Ran Chen - A Private Life

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From Publishers Weekly
"Sexuality has never been a problem with me. My problem is different. I am a fragment in a fragmented age." Despite this claim, the protagonist of Ran's unusual coming-of-age novel is defined by her precocious beauty and her struggle to define her sexual identity. Ran, one of China's most acclaimed contemporary women writers, tells how lovely Ni Niuniu is seduced before she enters puberty by an older woman, the sly, wise Widow Ho, then falls into an unwanted affair with her male teacher, Ti. In college, she meets the love of her life, a fellow student named Yin Nan, but their brief, passionate affair ends abruptly when Yin Nan becomes involved in the student protests in Tiananmen Square. Traumatized by the loss of Yin Nan and the deaths of her mother and Widow Ho, Niuniu retreats into her own mind, becoming Miss Nothing ("I no longer exist… I have disappeared…"). Niuniu's flaws, foibles and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study. Even the more conventional scenes are narrated with lyrical intensity, and hallucinatory dream sequences and passages describing Niuniu's alienation range from the revelatory to the overwrought. The result is an uneven but intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space.
From Booklist
The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous coming-of-age tale by Chinese essayist and short-story writer Chen. As a child, sensitive and gawky Ni Niuniu never quite fit in. Teased by her classmates and neglected by her cold, distant father, she engaged in quiet forms of rebellion (she once stole her father's woolen trousers and cut them off at the knees). While her father scarcely acknowledged her, other adults paid Ni Niuniu too much mind: her middle-school teacher, Ti, and an eccentric widower who lived next door each took sexual advantage of the impressionable young girl. Haunted by the past and despondent over the recent death of her mother and departure of her first love, Ni Niuniu retreats from the realities of politically charged Beijing, writing and drawing and endlessly soaking in her tub. Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world.
***
"Chen Ran's strikingly introspective, subjective, and individualized writing sets her work distinctively apart for the traditional and mainstream realism of the majority of contemporary Chinese writers… In his translation, Howard-Gibbon adeptly conveys the exquisiteness, richness, and slight eccentricity of Chen's prose." – China Daily
"The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous, coming-of-age tale by Chinese essayist and short-story writer Chen… Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world." – Booklist
"An intriguing exploration of the contemporary consciousness of an alienated, urban Chinese woman for whom current history matters less than the reliable comforts of love, nature, and solitude." – Kirkus Reviews
"Niuniu's flaws, foibles, and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study… [an] intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space." – Publishers Weekly
"In the novel A Private Life, Ran Chen immerses us in the troubled life of Ni Niuniu… Chen weaves together these evaluations with Niuniu's manic writings in order to create an ultra postmodern tale of a young woman's psychosocial evolution… an important portrait of a young woman trying to survive in a complicated world." – Bust Magazine
"A Private Life is not an overtly political book; rather, it has the timeless quality of most dreams. Still, [narrator] Ni Niuniu's refusal to connect with the world outside her door becomes a kind of political statement." – Elizabeth Gold, Washington Post
"An atmospheric story of sexual awakening and ennui that enlarges our understanding of modern China." – Vancouver Sun
"Niuniu's hatred of the few powerful males in her life and her sexual confusion and manipulations are clearly depicted." – Sofia A. Tangalos, Library Journal
"This polished and readable translation of the inaugural novel of Chen Ran stands as an example of the quasi-autobiographical Sino-Japanese shishosetsu" – Choice
"A riveting tale… a lyrical meditation on memory, sexuality, femininity, and the often arbitrary distinctions between madness and sanity." – Translation Review
"A Private Life shows Chen Ran at her best: weaving together the female bildungsroman and social and political satire, she effortlessly flits from outbursts of rage to ecstasy to rarefied emotions. Her philosophical musings on the difficulty of achieving individual freedom are as critical of the collective pursuit of wealth and sensorial pleasures in China after socialism as of the authoritarianism and ideological conformity during the heyday of the Cultural Revolution. The poignant, tragic-comic tale is ultimately about bondage and transcendence." – Tze-Lan D. Sang, author of The Emerging Lesbian: Female Same-Sex Desire in Modern China
"The novel daringly depicts a woman's emotional journey towards the maturation of her sexuality. It is a provocative reflection of the new sensibility of a young generation of Chinese women in the post-Deng era. Chen Ran's sensuous style easily breathes through the translator's English rendition of her language." – Lingchei Letty Chen, Washington University, St. Louis
"One of the most acclaimed women writers in contemporary China, Chen Ran in this novel explores the complex emotional territory of the female body, sexuality, homoeroticism, and fantasy. The author’s personal voice triumphs in the novel as a most conscious presence, dissolving the public and collective model of socialist literature. Daringly written and excellently translated, A Private Life not only entertains, but also leaves the reader pondering Chen’s disturbing and deeply personal message." – Lingzhen Wang, Brown University

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I said, "That's a heavy weight to carry. I get the feeling that you want to do something big with your life."

He didn't say anything. He just turned to me with the shy little smile that I had come to love so much.

"You're a bit of an enigma," I added.

It was already quite late, and feeling a bit hungry, I began checking out the restaurants we were passing.

Yin Nan said, "When we get into town, we'll look for a nice place to eat."

"With your brother's money, too?" I asked.

"If he wants to support me, why shouldn't I take it? I've got lots of ideas. Maybe you'd call them dreams, but even if they are, what's so bad about that?"

"What dreams?"

He gave a little laugh. "Lots of them. You – you're one of my dreams. I don't know how you feel about it, but as far as I'm concerned, I'm not just one person anymore – you're part of me."

We were already in the city, and the car slowed down as we threaded our way along the street jammed with people celebrating Spring Festival Eve.

