Ran Chen - A Private Life

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From Publishers Weekly
"Sexuality has never been a problem with me. My problem is different. I am a fragment in a fragmented age." Despite this claim, the protagonist of Ran's unusual coming-of-age novel is defined by her precocious beauty and her struggle to define her sexual identity. Ran, one of China's most acclaimed contemporary women writers, tells how lovely Ni Niuniu is seduced before she enters puberty by an older woman, the sly, wise Widow Ho, then falls into an unwanted affair with her male teacher, Ti. In college, she meets the love of her life, a fellow student named Yin Nan, but their brief, passionate affair ends abruptly when Yin Nan becomes involved in the student protests in Tiananmen Square. Traumatized by the loss of Yin Nan and the deaths of her mother and Widow Ho, Niuniu retreats into her own mind, becoming Miss Nothing ("I no longer exist… I have disappeared…"). Niuniu's flaws, foibles and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study. Even the more conventional scenes are narrated with lyrical intensity, and hallucinatory dream sequences and passages describing Niuniu's alienation range from the revelatory to the overwrought. The result is an uneven but intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space.
From Booklist
The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous coming-of-age tale by Chinese essayist and short-story writer Chen. As a child, sensitive and gawky Ni Niuniu never quite fit in. Teased by her classmates and neglected by her cold, distant father, she engaged in quiet forms of rebellion (she once stole her father's woolen trousers and cut them off at the knees). While her father scarcely acknowledged her, other adults paid Ni Niuniu too much mind: her middle-school teacher, Ti, and an eccentric widower who lived next door each took sexual advantage of the impressionable young girl. Haunted by the past and despondent over the recent death of her mother and departure of her first love, Ni Niuniu retreats from the realities of politically charged Beijing, writing and drawing and endlessly soaking in her tub. Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world.
***
"Chen Ran's strikingly introspective, subjective, and individualized writing sets her work distinctively apart for the traditional and mainstream realism of the majority of contemporary Chinese writers… In his translation, Howard-Gibbon adeptly conveys the exquisiteness, richness, and slight eccentricity of Chen's prose." – China Daily
"The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous, coming-of-age tale by Chinese essayist and short-story writer Chen… Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world." – Booklist
"An intriguing exploration of the contemporary consciousness of an alienated, urban Chinese woman for whom current history matters less than the reliable comforts of love, nature, and solitude." – Kirkus Reviews
"Niuniu's flaws, foibles, and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study… [an] intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space." – Publishers Weekly
"In the novel A Private Life, Ran Chen immerses us in the troubled life of Ni Niuniu… Chen weaves together these evaluations with Niuniu's manic writings in order to create an ultra postmodern tale of a young woman's psychosocial evolution… an important portrait of a young woman trying to survive in a complicated world." – Bust Magazine
"A Private Life is not an overtly political book; rather, it has the timeless quality of most dreams. Still, [narrator] Ni Niuniu's refusal to connect with the world outside her door becomes a kind of political statement." – Elizabeth Gold, Washington Post
"An atmospheric story of sexual awakening and ennui that enlarges our understanding of modern China." – Vancouver Sun
"Niuniu's hatred of the few powerful males in her life and her sexual confusion and manipulations are clearly depicted." – Sofia A. Tangalos, Library Journal
"This polished and readable translation of the inaugural novel of Chen Ran stands as an example of the quasi-autobiographical Sino-Japanese shishosetsu" – Choice
"A riveting tale… a lyrical meditation on memory, sexuality, femininity, and the often arbitrary distinctions between madness and sanity." – Translation Review
"A Private Life shows Chen Ran at her best: weaving together the female bildungsroman and social and political satire, she effortlessly flits from outbursts of rage to ecstasy to rarefied emotions. Her philosophical musings on the difficulty of achieving individual freedom are as critical of the collective pursuit of wealth and sensorial pleasures in China after socialism as of the authoritarianism and ideological conformity during the heyday of the Cultural Revolution. The poignant, tragic-comic tale is ultimately about bondage and transcendence." – Tze-Lan D. Sang, author of The Emerging Lesbian: Female Same-Sex Desire in Modern China
"The novel daringly depicts a woman's emotional journey towards the maturation of her sexuality. It is a provocative reflection of the new sensibility of a young generation of Chinese women in the post-Deng era. Chen Ran's sensuous style easily breathes through the translator's English rendition of her language." – Lingchei Letty Chen, Washington University, St. Louis
"One of the most acclaimed women writers in contemporary China, Chen Ran in this novel explores the complex emotional territory of the female body, sexuality, homoeroticism, and fantasy. The author’s personal voice triumphs in the novel as a most conscious presence, dissolving the public and collective model of socialist literature. Daringly written and excellently translated, A Private Life not only entertains, but also leaves the reader pondering Chen’s disturbing and deeply personal message." – Lingzhen Wang, Brown University

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But now, when I saw how my mother looked, it did seem as if she had been touched by some intangible thing.

I walked everywhere in her apartment, searching for whatever it was that was amiss. Then I said without much conviction, "Mama, I think the orientation of your apartment is bad."

Mother said, "Don't be stupid."

I continued to think about it but said no more.

I pulled her over to the bed and made her sit down. It seemed like the worst was over. Her breathing was back to normal and the color was returning to her face. Moving her hands over the bedstead and the mattress, she sighed. "It was such a struggle to change our lives, and now – such a nice apartment, such a nice bed – and now only the two of us, and we don't have to put up with anybody's angry outbursts. But… ai…" The way she spoke, it sounded as if all of this was going to be lost forever.

An unaccountable sadness flooded over me.

To take her mind off her difficulty with breathing, I told her about Yin Nan, the boy I had met in the cafeteria.

