Shan Sa - The Girl Who Played Go

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“Explosive… Poignant and shattering… While [the] climax is inevitable and the stories lead directly toward it, a reader is still shocked and horrified when it occurs.” -The Boston Globe
“Shan Sa creates a sense of foreboding that binds the parallel tales of her protagonists. Her measured prose amplifies the isolation amid turmoil that each character seems to inhabit.” – San Francisco Chronicle
“Dreamy… powerful… This unlikely love story… is beautiful, shocking, and sad.” – Entertainment Weekly
“Compelling… Emotionally charged chapters evoke the stop-and-start rhythms of adolescence… Sa handles the intersection of the personal and the political quite deftly.” – The Washington Post Book World
“What makes Sa’s novel so satisfying is the deceptive simplicity of her narrative strategy.” – San Jose Mercury News
“An awesome read… Shan Sa describes the story so well that you almost forget you’ve never visited the places in her book… This book is truly for every reader.” -The Decatur Daily
“Entrancing… [With] an ending that you won’t predict.” – Austin American-Statesman
“It has the sweep of war and the intimacy of a love story… Shan Sa is a phenomenon.” – The Observer (London)
“Spellbinding… Sa’s language is graceful and trancelike: her fights are a whirling choreography of flying limbs and snow, her emotions richly yet precisely expressed.” – The Times (London)
“One is struck by the economy of the tale, its speed, and the brutality of its calculations. There is never an excess word or a superfluous phrase: each paragraph counts… Fine literary work.” – Le Figaro Magazine (France)
“An astonishing book… Ends up taking one’s breath away… Goes straight to our hearts.” – Le Point (France)
“Gripping… A wrenching love story… [The protagonists’] shared sense of immediacy and the transience of life is what in the final analysis makes this novel so strong, so intelligent, so moving… You’ll have to look far and wide to find a better new novel on an East Asian subject than this finely crafted story, satisfying as it is on so many different levels.” – The Taipei Times
***
In a remote Manchurian town in the 1930s, a sixteen-year-old girl is more concerned with intimations of her own womanhood than the escalating hostilities between her countrymen and their Japanese occupiers. While still a schoolgirl in braids, she takes her first lover, a dissident student. The more she understands of adult life, however, the more disdainful she is of its deceptions, and the more she loses herself in her one true passion: the ancient game of go.
Incredibly for a teenager-and a girl at that-she dominates the games in her town. No opponent interests her until she is challenged by a stranger, who reveals himself to us as a Japanese soldier in disguise. They begin a game and continue it for days, rarely speaking but deeply moved by each other's strategies. As the clash of their peoples becomes ever more desperate and inescapable, and as each one's untold life begins to veer wildly off course, the girl and the soldier are absorbed by only one thing-the progress of their game, each move of which brings them closer to their shocking fate.
In The Girl Who Played Go, Shan Sa has distilled the piercing emotions of adolescence into an engrossing, austerely beautiful story of love, cruelty and loss of innocence.

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She invites me to start. After the two hundredth move, the black and white stones now form a series of intertangled traps where those that lay siege are themselves besieged. We are battling for narrow corridors, cramped corners of territory. The Chinese girl answers my move after a few minutes, her stone shattering the silence between us.

I am surprised at how little time she gives herself to think. I have such unpleasant memories of my anxiety the last time we played that I have steeled myself to resist any form of external influence. I allow myself half an hour of meditation before I respond. Three minutes later the white stone has been played. Amazed by this brutality, I look up.

She quickly shifts her eyes and pretends to watch the other players over my shoulder. My heart beats faster, but I look down and try to concentrate. Incredibly, when I stare at the black and white pattern on the board I see the image of my own face!

I have hardly moved my black stone before her white one takes over a neighboring intersection. She has never reacted so quickly and yet the move itself is irreproachable. I look up again, our eyes meet and she stares at me. A shiver runs through me and, to hide my uneasiness, I pretend to be thinking.

She carries on staring at me; I can feel my forehead burning under her gaze. Then suddenly her voice rings out: “Would you do me a favor?”

“How could I be of use to you?”

“Let’s leave this place, I’ll explain.”

I help her make a note of our positions and put the stones away in their pots. When she has put everything away in her bag, she asks me to follow her. She walks ahead, and I follow behind. She takes small steps and a few strands of her hair beat the rhythm in the air as she walks on.

My heart feels heavy and a strange feeling of anguish comes over me. Where is she taking me? The trees part before her slender form and close in again behind me. The roads weave a vast labyrinth, and I am lost.

Sometimes she looks round and smiles; the coolness in her eye has gone. She lifts her arm to hail a rickshaw, and tells me to sit down next to her.

“The Hill of the Seven Ruins, please.”

