Ran Chen - A Private Life

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From Publishers Weekly
"Sexuality has never been a problem with me. My problem is different. I am a fragment in a fragmented age." Despite this claim, the protagonist of Ran's unusual coming-of-age novel is defined by her precocious beauty and her struggle to define her sexual identity. Ran, one of China's most acclaimed contemporary women writers, tells how lovely Ni Niuniu is seduced before she enters puberty by an older woman, the sly, wise Widow Ho, then falls into an unwanted affair with her male teacher, Ti. In college, she meets the love of her life, a fellow student named Yin Nan, but their brief, passionate affair ends abruptly when Yin Nan becomes involved in the student protests in Tiananmen Square. Traumatized by the loss of Yin Nan and the deaths of her mother and Widow Ho, Niuniu retreats into her own mind, becoming Miss Nothing ("I no longer exist… I have disappeared…"). Niuniu's flaws, foibles and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study. Even the more conventional scenes are narrated with lyrical intensity, and hallucinatory dream sequences and passages describing Niuniu's alienation range from the revelatory to the overwrought. The result is an uneven but intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space.
From Booklist
The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous coming-of-age tale by Chinese essayist and short-story writer Chen. As a child, sensitive and gawky Ni Niuniu never quite fit in. Teased by her classmates and neglected by her cold, distant father, she engaged in quiet forms of rebellion (she once stole her father's woolen trousers and cut them off at the knees). While her father scarcely acknowledged her, other adults paid Ni Niuniu too much mind: her middle-school teacher, Ti, and an eccentric widower who lived next door each took sexual advantage of the impressionable young girl. Haunted by the past and despondent over the recent death of her mother and departure of her first love, Ni Niuniu retreats from the realities of politically charged Beijing, writing and drawing and endlessly soaking in her tub. Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world.
***
"Chen Ran's strikingly introspective, subjective, and individualized writing sets her work distinctively apart for the traditional and mainstream realism of the majority of contemporary Chinese writers… In his translation, Howard-Gibbon adeptly conveys the exquisiteness, richness, and slight eccentricity of Chen's prose." – China Daily
"The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous, coming-of-age tale by Chinese essayist and short-story writer Chen… Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world." – Booklist
"An intriguing exploration of the contemporary consciousness of an alienated, urban Chinese woman for whom current history matters less than the reliable comforts of love, nature, and solitude." – Kirkus Reviews
"Niuniu's flaws, foibles, and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study… [an] intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space." – Publishers Weekly
"In the novel A Private Life, Ran Chen immerses us in the troubled life of Ni Niuniu… Chen weaves together these evaluations with Niuniu's manic writings in order to create an ultra postmodern tale of a young woman's psychosocial evolution… an important portrait of a young woman trying to survive in a complicated world." – Bust Magazine
"A Private Life is not an overtly political book; rather, it has the timeless quality of most dreams. Still, [narrator] Ni Niuniu's refusal to connect with the world outside her door becomes a kind of political statement." – Elizabeth Gold, Washington Post
"An atmospheric story of sexual awakening and ennui that enlarges our understanding of modern China." – Vancouver Sun
"Niuniu's hatred of the few powerful males in her life and her sexual confusion and manipulations are clearly depicted." – Sofia A. Tangalos, Library Journal
"This polished and readable translation of the inaugural novel of Chen Ran stands as an example of the quasi-autobiographical Sino-Japanese shishosetsu" – Choice
"A riveting tale… a lyrical meditation on memory, sexuality, femininity, and the often arbitrary distinctions between madness and sanity." – Translation Review
"A Private Life shows Chen Ran at her best: weaving together the female bildungsroman and social and political satire, she effortlessly flits from outbursts of rage to ecstasy to rarefied emotions. Her philosophical musings on the difficulty of achieving individual freedom are as critical of the collective pursuit of wealth and sensorial pleasures in China after socialism as of the authoritarianism and ideological conformity during the heyday of the Cultural Revolution. The poignant, tragic-comic tale is ultimately about bondage and transcendence." – Tze-Lan D. Sang, author of The Emerging Lesbian: Female Same-Sex Desire in Modern China
"The novel daringly depicts a woman's emotional journey towards the maturation of her sexuality. It is a provocative reflection of the new sensibility of a young generation of Chinese women in the post-Deng era. Chen Ran's sensuous style easily breathes through the translator's English rendition of her language." – Lingchei Letty Chen, Washington University, St. Louis
"One of the most acclaimed women writers in contemporary China, Chen Ran in this novel explores the complex emotional territory of the female body, sexuality, homoeroticism, and fantasy. The author’s personal voice triumphs in the novel as a most conscious presence, dissolving the public and collective model of socialist literature. Daringly written and excellently translated, A Private Life not only entertains, but also leaves the reader pondering Chen’s disturbing and deeply personal message." – Lingzhen Wang, Brown University

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Without a word, I grabbed her and we rushed to my mother's apartment.

The hallway was already jammed with people asking each other about the explosion. Without stopping to talk to anyone, I raced to my mother's door and started pounding on it violently.

There was no answer.

I knew that Mother was a light sleeper, and when she didn't respond, the strength went out of my legs.

I began to shout and bang the door with my fists.

Ho said, "Quick. Go and get your key."

When we finally got the door open, we rushed into Mother's bedroom and shook her awake, to find to our surprise that nothing had happened, that she was safe and sound.

A great stone of fear was lifted from my heart.

Mother explained that she hadn't been feeling well for the past few days and because she couldn't sleep, she had taken an extra-strong dose of sleeping pills.

