Ran Chen - A Private Life

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From Publishers Weekly
"Sexuality has never been a problem with me. My problem is different. I am a fragment in a fragmented age." Despite this claim, the protagonist of Ran's unusual coming-of-age novel is defined by her precocious beauty and her struggle to define her sexual identity. Ran, one of China's most acclaimed contemporary women writers, tells how lovely Ni Niuniu is seduced before she enters puberty by an older woman, the sly, wise Widow Ho, then falls into an unwanted affair with her male teacher, Ti. In college, she meets the love of her life, a fellow student named Yin Nan, but their brief, passionate affair ends abruptly when Yin Nan becomes involved in the student protests in Tiananmen Square. Traumatized by the loss of Yin Nan and the deaths of her mother and Widow Ho, Niuniu retreats into her own mind, becoming Miss Nothing ("I no longer exist… I have disappeared…"). Niuniu's flaws, foibles and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study. Even the more conventional scenes are narrated with lyrical intensity, and hallucinatory dream sequences and passages describing Niuniu's alienation range from the revelatory to the overwrought. The result is an uneven but intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space.
From Booklist
The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous coming-of-age tale by Chinese essayist and short-story writer Chen. As a child, sensitive and gawky Ni Niuniu never quite fit in. Teased by her classmates and neglected by her cold, distant father, she engaged in quiet forms of rebellion (she once stole her father's woolen trousers and cut them off at the knees). While her father scarcely acknowledged her, other adults paid Ni Niuniu too much mind: her middle-school teacher, Ti, and an eccentric widower who lived next door each took sexual advantage of the impressionable young girl. Haunted by the past and despondent over the recent death of her mother and departure of her first love, Ni Niuniu retreats from the realities of politically charged Beijing, writing and drawing and endlessly soaking in her tub. Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world.
***
"Chen Ran's strikingly introspective, subjective, and individualized writing sets her work distinctively apart for the traditional and mainstream realism of the majority of contemporary Chinese writers… In his translation, Howard-Gibbon adeptly conveys the exquisiteness, richness, and slight eccentricity of Chen's prose." – China Daily
"The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous, coming-of-age tale by Chinese essayist and short-story writer Chen… Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world." – Booklist
"An intriguing exploration of the contemporary consciousness of an alienated, urban Chinese woman for whom current history matters less than the reliable comforts of love, nature, and solitude." – Kirkus Reviews
"Niuniu's flaws, foibles, and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study… [an] intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space." – Publishers Weekly
"In the novel A Private Life, Ran Chen immerses us in the troubled life of Ni Niuniu… Chen weaves together these evaluations with Niuniu's manic writings in order to create an ultra postmodern tale of a young woman's psychosocial evolution… an important portrait of a young woman trying to survive in a complicated world." – Bust Magazine
"A Private Life is not an overtly political book; rather, it has the timeless quality of most dreams. Still, [narrator] Ni Niuniu's refusal to connect with the world outside her door becomes a kind of political statement." – Elizabeth Gold, Washington Post
"An atmospheric story of sexual awakening and ennui that enlarges our understanding of modern China." – Vancouver Sun
"Niuniu's hatred of the few powerful males in her life and her sexual confusion and manipulations are clearly depicted." – Sofia A. Tangalos, Library Journal
"This polished and readable translation of the inaugural novel of Chen Ran stands as an example of the quasi-autobiographical Sino-Japanese shishosetsu" – Choice
"A riveting tale… a lyrical meditation on memory, sexuality, femininity, and the often arbitrary distinctions between madness and sanity." – Translation Review
"A Private Life shows Chen Ran at her best: weaving together the female bildungsroman and social and political satire, she effortlessly flits from outbursts of rage to ecstasy to rarefied emotions. Her philosophical musings on the difficulty of achieving individual freedom are as critical of the collective pursuit of wealth and sensorial pleasures in China after socialism as of the authoritarianism and ideological conformity during the heyday of the Cultural Revolution. The poignant, tragic-comic tale is ultimately about bondage and transcendence." – Tze-Lan D. Sang, author of The Emerging Lesbian: Female Same-Sex Desire in Modern China
"The novel daringly depicts a woman's emotional journey towards the maturation of her sexuality. It is a provocative reflection of the new sensibility of a young generation of Chinese women in the post-Deng era. Chen Ran's sensuous style easily breathes through the translator's English rendition of her language." – Lingchei Letty Chen, Washington University, St. Louis
"One of the most acclaimed women writers in contemporary China, Chen Ran in this novel explores the complex emotional territory of the female body, sexuality, homoeroticism, and fantasy. The author’s personal voice triumphs in the novel as a most conscious presence, dissolving the public and collective model of socialist literature. Daringly written and excellently translated, A Private Life not only entertains, but also leaves the reader pondering Chen’s disturbing and deeply personal message." – Lingzhen Wang, Brown University

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When I got to my own apartment, I stood in front of the open window trying very hard to recall some clue of my past connection with this man. The light from the moon was glaringly bright and a restless wind sighed in the eaves of the building across the street. Some eerie birds flashed past the window, their cries echoing through the sleepy air.

Tired and sleepy, I curled up on my sofa, my eyes lightly closed.

I saw a number of past years and months rising up out of the dust, and, borne on wings, group after group of people I had once known flew past the window, the earth and mold they shook off their bodies smashing as it fell. I picked my way carefully through the morass of memories, with garbage, foul odors, and unfamiliar grasses and toad-stools growing rampant everywhere. A forest of chestnut trees in the distance with a small path leading to it was the only inviting thing to be seen, but halfway there the path was cut off and it was impossible for me to continue.