I lingered on his words, "you're part of me." It was as if I was unaware of what was happening on the street outside. They were like flames, a numbing drug that intoxicated me. I felt a new kind of strength welling up inside me.

We found a place to park, but before we got out of the car, Yin Nan, as if suddenly emboldened, grasped my shoulder eagerly, and pressing his cheek against mine, said in almost a whisper, "Would you like to be with me always?"

Although it was a question, it was obvious that he didn't want an answer, because he immediately enclosed me in his arms and placed that firm, sweet mouth squarely upon my own, preventing any reply. Like a big, lovable frog, he sucked in my fragrance, his breathing hoarse and desperate with excitement.

I could feel the sharp metallic beat of his heart penetrating into mine through the interstices between his ribs, which were pressing into my breasts like so many powerful fingers. That huge and ardent chest opening itself outward was like a large country bent on expansion, eager to annex, or more precisely, to welcome or accept a small country.

He mumbled incoherently as he ran his trembling hands over my back. I felt his fingers and gradually his entire body begin to tremble, and the tighter he embraced me, the more awkward and tense he became. I knew that only genuine love could stir that kind of awkwardness, excitement, that kind of restraint and tentativeness.

We embraced so long I felt faint.

At last, we got out of the car.

The strains of some strange kind of flute music drifted toward us, mingled with the rustle of the barren tree in front of us. Beneath it, a blind man with sunken eyes, his whiskers ceaselessly flapping, was lost in his playing. Expressionless, his bones grinding, he swayed to the tuneless music that floated upward through the branches and power lines into the yellow evening light to be carried away by the wind. That music, like piercing light, left you feeling lost and uncertain.

Facing the sun, he played the flute wildly, then shouted in a hoarse, dry voice, "I have come from a faraway place – far, far away. I have seen, I have seen the clouds of war drifting upon us… many people sticking out their young tongues… their eyes as bright as dazzling stars that have fallen to earth… "

He tore his shirt to shreds and threw the pieces on the ground to be blown away by the wind. "Look! Many, many young tongues have been scattered on the ground like this, on the ground where they continued their song… their eyes rolled away and were crushed like grapes…"

As we passed him, he suddenly "caught sight" of us, and he seized Yin Nan's hand. A strange light shot from his eyes. "You've only got half a head… "

Then he turned to me, "You've only got one leg… run! Run…"

"He's mad." Frightened, I pulled Yin Nan along with me as I fled.

Behind us, his cries grew more and more desolate and terrifying.

17 A Fiery Dance Of Death…

I want to share your bed in heaven. The dead best understand the dead.

Even today, there is still no clear reason why that fire had to start. It was simply the will of heaven. When I look back on it now, it still seems totally unreal, like a dream within a dream that leaves you lost and uncertain. What this fire that shocked the whole neighborhood took away from me, or, I should say, the grief that it brought to me, left me unable for days to shed the tears that were choking me.

I usually go to bed very late, because I find the noise and confusion of the daytime very taxing. The days seem interminable, they exhaust me so; but from the moment supper is finished until late into the night I am filled with a carefree contentment. I often sit quietly by myself not doing anything, with countless images of people and events passing endlessly through my mind like scenes from a movie. I relax, viewing whatever scenes happen to suit my fancy. During this time I also have dreams, dreams that are exceedingly real. I don't as a rule turn on the light, imagining instead that I am in a cave or in some huge stone crevice, talking to a person very much like myself. She sits just in front of me, breathing and talking, but I can't see her face or even her outline, because I am enveloped in a thick, obscuring darkness. I immerse myself in it, a secret and safe world, where time and space no longer exist. I sit on my sofa or pace the carpet as quiet as a cat, very careful in my movements and my words, as if I were afraid of breaking something.

I see a great many people in my dreams; for example, I once saw Mrs. Ge among a group of ghosts. She was shouting herself hoarse, holding up a small flag bearing the word revenge. Although I couldn't hear what she was shouting, I could see her words on her lips, which were twisted with anger. Her lips were a flame the color of fresh blood, which took the shape of a pictograph as it leaped upward. It was through this pictograph that I could read what she was saying. On another occasion, I saw a huge open-air market. It had just rained, and I had muddied my trousers. The vegetables in the hawkers' stalls were so gorgeously colored they looked like beautiful still-life paintings. The place was crowded with familiar faces from my childhood. When the confusion and noise subsided, through the darkness I noticed a single eye sticking very closely behind me. I tried to get a better look at the person's face or body, but aside from the eye, I couldn't see anything. That is to say, the only thing left of this person was an eye, and it was following me.

At first I was afraid, but I very quickly realized that it was my nanny's eye. When I went to buy vegetables the hawkers would always cheat me, but this time the eye beside me would let out an ear-piercing shriek that sounded like it came from hell. The hawkers looked around in alarm for the source, but they could see that it wasn't coming from my lips. Then they looked at the eye beside me as if it were some weird and terrifying thing, and nervously weighed out my purchases in full measure. Pleased as punch, I swaggered about from stall to stall, buying all kinds of things.

At last, I addressed the darkness. "Nanny, let's go home."

The eye said, "I am already intertwined with the moonlight. Never again will a man be able to crush this eye of mine as if it were a flower petal. I live on the roof of the mortal world. I am the adversary of darkness. Never again will I allow women's eyes to be violently snuffed out one by one, like so many candles."

Her words were borne by the wind from some unknown season. Eventually her quiet voice and her footsteps drifted off toward the sounds of vicious struggle in the darkness. Amid this many-voiced, or, should I say, polyphonic "chorus," her voice became a strong and powerful solo…

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