Ran Chen - A Private Life

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From Publishers Weekly
"Sexuality has never been a problem with me. My problem is different. I am a fragment in a fragmented age." Despite this claim, the protagonist of Ran's unusual coming-of-age novel is defined by her precocious beauty and her struggle to define her sexual identity. Ran, one of China's most acclaimed contemporary women writers, tells how lovely Ni Niuniu is seduced before she enters puberty by an older woman, the sly, wise Widow Ho, then falls into an unwanted affair with her male teacher, Ti. In college, she meets the love of her life, a fellow student named Yin Nan, but their brief, passionate affair ends abruptly when Yin Nan becomes involved in the student protests in Tiananmen Square. Traumatized by the loss of Yin Nan and the deaths of her mother and Widow Ho, Niuniu retreats into her own mind, becoming Miss Nothing ("I no longer exist… I have disappeared…"). Niuniu's flaws, foibles and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study. Even the more conventional scenes are narrated with lyrical intensity, and hallucinatory dream sequences and passages describing Niuniu's alienation range from the revelatory to the overwrought. The result is an uneven but intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space.
From Booklist
The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous coming-of-age tale by Chinese essayist and short-story writer Chen. As a child, sensitive and gawky Ni Niuniu never quite fit in. Teased by her classmates and neglected by her cold, distant father, she engaged in quiet forms of rebellion (she once stole her father's woolen trousers and cut them off at the knees). While her father scarcely acknowledged her, other adults paid Ni Niuniu too much mind: her middle-school teacher, Ti, and an eccentric widower who lived next door each took sexual advantage of the impressionable young girl. Haunted by the past and despondent over the recent death of her mother and departure of her first love, Ni Niuniu retreats from the realities of politically charged Beijing, writing and drawing and endlessly soaking in her tub. Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world.
***
"Chen Ran's strikingly introspective, subjective, and individualized writing sets her work distinctively apart for the traditional and mainstream realism of the majority of contemporary Chinese writers… In his translation, Howard-Gibbon adeptly conveys the exquisiteness, richness, and slight eccentricity of Chen's prose." – China Daily
"The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous, coming-of-age tale by Chinese essayist and short-story writer Chen… Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world." – Booklist
"An intriguing exploration of the contemporary consciousness of an alienated, urban Chinese woman for whom current history matters less than the reliable comforts of love, nature, and solitude." – Kirkus Reviews
"Niuniu's flaws, foibles, and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study… [an] intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space." – Publishers Weekly
"In the novel A Private Life, Ran Chen immerses us in the troubled life of Ni Niuniu… Chen weaves together these evaluations with Niuniu's manic writings in order to create an ultra postmodern tale of a young woman's psychosocial evolution… an important portrait of a young woman trying to survive in a complicated world." – Bust Magazine
"A Private Life is not an overtly political book; rather, it has the timeless quality of most dreams. Still, [narrator] Ni Niuniu's refusal to connect with the world outside her door becomes a kind of political statement." – Elizabeth Gold, Washington Post
"An atmospheric story of sexual awakening and ennui that enlarges our understanding of modern China." – Vancouver Sun
"Niuniu's hatred of the few powerful males in her life and her sexual confusion and manipulations are clearly depicted." – Sofia A. Tangalos, Library Journal
"This polished and readable translation of the inaugural novel of Chen Ran stands as an example of the quasi-autobiographical Sino-Japanese shishosetsu" – Choice
"A riveting tale… a lyrical meditation on memory, sexuality, femininity, and the often arbitrary distinctions between madness and sanity." – Translation Review
"A Private Life shows Chen Ran at her best: weaving together the female bildungsroman and social and political satire, she effortlessly flits from outbursts of rage to ecstasy to rarefied emotions. Her philosophical musings on the difficulty of achieving individual freedom are as critical of the collective pursuit of wealth and sensorial pleasures in China after socialism as of the authoritarianism and ideological conformity during the heyday of the Cultural Revolution. The poignant, tragic-comic tale is ultimately about bondage and transcendence." – Tze-Lan D. Sang, author of The Emerging Lesbian: Female Same-Sex Desire in Modern China
"The novel daringly depicts a woman's emotional journey towards the maturation of her sexuality. It is a provocative reflection of the new sensibility of a young generation of Chinese women in the post-Deng era. Chen Ran's sensuous style easily breathes through the translator's English rendition of her language." – Lingchei Letty Chen, Washington University, St. Louis
"One of the most acclaimed women writers in contemporary China, Chen Ran in this novel explores the complex emotional territory of the female body, sexuality, homoeroticism, and fantasy. The author’s personal voice triumphs in the novel as a most conscious presence, dissolving the public and collective model of socialist literature. Daringly written and excellently translated, A Private Life not only entertains, but also leaves the reader pondering Chen’s disturbing and deeply personal message." – Lingzhen Wang, Brown University

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Jerking up, I looked all around me. The dying echoes of that angry sound were followed by a dead silence. As the blue of twilight gradually thickened, the dying light clung like a tight mesh around my body. I stood there frightened and afraid to move. I couldn't see anything unusual, nor had any idea what had struck my leg.

As I looked around in fear, I kept thinking that these were unusual times, everything was distorted, changed. Evil intentions lurked everywhere and anything could cause them to erupt.

The muffled clanking sound in the distance became clearer and clearer, turning into a rumbling thunder. As I strained to listen, I heard once more that angry sound, like the snort of a wild boar, this time protracted and unbroken.

I turned fearfully in its direction.