The sunlight streaming through the blind throws a golden veil over her face. Tiny motes of dust fall twinkling from the ceiling and come to rest on the ends of her eyelashes. I try desperately to keep to the far end of the narrow bench seat, but even so when we come to a bend in the road my arm brushes against hers. Her icy skin leaves its imprint on mine as if I have been bitten. She pretends not to notice. The distinctive fragrance of a young girl wafts from her neck, a blend of green tea and soap. The rickshaw trundles over a pebble and my thigh presses against hers.

I am strangled by my feelings of arousal and shame.

I so much want to hold her it is killing me! Since I cannot put my arm around her shoulders and rest her head on my chest, I would be content just to brush my hand over her fingers. I watch her face carefully out of the corner of my eye, ready to surrender myself like a moth drawn to a light. But the Chinese girl’s face remains closed. She sits there with her brows knitted, watching the back of the rickshaw boy as he runs.

I keep my hands clamped on my knees.

The rickshaw stops and we get out. I throw my head back and my eyes climb up a wooded hillside. At the top, lost in the sunlight, I can just make out a pagoda overlooking the exuberant vegetation.

In front of us a slate path snakes between shrubs and tall grasses, and disappears as it climbs upwards through the shade of the trees and the reeds.

77

In class Huong passes a note to me under the table. I unfold it: “Well?”

I tear off a sheet and reply: “!”

A few minutes later another missive arrives, and the writing is so violent that it has broken through the paper in places: “My father arrived this morning. He’s taking me away with him at the end of the academic year. I’ve had it!”

Our lessons end this week. I despair at the thought of Huong being married off to the son of some minor country dignitary, and the effect of this emotion brings on the contractions again. As soon as the bell sounds, I bow to my teacher and hurtle to the toilets with my bag full of wadding.

Huong has followed and is waiting for me outside the door. Her lips are trembling and she can hardly speak. I drag her away from the other pupils and she bursts into tears. My stomach hurts, but Huong throws herself into my arms so that I can’t bend over to repress the spasms. I hold her to me and my sweat mingles with her tears.

She has to have lunch with her father, and she begs me to go with her. She wants to negotiate a year’s reprieve.

With his silk tunic and his watch on the end of a gold chain, my poor friend’s father is a farmer dressed up as a gentleman. He takes us to a luxurious restaurant and we have hardly sat down when he starts enumerating the expenses of her education, all that money earned by the sweat of his brow.

“Anyway,” he says, striking the table with his fist, “all that nonsensical investment is coming to term. You’re packing your bags.”

His yellow teeth are disgusting. Huong is white as paper, she daren’t open her mouth.

I feel terrible. Every now and then the clatter of plates and conversation swells to a deafening thrum. I drop my chopsticks and bend over to pick them up. Huong leans over and whispers, “Go on! Say something!”

What should I say? Where do I start? My friend is putting all the weight of her happiness on my shoulders. Struggling against the pain gnawing away at me, I drink three cups of tea in quick succession and, feeling a bit stronger, I try to explain to the old crook that his daughter really should finish her studies and get a diploma.

“How much does a diploma cost?” he splutters in my face. “I can’t read and I’m doing well enough! I’ve had enough of plowing my money into this chamber pot. She needs to show me a bit of a return now! And as for you, Miss Stick-your-nose-in-everything, you should think of your own future. You’re not bad-looking, your parents should hurry up and find you a good match.”

I stand and leave the restaurant. Behind me I can hear the old man shrieking with laughter.

“Is that your best friend? Little bitch. I’ll tear your eyes out if you see her again. After lunch I’m taking you to buy some dresses. You’ll see, you’ll have the best dowry in the region.”

I hail a rickshaw in the street.

There has been less blood since midday, but I am exhausted. I long to sink into a deep sleep. Mother is at home: to return now would mean being exposed to her sharp eye. If I go to bed it would be like admitting that I am ill, and they would soon find the cause.

I snooze in the rickshaw and, after making the boy wander around for a long time, I remember I have arranged to play go. I return home immediately but remain hidden in the rickshaw and send the boy to ask the housekeeper to get the two pots of stones.

The terra-cotta statue is already there on the Square of a Thousand Winds.

Our game is moving towards its final phase, and I regain some of my old energy and dignity as I play. But time is against me: I am dazed by the sunlight while my opponent meditates at length. I close my eyes, but my ears are filled with endless waves of muffled rustling. There is a huge clearing opening at my feet, and I lie down on the cool grass.

I am woken by the click of a stone on the board: my opponent has just played his turn. Our eyes meet.

“Would you do me a favor?” I have hardly formulated this request in my mind before it leaves my mouth. He doesn’t even know my name.

I get up, feeling feverish and racked by the pain in my stomach. I need to run away from these players, from the game of go, from the whole town.

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