Ran Chen - A Private Life

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From Publishers Weekly
"Sexuality has never been a problem with me. My problem is different. I am a fragment in a fragmented age." Despite this claim, the protagonist of Ran's unusual coming-of-age novel is defined by her precocious beauty and her struggle to define her sexual identity. Ran, one of China's most acclaimed contemporary women writers, tells how lovely Ni Niuniu is seduced before she enters puberty by an older woman, the sly, wise Widow Ho, then falls into an unwanted affair with her male teacher, Ti. In college, she meets the love of her life, a fellow student named Yin Nan, but their brief, passionate affair ends abruptly when Yin Nan becomes involved in the student protests in Tiananmen Square. Traumatized by the loss of Yin Nan and the deaths of her mother and Widow Ho, Niuniu retreats into her own mind, becoming Miss Nothing ("I no longer exist… I have disappeared…"). Niuniu's flaws, foibles and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study. Even the more conventional scenes are narrated with lyrical intensity, and hallucinatory dream sequences and passages describing Niuniu's alienation range from the revelatory to the overwrought. The result is an uneven but intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space.
From Booklist
The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous coming-of-age tale by Chinese essayist and short-story writer Chen. As a child, sensitive and gawky Ni Niuniu never quite fit in. Teased by her classmates and neglected by her cold, distant father, she engaged in quiet forms of rebellion (she once stole her father's woolen trousers and cut them off at the knees). While her father scarcely acknowledged her, other adults paid Ni Niuniu too much mind: her middle-school teacher, Ti, and an eccentric widower who lived next door each took sexual advantage of the impressionable young girl. Haunted by the past and despondent over the recent death of her mother and departure of her first love, Ni Niuniu retreats from the realities of politically charged Beijing, writing and drawing and endlessly soaking in her tub. Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world.
***
"Chen Ran's strikingly introspective, subjective, and individualized writing sets her work distinctively apart for the traditional and mainstream realism of the majority of contemporary Chinese writers… In his translation, Howard-Gibbon adeptly conveys the exquisiteness, richness, and slight eccentricity of Chen's prose." – China Daily
"The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous, coming-of-age tale by Chinese essayist and short-story writer Chen… Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world." – Booklist
"An intriguing exploration of the contemporary consciousness of an alienated, urban Chinese woman for whom current history matters less than the reliable comforts of love, nature, and solitude." – Kirkus Reviews
"Niuniu's flaws, foibles, and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study… [an] intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space." – Publishers Weekly
"In the novel A Private Life, Ran Chen immerses us in the troubled life of Ni Niuniu… Chen weaves together these evaluations with Niuniu's manic writings in order to create an ultra postmodern tale of a young woman's psychosocial evolution… an important portrait of a young woman trying to survive in a complicated world." – Bust Magazine
"A Private Life is not an overtly political book; rather, it has the timeless quality of most dreams. Still, [narrator] Ni Niuniu's refusal to connect with the world outside her door becomes a kind of political statement." – Elizabeth Gold, Washington Post
"An atmospheric story of sexual awakening and ennui that enlarges our understanding of modern China." – Vancouver Sun
"Niuniu's hatred of the few powerful males in her life and her sexual confusion and manipulations are clearly depicted." – Sofia A. Tangalos, Library Journal
"This polished and readable translation of the inaugural novel of Chen Ran stands as an example of the quasi-autobiographical Sino-Japanese shishosetsu" – Choice
"A riveting tale… a lyrical meditation on memory, sexuality, femininity, and the often arbitrary distinctions between madness and sanity." – Translation Review
"A Private Life shows Chen Ran at her best: weaving together the female bildungsroman and social and political satire, she effortlessly flits from outbursts of rage to ecstasy to rarefied emotions. Her philosophical musings on the difficulty of achieving individual freedom are as critical of the collective pursuit of wealth and sensorial pleasures in China after socialism as of the authoritarianism and ideological conformity during the heyday of the Cultural Revolution. The poignant, tragic-comic tale is ultimately about bondage and transcendence." – Tze-Lan D. Sang, author of The Emerging Lesbian: Female Same-Sex Desire in Modern China
"The novel daringly depicts a woman's emotional journey towards the maturation of her sexuality. It is a provocative reflection of the new sensibility of a young generation of Chinese women in the post-Deng era. Chen Ran's sensuous style easily breathes through the translator's English rendition of her language." – Lingchei Letty Chen, Washington University, St. Louis
"One of the most acclaimed women writers in contemporary China, Chen Ran in this novel explores the complex emotional territory of the female body, sexuality, homoeroticism, and fantasy. The author’s personal voice triumphs in the novel as a most conscious presence, dissolving the public and collective model of socialist literature. Daringly written and excellently translated, A Private Life not only entertains, but also leaves the reader pondering Chen’s disturbing and deeply personal message." – Lingzhen Wang, Brown University

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He wanted to meet me up in my apartment, then go out together, but I thought it precipitous to invite him home like that, and besides, it wouldn't be good with Mother still not feeling well. So I arranged a time to wait for him downstairs.

That winter was unusually mild, and the weekend was gorgeously warm and sunny. At ten o'clock sharp, wearing a cashmere cardigan and carrying a down jacket under my arm, I went downstairs.

Before leaving the apartment I had stood in front of the mirror carefully assessing how I looked. I tried on, took off, tried on, took off a string of things, finally settling on the silver-gray cardigan.

I noticed that my body, which was once as thin as a sheet of paper, and my arms and legs, the Misses Do and Don't of my childhood, once skinny as sticks, had filled out, and that my breasts had been swelling quietly to fullness beneath my blouse. As I looked closely at this young but very beautiful girl in the mirror, I saw her suddenly turn away, and when she turned back again she had taken off all her clothes, or, I should say, they had simply disappeared. Her naked figure was flagrantly bared in the mirror, her deep red nipples glowing as if bathed in sunlight, her smooth white breasts following my eyes like a pair of plump sunflowers following the sun.