The lights were out in the corridors, and in the inky darkness Ho and I groped our way upstairs with some neighbors who had heard where the accident was.

There was already a crowd of people outside the door of the Ge girl's apartment. Pale as a ghost, she stood stricken outside the open door, trembling uncontrollably, muttering repeatedly, "Please help my papa! The kitchen… the pressure cooker…," while her husband stood jouncing their wailing son in his arms.

Suddenly I put things together: the familiar-looking "stranger" I had bumped into in the stairwell must have been Mr. Ge. After hiding for so many years, he had finally resurfaced, come home.

Nervously, I followed several of our neighbors into the apartment, looking for the kitchen, but what I saw there made me sick with fear.

The "stranger" was indeed Mr. Ge. He was stretched out on the dull red tile floor. A red and white mess the consistency of paste was splattered all around his head. The twisted, empty pressure cooker was beside his left shoulder, the bean porridge it had contained spewed everywhere, the lid nowhere to be seen. There was a round hole in his skull just behind his left ear, from which the grayish curd of his brain and syrupy thick blood still oozed. It was disgusting.

A middle-aged male doctor who lived in the building came in, and crouching down beside the motionless body, he reached out to feel for a pulse in Mr. Ge's neck. After a moment he stood up and said, "He's gone. With injuries like that, death is a matter of seconds."

I turned away and fled.

15 Endless Days…

With his eyebrows and his fingers, he attacked me. He was the house I built out of my fantasies.

Third year university was a very hectic time for me. It is reasonable to say that all the major changes in my life had their roots in that tragic period.

First, my mother was stricken with a fatal illness that year; then what could have been the first love of my life was aborted; after that, a serious fire took the life of my most beloved friend; and finally, I became an innocent victim in a serious incident…

On my way home on that particular day, for no discernible reason at all, I was struck by a stray bullet from somewhere. Luckily, the bullet had passed through the flesh of my left calf, and I was able to convalesce at home after only two days in the hospital.

I have never taken the time to describe my years at the university, since I always seek to avoid that aspect of my life because it so wearies me. You could say that for the longest time I have harbored a hostile, antagonistic attitude toward school, with a special hatred for compulsory examination questions of all types that do not allow me the right to answer, "I have nothing to say on that subject." However, because those years involved the occasional presence of a boy named Yin Nan in my life and his very real departure from it, I have no choice but to touch upon them.

The faculty that I was in formed a poetry club called "Frowners." My involvement with Yin Nan was connected with its name.

At that time there were a number of impetuous young male students and teachers in the faculty who had proposed the creation of a poetry society. They started by drafting a charter setting out their principles and naming the club "Subversives," and school authorities responded by banning it. So they watered down their principles considerably and renamed the club "Opportunists." The revised charter was approved, but the name was again shot down. It was just when the club was experiencing these bothersome birth pangs that Yin Nan, one of its members, caught my attention in the cafeteria one day at lunchtime.

He had delicate good looks, with a long, thin, pale face; a straight nose; big, dark, gentle eyes; and flashing white teeth. He was tall and impeccably dressed, and bore a fleeting resemblance to the Chinese-American movie star John Lone.

Carrying my lunchbox that day, without any hesitation at all, I took the empty seat next to him. To be quite honest, I struck up a conversation with him only because of his attractive appearance.

It seemed that when I left Ti, he had removed something beautiful and personal from my life, but that now, with this young man in front of me, this special feeling had reemerged, pristine and pure.

Before meeting Yin Nan I had always had a stubbornly warped view of good-looking boys, thinking that their depth and their accomplishments most often ran in inverse proportion to their good looks. During my adolescence there was only one man of whom I thought otherwise – the former American president Richard Nixon. My adolescent infatuation with this handsome, profound, and also highly successful man came about because, with his big nose, wide shoulders, and amiable manner, he accorded very closely with my conception of the ideal father. Judging my men by how they measured up against the ample intelligence and capability of my idealized father image has probably been the most destructive flaw in my life.

My infatuation with Nixon definitely had nothing to do with politics. In fact, I have no interest at all in getting involved in any kind of political activity. I hate things political because they are so often far removed from the idea of "honesty," which I have held so dear my entire life. In all my years as a student, my grades on political exams were always disastrous. On one occasion, in a second-year survey examination, I think, in answer to the question, "Would you say that you deeply love politics?" my response was, "Only if it is permissible to lie," which netted me a long talking to by the school authorities. The instability and sudden changes in politics make it impossible for me to distinguish what is genuine from what is false. In my mind, political events remain a heap of overblown, amorphous memories. They are very much like huge waves that meet over great depths. You have to wait until the opposing currents are finally absorbed into each other, until the frothing peaks finally subside, before you can again discern the depths. Much as it is with love, political instability can encourage the pursuit of blind passions, but as it is with love, I have a right to choose when I want to be involved and when I want to break it off.

My youthful fascination with Nixon was a very naive fantasy that stayed with me until his death in February 1995. I was flying to a city in the Asian tropics on a South China Airlines flight when I saw his photograph and the headline announcing his death, in that day's overseas edition of The People's Daily. I very seriously placed a kiss on that forehead that had borne the brunt of so many of the vicissitudes of life; then I stared out of the plane's window for a while, imagining that Nixon's soul had already risen from the earth and was floating in the air outside my window. He looked in at me as we waved a farewell to each other, and I said, "Good-bye, Mr. Nixon." Then I put the newspaper aside, discarding along with it all those childhood illusions that had involved him.

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