What transpired was a miracle. Beyond the street corner in the distance, a wavering mirage suddenly appeared and began to rumble slowly toward me, cutting through everything within my field of vision…

I was dumbstruck.

Dropping to my knees, I scrambled to the side of the road, and grabbing hold of a spindly tree, hid there like a thief, holding my breath, pressed behind a huge block of stone. Only then did the pain in my leg start rising upward, to engulf me. The wound was like a dark red cave, the mouth of a living spring. Around the opening, the flesh, like the split cardboard casing of an exploded firecracker, was curling outward…

Only after being taken by the people on the street to the nearby hospital where my mother was, not as a visitor but as a patient, did I finally find out that the hard object that had struck my leg was a wayward bullet. It had passed between the two bones in my calf and out the other side before it even registered that something had hit me.

When Mother, all upset, came to the emergency room to see me, the whole thing struck me as totally absurd.

***

The turmoil in Tian'anmen Square that summer, which was causing a sensation around the world, had become fanatical and violent, stirring the hungry winds of discontent into a fierce storm that left the city shedding silent tears. The fledgling trees and the grass along the roadway may be beaten and bent by the blazing sun or the slashing rain, but before too long they begin to sway, then slowly straighten up again.

We had been keeping to the house for a number of days, but could still hear an unbroken chorus of fierce and rabid shouting coming from the streets. There was a forest of green uniforms rooted like trees in every street and alleyway. Like the leaden gray sky overhead, these stiff uniforms had been around from ancient times. Present in every age, every region, they penetrate all time and space. Perhaps this is the nature of things. Every time it rains, every time the wind blows, the slight est movement is passed from one point to another until it is everywhere and every tree, every blade of grass becomes a soldier.

I could sense that something was astir.

The afternoon of the day prior to my being struck by that pointless bullet, I still wasn't aware how serious the situation had become. Standing looking out my window, I saw that the light of the sun that summer had changed, and now cast everywhere an air of destruction. Under that sun, down on the street, I saw a group of leather-booted young soldiers shouldering rifles, their belts cinched tight around their thin waists. Moving through the crowds like a neat little troupe of children, swinging their arms with drunken fanaticism, they were part of a chaotic scene that one couldn't, but had to, believe…

I was both enveloped in this atmosphere and apart from it.

That night of flames had not yet released me.

Ho's death had left me feeling empty and almost paralyzed these past several months. I simply couldn't believe that a close and intimate friend could be taken from me without a word. I was immobilized by some kind of mental block or breakdown. It was as if I had walked into a distorted mirror where time ran backward…

I kept seeing Ho's crimson body lying on that big bed, looking like a huge dissolvable colored medicine capsule. An empty rocking chair beside the bed creaked back and forth imploringly, as if longing for a trusted old friend to come and sit, still its vexation, and make life normal again. Ho was earnestly beckoning me to come and sit beside her, one hand covering her seared brow, the other extended toward me. Standing apart from her, my breath quickened with fear, I couldn't bring myself to go over to her. I looked down to see that my watch, its strap, and its case had all disappeared, but the hands were still going around. I said, "Ho, you're dead, dead. It isn't you that I see. What do you want from me? Please don't frighten me, I can't come to you." But when I stopped talking and looked up at her again, her face had already shrunk to a third of its normal size. Coughing up pink-colored spittle, she continued to shrink until all that was left of her was a little heap of her thoughts and a single arm still extended toward me. As I cried out a silent No, no, I found myself back in the world of reality.

Sometimes she would suddenly appear from some totally unexpected direction, the front of her skirt dancing in defiance against the summer wind. She would come into view from around a distant corner or emerge from a subway station, threading her way through the crowd. I would follow her with my eyes to where she stopped and stood on the opposite side of the street in the shade of a ghostly looking scholar tree, watching me. She would be holding a bouquet of shimmering fresh flowers that sparkled with the dew of her tears. They would be so beautiful that the lawns, the chestnut trees, and the wedding-cake houses in the background would fade into obscurity. Such an enchanting bouquet of fresh flowers of grief, such an enchanting young widow! Were they perhaps for her own grave?

Ho would be about to work her way over to me across the traffic-thronged street, but the endless flow of vehicles would block her way and also block my line of sight. I could do nothing but wait as they crept by like a line of snails. When at last there would be a break in traffic, I would not be able to see her. I would stand there, dumb as a wooden chicken in the middle of a cacophony of car horns and bicycle bells, blocking the traffic, Ho's image having vanished completely…

On that stifling afternoon, I was standing there looking out the window because I knew that Yin Nan was out there somewhere in those seething crowds in Tian'anmen Square, although we hadn't seen each other for over a month and I didn't know exactly what he had been doing. Now he was my only friend and comfort, and I was worried about him.

On top of this, my mother was now in a different hospital suffering ongoing respiratory problems because of her heart condition. All these things coming in concert left me crushed with a deep anxiety.

Yin Nan had just called me from a public telephone booth, to say that something extremely urgent had come up and he had to see me. From the tone of his voice and the fact that I was to meet him in an abandoned warehouse we had chanced upon one night after seeing the movie The Unrequited Love of a Man and a Spirit, I knew that this was to be an unusual and secret meeting.

Over the telephone, I could hear the clamor in the background and the wail of an ambulance as it went past.

As soon as I put down the telephone, I rushed to the abandoned warehouse.

Half an hour later, I was standing in front of its rust-encrusted, half-open door. Through it I could see straw, iron plate, used lumber, empty paint cans, and scraps of plastic, and everywhere everything was coated in dust. There were no windows, and the darkened interior opened before me like the gaping mouth of some huge monster about to devour me.

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