Shan Sa - The Girl Who Played Go

I get into a rickshaw and my opponent sits down next to me. He has more pronounced muscles and wider shoulders than Min; and so the bench seat seems narrow. Lulled by the rolling motion, I feel as if I am setting off on a long journey. I am no longer myself, I am floating.

The rickshaw stops at the foot of the hill, and I start to climb. The Stranger follows me, still silent, as the wind wafts the bitter perfume of wildflowers over us. My legs are shaking and I can’t breathe very easily, but luckily I have started to sweat and the fever seems to be breaking. I wait for the Stranger, who is walking slowly with his hands crossed behind his back. He looks up, but lowers his eyes at once.

Who is he? Where is he from? The answers would only erase the peculiar and familiar, disturbing and fleeting figures that people our dreams.

We go past the path that leads to the place where I sat on the chipped marble carved into the shape of a flower and faced Min, waiting for my first kisses.

After the broken-down pavilion, I head deep into a pine wood where the path peters out. Insects are calling, the shiver of wind has dropped and here and there rays of sunlight stream through like waterfalls. A clearing.

Love has been buried forever under the leaves at my feet. I lie down on the ground and rest my head on my bag. The grass tickles my arms where I bend the stalks under my neck.

I want to sleep.

She leans towards me in the middle of the clearing.

“Watch over me. Don’t wake me if I fall asleep.” And she lies down in the grass under a tree, her head resting on her school bag.

I am so amazed I do not know what to do. I understand everything and I understand nothing. She wants me with her under this tree. Has this girl, who understands how dangerous it is to be surrounded, who calculates ten moves in advance to avoid a trap… has she just stepped into the web of human emotions and handed herself over to me?

I touch the gun hidden under my tunic. Could she have discovered my true identity? Is she setting a trap for me? The trees and bushes circle me in threat. I listen intently: nothing except for birdsong, the monotonous chirping of the cicadas and the whisper of a spring.

I go over to the Chinese girl. She has curled up on her left side with her eyes closed and her legs slightly bent. I wave a fan over her to drive away a bee, which has mistaken the fine down on her face for the pistil of a flower. She does not react; I lean closer. Her chest rises and falls with the regular rhythm of her breathing. She has gone to sleep!

I sit down against the tree that casts its shade over us. There is something moving about the young girl’s deep sleep. I decide to wait until she wakes, and surrender to a peaceful somnolence, sheltered from the heat. My eyelids grow heavy and, lulled by the insects’ monotonous hum, I close my eyes.

How did this story start? I lived in Japan and she in Manchuria. One snowy morning our division set off for the mainland. From the bridge we could see a misty sea of buffeting waves. China was a distant, invisible land, still an abstraction to me. From all this gray immobility, railways sprang up, and woods and rivers and towns. A tortuous path of fate took me to the Square of a Thousand Winds, where this adolescent girl was waiting for me.

I do not remember my first game of go; it’s been fifteen years since I learned to play. Since then I have made a point of challenging those adults who condescended to grant me handicaps. They would mock my opening tactics; my sieges were as leaden as a full meal in a starving man’s belly. At that stage in my life I could no more imagine the future than I could the past. It has taken many years for the game of go to initiate me into the freedom of slipping between yesterday, today and tomorrow. From one stone to the next, from black to white, the thousands of stones have ended up building a bridge far into the infinite expanse of China.

I open my eyes again. Up in the sky a mountain of clouds with deep valleys throws an eerie relief over the clearing. The grass, branches and flowers that were invisible in the incandescent light now have clear outlines as if newly chiseled. The trees rustle in the wind, but the Chinese girl sleeps on through this concert of kotos, flutes and samisens. Her dress covers her down to the ankles. Dead leaves have fallen onto her, transforming the violet-blue fabric, creased along the undulations of her body, into a sumptuous drape embellished with folds, furrows and unfurling waves. Will she get up and dance here on this stage, which is the preserve of the gods and of all those who dream?

The sun emerges from behind a cloud, laying a mask of gold over the sleeping girl’s face. She moans and rolls over onto her right side, her left cheek marked by twigs. I open my fan silently and hold it over her head. Her knitted brows relax and the hint of a smile appears on her lips.

I gently caress her body with this artificial shade. An uncontrollable surge of pleasure sweeps over me. I shut the fan abruptly.

How could I have confused modesty with indifference; how could I have been immune to her messages? She already loved me when I thought of her as a little girl. It must be the power of this passion that she has kept hidden for so long that has made a woman of her. Here, today, she is offering herself to me with extraordinary audacity. Compared to her I seem a coward, and only moments ago I was afraid this was a trap, I hesitated to take her in my arms, fearing for my own life.

The war is just about to explode. Tomorrow I will leave for the front and I will abandon her. How could I exploit her virginity with a clear conscience?

A soldier deserves death, not love.

I close my eyes and try to regain my senses. I set against this sun-drenched clearing the image of a snowfield, trenches dug out of frozen earth, and decomposing bodies.

Something knocks against my leg: the Chinese girl is curling up more tightly. She looks as if she is in pain. Is she cold? It can only harm a pampered creature like her to sleep on the bare ground for too long. I shake her gently, but instead of waking she shudders and goes on with her nightmare. I take her hands and hold them on my knees. She seems to calm down.

I think I can make out a glimmer of happiness through the closed lids of her eyes.

I have to go see Moon Pearl on the other side of town. Mother tells me not to, worrying I won’t be back in time for lunch. I laugh and say, “Look!”: as I stamp my foot I leap off the ground. But instead of falling back down to earth, I am carried, beating my wings. Our house quickly becomes a brick, then a grain of sand lost in the garden of our town.

There is not one cloud, not a single bird in front of me. I glide and bank, carried by the wind, spiraling tirelessly upwards into infinity. Suddenly eternal night falls, a deep, cold darkness. The stars don’t twinkle, they just stare thoughtfully. Drawn by their motionless brilliance, I prepare to meet them when a sharp pain pierces through my entrails.

I tumble back down, paralyzed by the spasm and flapping my hands, my feet and my wings, but there is nothing to hold me, nothing to carry me aloft. In the blink of an eye I travel back across my town, into my house, and continue to fall.

My whole body is on fire. I feel sick. I scream in horror.

Someone grabs hold of my body as I fall. Who has arms long enough to fish me from the depths of the ocean? I stop moving. I mustn’t move, so he will be able to pull me from the darkness. Firmly but gently he leads me back out of the depths, towards life, like a midwife guiding a baby to its birth. The warmth of his palms spreads through me. I am naked, creased, red, huddled. I am intimidated by the light, by the rustlings of the world. I shudder with pleasure.