Kate Furnivall: The Russian Concubine

She wiped a hand over the window. Cleared a swathe of glass.

Because now she knew that you didn’t survive on your own. Everyone who touched your life sent a ripple effect through you, and all the ripples interconnected. She could sense them inside her, surging and flowing, doubling back and overlapping, all the way back to the beginning. And at the centre of them all was Chang An Lo. She wrapped her hand tight around the quartz dragon pendant. He and she would survive this and would be together again when all the turmoil was over, of that she was sure. She stared intently up at the low ridge of hills ahead where rumour had it that the Communists camped out, as if she could keep him safe by sheer force of will alone. She sent out a ripple of her own.

The train growled to a start.

Kate Furnivall was raised in Penarth, a small seaside town in Wales. Her mother, whose own childhood was spent in Russia, China and India, discovered at an early age that the world around us is so volatile, that the only things of true value are those inside your head and your heart. These values Kate explores in The Russian Concubine.

Kate went to London University where she studied English and from there she went into publishing, writing material for a series of books on the canals of Britain. Then into advertising where she met her future husband, Norman. She travelled widely, giving her an insight into how different cultures function which was to prove invaluable when writing The Russian Concubine.

By now Kate had two sons and so moved out of London to a 300-year old thatched cottage in the countryside where Norman became a full-time crime writer. He won the John Creasey Award in 1987, writing as Neville Steed. Kate and Norman now live by the sea in the beautiful county of Devon, only 5 minutes from the home of Agatha Christie!

It was when her mother died in 2000 that Kate decided to write a book inspired by her mother's story. The Russian Concubine contains fictional characters and events, but Kate made use of the extraordinary situation that was her mother's childhood experience – that of two White Russian refugees, a mother and daughter, stuck without money or papers in an International Settlement in China.