I was quite aware of my own narcissistic tendencies, but what followed caught me completely off guard, even shocked me.

I saw my body, frail as a feather, floating lightly toward me from a fog-enshrouded horizon. Whimpering helplessly with tears streaming down my face, I was in the arms of someone who looked exactly like Yin Nan. He was gently caressing my cheeks and my forehead in an attempt to soothe me. The touch of his breast ignited in me an overwhelming desire to be his prisoner. I had never before been embraced by anyone so young, nor had I ever before felt the desire to lose myself like this. I nestled in the mysterious greenish-blue aura of light that seemed to issue from his arms, in the overbrimming vitality of his youth. Yet his youthfulness made me feel uneasy.

Then I heard a voice that sounded exactly like Yin Nan's saying, "You're not at all like the others."

I said, "You've found out?"

The voice said, "You captivate me. You're pure and noble."

I said, "I'm not the least bit pure. You have no idea what kind of person I am."

The voice said, "I understand you."

I said, "You don't understand me. You have no idea how shameless I have been in the face of desire."

The voice said, "I like your shameless innocence."

I said, "You can't understand me. You're too young. And I am already old beyond my years."

The voice said, "I understand you. I've known you for a long time, and I've never stopped watching you."

I said, "Watching what?"

The voice said, "Your cheeks, your eyes, your lips, your breasts…"

Then I felt his gentle, cool fingertips lightly touching and caressing my face and my breasts…

A feeling of faintness overcame me, and I struggled to open my eyes.

I saw my own hands caressing the naked body of the young girl in the mirror…

At exactly ten o'clock I went downstairs. Yin Nan was already waiting for me at the entrance to the stairwell.

I went a few steps closer and said, "Have you been waiting long?"

He didn't say anything, just gave a secretive little chuckle.

He led me over to an inky black Imperial sedan and, opening the right front door, said, "Jump in."

I was rather surprised, because I couldn't see a driver anywhere, and there was no taxi sign. Feeling a bit puzzled, I climbed into the car and sat down.

By this time Yin Nan had already gone around to the other side, slid into the driver's seat, closed the door, and started the engine.

Watching in total astonishment, I asked him, "The car – did you drive it here? Can you drive?"

Cocky and secretly pleased with himself, he ignored my questions.

Following the sun-mottled streets, the car left our neighborhood behind and moved quickly out onto the multiple-laned Third Ring Road, where it quickly accelerated. We flashed past the roadside shops, trees, and scattered residential buildings. When I saw that the speedometer had already hit 140 kilometers per hour, I began to feel a bit uneasy.

I said, "Don't go so fast. We could have an accident."

Saying nothing, not even turning his head, Yin Nan kept his eyes on the road as we raced along.

I was starting to feel afraid.

I knew that he had carefully planned everything that day to show off his driving skills and impress me with his speed.

So I said, "Okay. You've already scared me stiff."

But only when we were turning off onto a side street did he finally slow down.

It was a small and very quiet road that connected with the city's eastern suburbs. The sun was shining directly into my face, so I cupped one hand over my eyes to block the piercing light.

Then I noticed that he had moved over as close as possible to the edge of the road to get us into the shade. His thoughtfulness touched me.

Dropping my hand, I said, "You needn't worry. It's just that the sun's a bit bright."

He said, "We better stay in the shade as much as possible. With your hand forever hoisted up like that, you look like you're saluting a military review."

I started to laugh. This was the first time I had seen his sense of humor.

We continued to drive. Gradually the city's variety of sights and noisy flow of people fell away, and on either side we began to see fields lying fallow, storage sheds, and run-down cottages that looked a bit like old-fashioned thatched huts.

We conversed very little along the way. I didn't feel like showing my curiosity about such things as his driving or whose car it was. I was totally engrossed in watching his every action as he drove, afraid that I might miss something – so much so that I began to feel faint from eye-strain and had to close my eyes and lean back against the seat and rest for a while before I began to recover. I was as serious as if I were a driving school student studying for my test.

When I closed my eyes to relax a bit, I felt Yin Nan pull the car over to the edge of the road, stop, shut off the engine, then turn to me.

"Do you feel sick?" he asked solicitously.

I said, "No. It's just that my eyes are a bit blurry."

"Then we'll rest for a while," he said, turning on the radio. As coincidence would have it, they were playing a song I loved very much – "The End of the World."

Why does the sun go on shining?
Why does the sea rush to shore?
Don't they know it's the end of the world?

Why does my heart go on beating?
Why do these eyes of mine cry?
Don't they know it's the end of the world?
It ended when you said good-bye.

This kind of soft-edged sentimentality could no longer stir me to tears. I simply listened quietly, feeling a bit sad.

I opened my eyes and looked out the car window at the golden sunlight streaming after the withered leaves as they raced across the ground. The bright light and the brilliant yellows pierced my eyes like hot flames. My eyes smarted, filling with tears, and I wiped them away with my fingers.

Noticing this, Yin Nan turned his head inquisitively to look at me.

After a moment he said, "You're not crying, are you?"

I said, "Don't be stupid. There's something bothering my eyes."

Then we fell silent, listening quietly to the song.

As we listened, there must have been something that somehow touched me, for I was struck with an inexplicable grief that reduced me to tears, real tears whose flow I could not stem, and the more I cried, the more intense this grief became.

Even today, I still have no idea what was behind those tears. But I do know that they had little, if anything, to do with Yin Nan and me.

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