Shan Sa - The Girl Who Played Go

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“Explosive… Poignant and shattering… While [the] climax is inevitable and the stories lead directly toward it, a reader is still shocked and horrified when it occurs.” -The Boston Globe
“Shan Sa creates a sense of foreboding that binds the parallel tales of her protagonists. Her measured prose amplifies the isolation amid turmoil that each character seems to inhabit.” – San Francisco Chronicle
“Dreamy… powerful… This unlikely love story… is beautiful, shocking, and sad.” – Entertainment Weekly
“Compelling… Emotionally charged chapters evoke the stop-and-start rhythms of adolescence… Sa handles the intersection of the personal and the political quite deftly.” – The Washington Post Book World
“What makes Sa’s novel so satisfying is the deceptive simplicity of her narrative strategy.” – San Jose Mercury News
“An awesome read… Shan Sa describes the story so well that you almost forget you’ve never visited the places in her book… This book is truly for every reader.” -The Decatur Daily
“Entrancing… [With] an ending that you won’t predict.” – Austin American-Statesman
“It has the sweep of war and the intimacy of a love story… Shan Sa is a phenomenon.” – The Observer (London)
“Spellbinding… Sa’s language is graceful and trancelike: her fights are a whirling choreography of flying limbs and snow, her emotions richly yet precisely expressed.” – The Times (London)
“One is struck by the economy of the tale, its speed, and the brutality of its calculations. There is never an excess word or a superfluous phrase: each paragraph counts… Fine literary work.” – Le Figaro Magazine (France)
“An astonishing book… Ends up taking one’s breath away… Goes straight to our hearts.” – Le Point (France)
“Gripping… A wrenching love story… [The protagonists’] shared sense of immediacy and the transience of life is what in the final analysis makes this novel so strong, so intelligent, so moving… You’ll have to look far and wide to find a better new novel on an East Asian subject than this finely crafted story, satisfying as it is on so many different levels.” – The Taipei Times
***
In a remote Manchurian town in the 1930s, a sixteen-year-old girl is more concerned with intimations of her own womanhood than the escalating hostilities between her countrymen and their Japanese occupiers. While still a schoolgirl in braids, she takes her first lover, a dissident student. The more she understands of adult life, however, the more disdainful she is of its deceptions, and the more she loses herself in her one true passion: the ancient game of go.
Incredibly for a teenager-and a girl at that-she dominates the games in her town. No opponent interests her until she is challenged by a stranger, who reveals himself to us as a Japanese soldier in disguise. They begin a game and continue it for days, rarely speaking but deeply moved by each other's strategies. As the clash of their peoples becomes ever more desperate and inescapable, and as each one's untold life begins to veer wildly off course, the girl and the soldier are absorbed by only one thing-the progress of their game, each move of which brings them closer to their shocking fate.
In The Girl Who Played Go, Shan Sa has distilled the piercing emotions of adolescence into an engrossing, austerely beautiful story of love, cruelty and loss of innocence.

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Jing bangs his head against the tree trunk. I take his arm, but he shakes me off.

“Don’t touch me,” he says. “I confessed it all, told them everything. It was easy as pissing, I had no shame. I wasn’t thinking about anyone. The words just came out, I couldn’t stop them. It was intoxicating, destroying everything…”

Jing bursts out laughing, shakes his head violently.

“You’re the only one who doesn’t look at me as if I were a monster,” he says. “My father prays for my death and forbids my mother to see me.”

He punches the tree so hard that his hand splits open.

I pass him a handkerchief and he whispers, “I can’t go back to the university now. I’m so ashamed. I live like a rat, hiding from my friends and frightening children in the street. I can’t sleep at night-the Resistance Movement will send out their killers for me. ‘In the name of the Resistance, in the name of the Chinese people, in the names of the victims and their families, we send you on your way to hell…’ You’ll see my body left at the crossroads, with a sign round my neck: ‘He betrayed, now he’s paid!’ ”

I can find no words to comfort him. He looks at me searchingly, then throws himself at me and squeezes my hands so tightly that it hurts.

“You should know the truth. Min was married to Tang in prison so that he could be united with her to face death. But I’ve only ever loved you. Of the two of us, Min committed the first betrayal: he betrayed you and I was disgusted. And so I refused to follow him. I wanted to marry you, I wanted to protect you, I wanted to see you before I died, to tell you how much I loved you. I traded dishonor for love. Tell me you understand! Tell me you don’t despise me!”

Suddenly I am terribly light-headed, and I try to pull free from Jing’s embrace. He stares at me and pants, “I’ve got two passports for the inner territories. Come with me. We’ll go to Peking, we can continue our studies there. I’ll work to pay for your food, to make you happy. I’ll be a rickshaw boy if I have to. The train’s at eight o’clock tomorrow morning. I’ve already got two tickets. Come with me!”