I stared into the depths of my memory, but there wasn't a single trace of anyone.

But just then, a name was lifted from the silence as if by the evening wind. Uttered by many lips, it floated from the streets to my window. Beyond my grasp, it trembled and flickered with blood-red light against the black backdrop of the night. Vaguely, I saw a corpse standing up slowly. When I looked closely, I saw that it looked very much like the Ge woman, except that her face was somehow swollen and a deep scar on her neck had pulled the corner of her mouth to one side. Her protruding lips were like twisted flower petals covered with blood. I saw her remonstrating angrily among the ranks of innocent ghosts, but her desolate cries in the emptiness came back only as the faintest of echoes.

Dreadfully frightened, I listened intently.

Eventually, that faint echo was drowned out by the roar of a huge truck going by outside.

Opening my eyes, I stood up and went over to the window. I closed one side, thought for a while, and then closed the other. But locked up within my feelings, I still couldn't sort out my connection to the unexpected stranger on the stairs.

Finally, I let it go.

After taking a shower, I got into bed and turned out the light.

By this time it had started to rain, and the huge drops clattering on the street below sounded like the hooves of countless horses or beasts galloping by.

…The noise outside seemed to have pulled me into a huge party. A woman spinning in one corner of the dance floor glided over and looked at me with burning desire, her warm hand persistently seeking mine. Only when she at last took my hand in hers did I realize that it was Ho.

She asked me to dance.

I said that the two of us couldn't dance together.

She said, Why can't we? Listen. It's the latest music, males and females dance the same steps. The magnetic music pulled us onto the dance floor, and, holding my hand, she guided me out among the dancers. Our feet moved forward, back, in the crowded space, but we didn't bump into anyone, and so we danced our androgynous dance.

Under the bewildering changes of the constantly flashing colored lights, the faces around me kept changing shape. Ho and I held each other closely, afraid that the other might turn into someone else in a moment of inattention. Like the sound of the little drum in an opera orchestra, her heart beat wildly against my breast. Her body emitted an intangible heat as she pressed herself tightly against me. She held my young buttocks firmly in her hands, so exciting me that I began to gasp for breath.

With her bright eyes she coaxed me as we danced lightly down a sinuous, narrow, sloping corridor to a railing. Beyond it, I saw, was a deserted garden. We stopped. Then, in the dim light, I followed her into the garden without question, thinking of nothing but her.

When she started undoing my blouse, the sound of my wildly beating heart so unsettled her that her fingers began to fumble with the buttons. I said nothing, letting her do with me as she wished. When she had undone my blouse, she didn't take it off; she simply spread it open and ran her fingers through my hair, pushing it back from my forehead to reveal my entire face. Then she stepped back several paces so that we were not too close together, yet not too far apart; that is, we were not so close together that she could not appreciate my features, nor so far apart that the dim light obscured them.

Then she began undoing her own blouse and stood facing me in the same attitude in which I faced her, so that we could enjoy each other. A vague anxiety was unsettling me. I longed feverishly for her to reveal her beauty to me totally. Her every movement and gesture overcame me with its perfect beauty, and filled me with desire.

She was my mirror.

We gazed intently at each other for a long time, her eyes looking vaguely dejected and at the same time inquisitive. I had never before seen such a suggestive look in such an intelligent and passionate female face. Her short, neat, glossy hair and the serious lines at the corners of her mouth perfectly embodied her calm profundity and her rich life experience.

It is quite safe to say that at that moment I saw her far more clearly than she saw me.

A giddy feeling of joy began to rise up from the soles of my feet.

When she came over to me and kissed my cheek, it was just as it had been many years earlier – her glowing skin lightly touching mine; the familiar, delicate fragrance of her sinuous figure; from the center of my being, her voice softly calling my name. Just as it had been in those earlier times, my pulse quickened and I began to tremble, until at last I listened to her with my heart, held her within my heart of hearts. At the same time I felt ashamed of my liaison with Ti, my "fall," ashamed because I had betrayed her, hurt her.

Suddenly, I felt weak and helpless and struggled desperately to breathe. Inexplicably, out of nowhere that familiar "third hand" was reaching out toward my body, and ignoring all else, I eagerly received it. As we turned in dance, I was bathed in a shuddering consummation. Everything around me seemed to be melting, and my skin tingled with tense, numbing excitement.

As our passion subsided, we drooped with exhaustion and stood apart as our breathing returned to normal.

Then all at once my dance partner's formerly slim, graceful legs caught my attention. In an instant they had become as strong and thick as tree trunks. My eyes slowly traveled up those legs, as sturdy as those of a work horse, to discover that my dance partner had changed into someone else, a male. Taken aback, I said, What's happening?

He laughed slyly.

I said, I don't need you.

He said, Your lust needs me.

My face flushed red, and I said, In my heart I do not need you.

He said, You don't know yourself. Your real inner need is, in fact, me.

Feeling like I was the object of some joke, I looked anxiously everywhere for Ho.

I backed farther away from the man and shouted, I don't need you, I don't need you at all…

***

A deafening explosion jerked me awake. Blotting out the sound of the continuous rain, it jarred all the residents of the building out of their dreams.

The explosion was followed by an eerie silence, then the corridors rang with a piercing female scream, "Someone, please! Help! Help!"

Again, there was a dead silence.

Soon the corridors were filled with the clanging of burglar-proof doors opening and the scattered scuffle of slippered feet. The noise and confusion got louder and louder.

It had taken me this long to fully awaken. Now, I shot out of bed and rushed to the door. Someone was already pounding on it.

I swung it open to see Ho standing there, frightened beyond measure.

She said, "Are you all right?"

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