chinese essayist and short-story writer Chen… Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world." – Booklist
"An intriguing exploration of the contemporary consciousness of an alienated, urban Chinese woman for whom current history matters less than the reliable comforts of love, nature, and solitude." – Kirkus Reviews
"Niuniu's flaws, foibles, and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study… [an] intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space." – Publishers Weekly
"In the novel A Private Life, Ran Chen immerses us in the troubled life of Ni Niuniu… Chen weaves together these evaluations with Niuniu's manic writings in order to create an ultra postmodern tale of a young woman's psychosocial evolution… an important portrait of a young woman trying to survive in a complicated world." – Bust Magazine
"A Private Life is not an overtly political book; rather, it has the timeless quality of most dreams. Still, [narrator] Ni Niuniu's refusal to connect with the world outside her door becomes a kind of political statement." – Elizabeth Gold, Washington Post
"An atmospheric story of sexual awakening and ennui that enlarges our understanding of modern China." – Vancouver Sun
"Niuniu's hatred of the few powerful males in her life and her sexual confusion and manipulations are clearly depicted." – Sofia A. Tangalos, Library Journal
"This polished and readable translation of the inaugural novel of Chen Ran stands as an example of the quasi-autobiographical Sino-Japanese shishosetsu" – Choice
"A riveting tale… a lyrical meditation on memory, sexuality, femininity, and the often arbitrary distinctions between madness and sanity." – Translation Review
"A Private Life shows Chen Ran at her best: weaving together the female bildungsroman and social and political satire, she effortlessly flits from outbursts of rage to ecstasy to rarefied emotions. Her philosophical musings on the difficulty of achieving individual freedom are as critical of the collective pursuit of wealth and sensorial pleasures in China after socialism as of the authoritarianism and ideological conformity during the heyday of the Cultural Revolution. The poignant, tragic-comic tale is ultimately about bondage and transcendence." – Tze-Lan D. Sang, author of The Emerging Lesbian: Female Same-Sex Desire in Modern China
"The novel daringly depicts a woman's emotional journey towards the maturation of her sexuality. It is a provocative reflection of the new sensibility of a young generation of Chinese women in the post-Deng era. Chen Ran's sensuous style easily breathes through the translator's English rendition of her language." – Lingchei Letty Chen, Washington University, St. Louis
"One of the most acclaimed women writers in contemporary China, Chen Ran in this novel explores the complex emotional territory of the female body, sexuality, homoeroticism, and fantasy. The author’s personal voice triumphs in the novel as a most conscious presence, dissolving the public and collective model of socialist literature. Daringly written and excellently translated, A Private Life not only entertains, but also leaves the reader pondering Chen’s disturbing and deeply personal message." – Lingzhen Wang, Brown University

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In the past the people and events that I encountered in these real yet unreal visions were all old people and events from my own past. But on this particular evening, to my complete surprise, it was Widow Ho that I saw through the darkness.

She was poking her head around the door, a book in her hand, smiling at me. Like rings of ripples on a pond, her beautiful smile spread slowly across her face. What was strange was that she didn't have a stitch of clothing on. She stepped out of the room absolutely naked, her smooth skin flashing like a red fish under a dazzlingly rich red glow of light. But she didn't appear the least bit shy or hesitant as she casually passed people in the corridor. I watched her from a distance, and although her face looked a bit drawn and had that sleepy look of someone who has just been suddenly awakened, those big eyes of hers, glazed with sleep but as lovely as ever, were fixed confidently in front of her, showing absolutely no awareness that she was stark naked. Astonished, I anxiously waved my hand to get her attention, to get her to leave, because evil spirits often haunted this place. I shouted her name, only to discover that the sound of my voice faded into nothingness. It was no use, no matter how hard I tried. I wanted to go and push her away, but before I could reach her, she pulled back to be swallowed up in the shadows, and I lost sight of her.

Indistinct shadows kept shifting all around me, and with a dim and distant hope that I had been mistaken, I continued looking for her along that endless, silent, tortuous corridor where every face was masked in sorcery. It was very dark, and to find my way I closed my eyes. I went back and forth along the long, narrow corridor not daring to look behind me, for I had heard that in the countryside they say you should never look back when you are walking in the dark, because on your shoulders you have little flames – "shoulder flames" – that keep away ghosts and evil spirits when they are lit; if you look back in fear, the turning of your head and your heavy, fearful breathing may extinguish your shoulder flames and let the evil spirits ensnare you.

Then all around me, not very far away, I heard a voice that was more like a moan calling out softly. Because I was so desperate to find Ho, I was convinced that it was her.