“Let me go!” I say, fighting him off.

“You hate me,” he says with a sigh. “Go on then, look after yourself and forget about me.”

He staggers away as though from a blow to the head.

“Wait! I need to think,” I say. “Let’s meet here tomorrow.”

He turns back.

“Tomorrow or never!” he whispers, his broken figure moving away, hugging the temple walls. I notice that he is dragging his left leg like a rotten branch. The sight fills me with pain, I lean my forehead against the tree and close my eyes. The bark transmits the feeble heat of the morning sun. It feels as if Min is there next to me.

“I hate you.”

He smiles and says nothing.

82

A woman is bathing in thermal springs, her body glistening under the water where it writhes and twists like a slender leaf. Beside the pool a blue cotton kimono hangs from a branch, fluttering delicately in the breeze.

The strident wail of the bugle pierces my dream, and I reach mechanically for the folded clothes on top of my shoes at the foot of the bed. I heave on my backpack and hurry outside.

As the troops file in, orders whistle from every direction. The regiment sets off, then from the head of the formation comes the command to run. The barrack gates draw open and the guards salute us. Then the gates of the town open and the chill, gloomy air of the countryside whips my face.

I am already drenched with sweat, but instead of diving into the woods as we have done on our previous exercises, we continue along the main road. I choke with apprehension when I realize: we are heading for Peking.

When the sun appears on the horizon we are already far from the town. I struggle to ready myself, to see myself in battle. I call on Death to give me strength. Curiously, instead of fortifying me as it always has before, the prayer makes me only more nervous.

The warm, easy months I have spent in the garrison evaporate in a flash. Did the town of A Thousand Winds really exist? And what about the girl who played go, was she only the heroine in some wonderful vision? Life seems an infernal loop in which the day before yesterday has joined with today, and yesterday has been jettisoned. We think we move forward in time, but we are always prisoners of the past. To leave… that is always a good thing: to have remained in the Square of a Thousand Winds would be to court destruction by the most tenacious of instincts: to love, to live, to bring forth children.

I hear the whistle signal to halt the march, and our platoon bunches together like an accordion as we stop to catch our breath. I take my flask off my pack and pour the sun-warmed water down my throat.

A new order comes through: about face, the rear formation becomes the head of the column. We are going back to the town. Cries of joy run up along the line as we set off again. I abandon myself, carried along on this wave.

83

In class Huong is nervously digging her nails into the desk. I pass her a note: “Stop it! You’re driving me crazy with your scratching.”

“Please don’t be hard on me,” she replies in a careful hand, “I didn’t sleep at all last night.”

“Jing has asked me to go to Peking with him. Come with us! He’ll get you a passport and a ticket, and we’ll be free there!”

“You can never trust a coward,” she scrawls. “You should pity him, but don’t go with him.”

“Jing’s not like the others.”

“A traitor is a traitor. Be careful!”

“If you go back to the country with your father and you marry the stranger,” I write more slowly, “you’ll only betray yourself, then you’ll know how it feels to be a coward.”

“Leave me alone, I’ve made my choice, and I’m not taking a chance in Peking. You can’t run away from reality, you can’t run away from life. Stay here!” she begs. “War is about to break out here in the homeland. No one’s going to escape the horror.”

“Now you sound like a married woman. Has your father brainwashed you?”

“I’ve been thinking. All I want is a man in my life. That’s all.”

Huong seems different today, she seems strange.

“We’ve been tricked by fiction,” she writes. “Love and passion are just monstrous creations dreamed up by writers. Why would I dream of freedom if it isn’t the way to love? If love doesn’t exist, why not be at least a happy prisoner of life? Suffering’s inevitable, so why shouldn’t it be rewarded by the pleasures of clothes and jewelry.”

“Have you gone mad? Why are you coming out with all this rubbish?”

A long time passes before Huong replies, her pen scratching squeakily on the scrap of paper: “I’ve never admitted this to you, but I met a banker two years ago and I became his mistress yesterday. He will come collect me from school later and he’ll set me up in one of his houses. He will pay my father a substantial sum and I won’t have to see the old man again.”

As I wonder which of the two of us has lost her senses, our frantic correspondence is interrupted by the bell. I put my things in my bag and leave the room without saying a word to Huong.

“You’re ashamed of me, aren’t you?” she says, stopping me in the street.

I shake my head and start to move away from her quickly. She throws herself after me.

“Please,” she begs, “don’t abandon me! Don’t go to Peking! I can feel something terrible will happen to you there. Swear to me that you won’t see Jing again. Swear to me that you’ll stay! I’ll tell your parents. They’ll shut you in…”

As I barge past her she trips and falls. I immediately regret knocking her down, but I can’t find it in myself to hold out a hand to help her up, and I run away.

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