Mother was an educated woman with a lifetime of reading behind her and had certainly had her share of hardships as well, but she had never lost her romantic, innocent nature. Her mind could be diverted as easily as a little girl's. Now, when for the first time from my lips she heard news of a handsome young boy, there was an abrupt about turn in her focus of attention. At the same time she was asking me questions about his circumstances, she was blindly immersing herself in fantasies of the future.

I didn't tell Mother about my fears over her physical condition, because I had realized that it would be unfortunate if she had the same fears. My mind was a blank, without a single trace of the noon-hour events in the school cafeteria. I stood motionless in the center of the room, staring at the shadow cast on the bare wall by the white hanging lamp.

Eventually I left her apartment, to have my feet carry me directly to Widow Ho's.

She was reading, the smoke from her pipe twining upward like embryonic galaxies.

There was something wrong with her refrigerator, and as soon as I entered the room I heard its noisy whir. This sound and the swirling wisps of smoke made the room look like a laboratory scene from a science fiction movie, or an obscure, miniaturized universe.

Once inside, I stood there rooted to the floor. As if in a dream, one after another, all the things that had happened that day swept past my eyes, filling my head, but I stood there blankly, not knowing what to say.

"What's wrong?" Ho asked.

I didn't respond. There was so much packed into my head that even the whirring of her refrigerator bothered my ears and my nerves. It was as if it too wanted to invade my brain. Trying to resist the sound, I said, "Your refrigerator's broken."

"I know." She asked me again, "What's wrong?"

Again I said, "Your refrigerator's broken."

"I know. Surely you didn't come over just to tell me about my refrigerator."

Again, I didn't respond.

I tried to ignore the whirring noise and spill out, like garbage, all the things that were on my mind. But, strangely, the noise curled around my ears like smoke and dominated my thoughts, even clinging to the skin of my entire body, trying insistently to bore into my brain. Standing there rigidly, I felt dizzy for a moment, and helplessly alone and unable to utter a word.

Putting out her pipe, Ho came over and took me in her arms. At last, I relaxed against her shoulder.

She said gently, "We'll have supper together, then we can have a nice chat."

I knew this shoulder very well. I had been enchanted by its fragrance ever since I was a tiny girl. It seemed as if these soft but strong shoulders had always been the keepers of my body, giving me support as I grew toward maturity. I clasped my arms tightly around her neck, afraid that my inner turmoil might turn them into a pair of flapping wings to carry me away from her, out of her embrace.

"I can't…" I said, "live without you."

"I know, I know."

After a pause, I added, "But I can't have dinner with you tonight. Mama's sick. I have to take care of her."

"Well then, you'll have to go." She patted me lightly on the back. "Don't forget, whatever happens, I'll always be here to help you. There's no need to worry. Okay?"

I felt my anxiety slipping away.

We embraced each other again, then I left her apartment.

16 Apple Bobbing…

In the end, Mother went to the hospital by herself, as she wished. Even though I told her my classes were not a problem, that I could graduate with my eyes closed, she insisted that she didn't want me to go with her.

When she came back from the hospital, she was quite casual about the whole thing. She said that the doctors had given her a general examination, x-rays and the like; that the preliminary diagnosis was heart strain; it wasn't very serious yet, but if it wasn't looked after, it could develop into a leaky aortic or mitral valve, which could lead to an increase in diastolic pressure in the left ventricle, leading to a malfunction of the left heart chamber. The doctor gave her a prescription for a cardiac stimulant and a diuretic to decrease the pressure, and urged her to come to the hospital to be put on oxygen whenever she felt it was necessary.

After that, Mother stayed home to rest and took her medicine every day. As her condition began to visibly improve, my concern for her began to ease as well.

After getting to know Yin Nan, I often bumped into him in the cafeteria at noon, and we would sit and have lunch together. But gradually, our relationship began to change in a rather subtle way.

When I first met him, it was mostly his handsome face and engaging manner that captivated me. Seeing him gave me a thrill that quickly overwhelmed me, filling my heart and dominating my thoughts. But this visual stimulation gradually settled down into a stable and lasting affection. He still aroused my passion, but I would think of him in this way only when it was getting close to lunchtime.

It was Yin Nan himself who underwent the subtle change.

Every time I met him he was always sitting in the same place, bent over his food, ignoring me. He never looked up when I approached, until I said, "How's lunch?" or "Here I am," at which point he would suddenly lift his head, pretending he hadn't noticed me, and say, "Hi!"

I say "pretending" because I have plenty of proof that he was adopting a stance to hide his real feelings. It was his fingers that gave him away.

He was always reading some paper or other as he was eating. When I approached, even though his eyes would be focused on his paper, the fingers of one of his hands would be drumming anxiously on the table in a way that had nothing to do with his food or his reading. The closer I got, the faster his fingers drummed. Only when the shadow of my head fell on his paper did those fingers suddenly stop, and curl into a tense, bony half-fist, the fingers trembling nervously. But he refused to look up, waiting instead for me to say something, when he would offhandedly suddenly "discover" I was there.

But his hand quietly and unmistakably revealed his uneasy anticipation. His tense fingers and the studied nonchalance on his face were perfect foils for each other.

I didn't say anything to him about his behavior. These little quirks endeared him to me. I knew that he wanted to see me just as much as I wanted to see him, that he waited every day for my "How's lunch?" I knew that the sound of my voice was all that was needed to make him forget about eating.

After meeting by chance in the cafeteria for a while, Yin Nan and I gradually became close friends, and he was able to relax a bit.

Eventually, he asked me to go on an outing with him one weekend, and I ecstatically agreed.

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