The corridor suddenly became so hot that I had to take my jacket off. There was a door in front of me that I immediately recognized – it was the door to Ho's apartment. I pushed it open and went in. The faint moaning sounded closer and a fierce wave of heat slammed into me. On the edge of collapse, drenched in sweat and gasping for breath, I desperately called her name.

The moaning was getting louder. I followed it till I came to a door I knew very well – the door to her bedroom. I knocked wildly, but there was no answer. I pushed with all my strength. The heat hurt my hands. It was so intense that it had twisted the door frame so the door couldn't be opened. I could hear very clearly that the moaning was coming from inside that inner room.

Peering through the keyhole, I saw the completely transparent corpse of a woman curled up on the bed, her legs strangely contorted, both arms clasped rigidly across her chest. She was lying motionless on her side, her hair and eyebrows totally burned away. Countless bright red tongues were darting up like flames beside her body. It was these fiery red tongues that had licked away all the hair on her body. I struggled to see her more clearly. It seemed like it wasn't Ho, it was somebody else, but when I listened to the moaning, there was no doubt that it was the magnetic sound of Ho's voice.

My heart thumped.

I shuddered as I returned to my senses.

I felt a bit frightened, aware that I had stayed too long in that dark world of my own making. I was afraid that I had sunk into some secret, irrational territory. Whether other people ever got to that place, I had no way of knowing. But when I think back on it, from when I was very small, that place had always been a constant companion in my thoughts. Like the wind, it followed my every footstep. Whether I was in the rain, on the streets, in a deserted square, or in a crowd, it would always appear in some form or other, some situation or other. It was a bottomless pit; if I didn't make an effort to control my thinking, it would lead me on endlessly.

Thoroughly frightened, I hurriedly jerked myself out of my thoughts. Then I turned on the light.

It was already late. I stared dumbly at the clock on the wall for a while; then I got up and wandered around the room, my mind at odds. I felt strangely unsettled but had no idea why.

I decided to go and visit my mother, then later on come back, have a bath, and relax a bit before going to bed.

Mother was in the middle of writing something when I entered her apartment.

I said, "Mama, what are you writing when it's so late?"

She hesitated a moment; then, smiling very awkwardly, she said, "Oh, I don't want to hide anything from you. I want… " She stopped again, uncertain.

"Tell me," I said, a bit impatiently.

"I want to find you a… father," she said; then she turned her eyes to me uncertainly as she waited for my response.

I was totally floored by this.

Then I started snorting. "Really? Good. That's good." When I stopped laughing I added, "But it has nothing to do with me. It's for yourself that you're looking for a man."

Mother said, "What do you mean it has nothing to do with you? I'm not going to be around that much longer. Whether I have a man or not really doesn't matter, but I have to find a father for you. One of these days will see the end of me. I can't just leave you as an orphan. We've got a house; what we need is someone to live in it."

I said, "Mama, you're really a laugh. I'm not a child anymore; and besides, what's this about your 'not being around that much longer'? Our best times together have only just started."

Mother said, "I read a story in the paper today about a terminally ill doctoral candidate who was looking for a wife. He was an only child, thirty-one years old and quite good-looking, but had never found a suitable match. This had become the chief worry in his parents' life, never affording them a moment's ease. It was about a month before this that he had found out he was terminally ill. The doctors had told him that he had two years at the most. This was truly a bolt out of the blue. His first thought was suicide, but when he got home and saw his aged parents, frail with worry, he felt that giving up like that would be tantamount to abandoning them. He turned it over in his mind for a long time and finally gave up the idea of killing himself, determining instead to fulfill his parents' chief wish and concern, and provide them with a descendant. Because he didn't want to bring worry to his family, he never told them about his illness. Secretly, he put an ad in the paper looking for a wife, including the details of his condition and his hopes. Many women wrote to him, and in the end he set his heart on a doctor, and she devoted her life to him totally. Not long after they were married they had a baby daughter. Although he couldn't in the end escape his dark fortune, he lived a fulfilling life, and left a daughter for posterity."

"But… but what about the woman?" I said. "Do you really want to praise that kind of deed? Only here in China does that kind of thing draw great choruses of praise."

"The woman did it because she wanted to. Forget about ethical judgment. All I'm saying is that stories like that are uplifting."

I said, "Well. If that's the way you feel, I guess you'll be submitting an uplifting ad for a husband."

She paused for a moment, then responded, "Well, anyway, we've just been chitchatting."

At this point, perhaps because she'd overstrained herself talking, her breathing became labored and she began struggling obviously for air.

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